Film
The Big Sick
A romantic comedy that swerves into a hospital drama without ever losing its sense of humour, this is Kumail Nanjiani and Emily V. Gordon's own courtship rewritten for the screen. It's funny the way real conversations are funny — awkward, specific, a little mean — and it earns its tears instead of demanding them. Good for anyone who wants a love story with actual family friction in it.
If you liked this
Silver Linings Playbook2012
Another romance built from mess rather than meet-cute polish, where family chaos and mental illness are played for laughs and real ache at once. Bradley Cooper and Jennifer Lawrence spark the same messy, true way Nanjiani and Kazan do.
But The manic energy and football-obsessed family subplot can feel like a lot if you wanted something quieter.

Master of None2015
Aziz Ansari's series mines similar terrain — a comedian navigating dating, immigrant parents, and the gap between two cultures — with the same mix of specificity and warmth. Season one's parents episode alone is worth the watch.
But It's more episodic than narrative; don't expect a single sustained love story arc.

Meet the Parents2000
The purest version of terrifying in-laws comedy, if you want the anxiety of impressing a partner's family cranked all the way up to farce. Ben Stiller and Robert De Niro's stand-off is a masterclass in comic escalation.
But Broader and dumber by design — no illness, no real stakes, just slapstick dread.

The wildcard
Something you would not have found on your own.
Dick Johnson Is Dead2020
The Big Sick finds jokes inside a hospital room without ever making light of the fear in it; this documentary does the exact same trick with a parent's dying, using invention and humour as a way of loving someone through the unbearable.
Kirsten Johnson films her own father's decline into dementia by staging his death over and over — comically, tenderly, absurdly — as a way of preparing for the real one. It's the funniest, most devastating thing about mortality you'll watch this year.
But It's a documentary about death, not a date-night comedy — go in ready to cry harder than you expect.

More like this (8)
My Big Fat Greek Wedding2002
The template for loud, loving, overbearing immigrant families colliding with a partner from outside the culture, played entirely for warmth rather than conflict. Gentle, crowd-pleasing, and easy to love.
But Where The Big Sick digs into real tension, this one smooths everything over fast.

Trainwreck2015no page yet
Judd Apatow produces another comedian-written romance, this time with Amy Schumer, that lets its lead be genuinely unlikeable before earning its swerve into sincerity. Sharp, filthy, surprisingly tender by the end.
But Rowdier and more raunchy — less interested in family or culture, more in the leads' bad habits.
Blinded by the Light2019no page yet
A British-Pakistani teenager caught between his father's expectations and his own dreams swaps the comedy circuit for Springsteen fandom, but hits the same generational fault line with real feeling.
But Musical needle-drops and coming-of-age beats make it a gentler, younger film overall.
The Namesake2006
Mira Nair's drama follows an Indian-American family across decades, tracing the same tension between inherited expectation and chosen life, but stretched into something quieter, sadder, and more patient.
But No jokes to lean on here — this one asks you to sit with the discomfort rather than laugh through it.

Obvious Child2014no page yet
A stand-up comedian's messy love life collides with an unplanned crisis, and the film refuses to choose between funny and serious, much like Kumail's own hospital-corridor jokes. Jenny Slate is terrific.
But Lower budget, rougher edges, and a much scrappier indie sense of humour.
Crazy Rich Asians2018
Family disapproval gets the full glossy rom-com treatment here — gorgeous, escapist, and still landing real punches about what it costs to marry into or out of a culture.
But Fantasy-level wealth and a much shinier finish mean the stakes never feel life-or-death.

It Happened One Night1934
Strip away the cultural specifics and Kumail and Emily's story runs on the same engine Capra built almost ninety years ago: two people who shouldn't work, talking their way into love while everyone around them insists they won't.
The screwball comedy that basically invented the mismatched-couple-forced-together romance, all wit and class friction and a family that disapproves for entirely different reasons. Still faster and funnier than most rom-coms made since.
But Black and white, decades-old rhythms, and a moral universe from another century — some will find it quaint rather than charming.

Dilwale Dulhania Le Jayenge1995no page yet
Same fight Kumail has with his parents — love versus arranged expectation, culture versus individual choice — but turned up to full operatic volume instead of played for wry comedy, the version this story would be if it came from Bollywood instead of the comedy circuit.
A three-hour Bollywood classic about a young couple falling in love against the wishes of a father determined to marry his daughter off within tradition — sung, danced, and wept through with total sincerity.
But It's long, unapologetically melodramatic, and asks you to accept musical numbers as emotional shorthand.
People
Cast
Kumail NanjianiKumail Nanjiani
Zoe KazanEmily Gardner
Holly HunterBeth Gardner
Ray RomanoTerry Gardner
Anupam KherAzmat Nanjiani
Zenobia ShroffSharmeen Nanjiani
Adeel AkhtarNaveed Nanjiani
Aidy BryantMary
Kurt BraunohlerChris
Vella LovellKhadija
Myra Lucretia TaylorNurse Judy
Directing
- Michael ShowalterDirector
- Nicholas R. BellFirst Assistant Director
- Mariana HellmundScript Supervisor
- Adam J. BernardSecond Assistant Director
- Scott BowersSecond Second Assistant Director
Writing
- Emily V. GordonWriter
- Kumail NanjianiWriter
Production
- Bruce WinantADR Voice Casting
- Dann FinkADR Voice Casting
- Mary Kate GoldingArt Department Production Assistant
- Gabriel GonzalezAssistant Location Manager
- Michael L. MizrahiAssistant Location Manager
- Nicki SlackAssistant Production Coordinator
- Gayle KellerCasting
- Aaron SchoonoverCasting Associate
- Allison KirschnerCasting Associate
- Nicole P. HearonCasting Associate
- Amanda GlazeCo-Producer
- Ben BrowningExecutive Producer
- Emily V. GordonExecutive Producer
- Glen BasnerExecutive Producer
- Jeremy Kipp WalkerExecutive Producer
- Kumail NanjianiExecutive Producer
- Hannah GettsExecutive Producer's Assistant
- Brittany SugarmanFirst Assistant Accountant
- Adam WilliamsLocation Assistant
- Sharmain PerryLocation Assistant
- Jillian StrickerLocation Manager
- Rachel SchneiderPost Production Accountant
- Barry MendelProducer
- Judd ApatowProducer
- Leigh PrudenProducer's Assistant
- Ryan BernsteinProducer's Assistant
- Sam FishellProducer's Assistant
- Johnny HollandProduction Accountant
- Cynthia ChouProduction Coordinator
- Annie TanProduction Supervisor
- Adam KershPublicist
- Carol A. ComptonScript Researcher
- Jeremy Kipp WalkerUnit Production Manager
Recommended by
The Farewell, Silver Linings Playbook, The Namesake, Set It Up, Punch-Drunk Love