Television series
Campus Drivers
Campus Drivers is an upcoming Prime Video drama-romance following young drivers navigating love, ambition and friendship around a university setting. It blends intimate character work with the kinetic energy of mobility culture, aiming for the emotional specificity of prestige TV with the accessibility of a good ensemble story. For anyone who loved character-driven shows about people figuring out who they are.
If you liked this
Normal People2020
Achingly precise portrait of two people across years, finding each other and losing themselves. The intimacy and realism will wreck you in the best way.
But Very slow and deliberately unglamorous. Long silences and small moments feel like nothing is happening if you want plot momentum.
Ginny & Georgia2021
Ensemble cast navigating relationships, identity and family in a college town setting. Fun, fast-paced, and genuinely interested in how young people talk and think.
But Leans into melodrama and sometimes sacrifices nuance for emotional beats. The tone can wobble between serious and soap-opera.
The Summer I Turned Pretty2022
Romance and friendship at the centre, with genuine chemistry and a real sense of place. Captures how formative summer experiences shape identity and connection.
But Pretty conventional love triangle plotting. If you've seen this exact story before, you know exactly where it's headed.
Not sure tonight? Get a pick in a minute, starting from Campus Drivers
The wildcard
Something you would not have found on your own.
Moonlight2016
Both explore identity formation through relationship and place. Campus Drivers' ensemble structure mirrors Moonlight's refusal to explain—we know these people by how they move through their world.
Three chapters of a Black man's life across years and geographies, each one intimate and unsentimental. Captures how identity, desire and belonging shift and settle. Pure visual and emotional storytelling.
But Deliberately quiet and elusive. There's no plot to follow and huge gaps between scenes. If you need narrative scaffolding, you'll feel lost.
More like this (8)
Russian Doll2019
Young people in a city, grappling with meaning and connection. Darkly funny, formally inventive, anchored by performances that feel utterly real.
But Surreal and increasingly abstract. If you want grounded emotional realism throughout, this gets weird and philosophical.
Insecure2016
Masterclass in ensemble comedy-drama following friendships through work, relationships and self-discovery. Funny, honest, never talks down to its characters.
But Serialised across seasons—you need to stay committed. Also deeply specific to its cultural moment; that specificity is part of its power but not for everyone.
Master of None2015
Formally playful exploration of ambition, family and romance. Each episode is distinct; the whole thing feels like cinema, not TV. Quietly devastating.
But Uneven across seasons. The second season fractures its focus in ways some find pretentious; the plot is secondary to mood and idea.
You're the Worst2014
Subverts romance tropes by starting where most shows end. Hilarious, weird, characters you shouldn't like become the ones you'd fight for.
But Deliberately antagonistic protagonists and crude humour. If you want likeable people doing sensible things, this isn't it.
Fleabag2016
Virtuosic character study using format innovation to get inside someone's head. Funny, sexy, heartbreaking, and over in six episodes each season. Pure craft.
But The lead is chaotic and often cruel. The emotional gut-punch doesn't land if you need your characters to be fundamentally good.
Soundtrack2019
Visually gorgeous anthology following young people in LA. Each episode pairs a different couple with a different song. Romantic, inventive, full of life.
But Deeply uneven—some stories sing, others fall flat. It ends after one season on a cliffhanger, which many found frustrating.
mid90s2018
Both use mobility culture (drivers, skateboarders) as the spine for stories about belonging and self-discovery. Campus Drivers' young ensemble likely draws from Hill's template of capturing how young people actually speak and move together.
Jonah Hill's directorial debut follows a crew of skateboarders as they find family in friendship. Raw, funny, deeply alive. It captures a specific moment and culture with total authenticity.
But It's loose and shapeless by design. There's minimal plot. Also shot in 4:3 aspect ratio, which some find distracting; it's intentional but not to everyone's taste.
Heartstopper2022
Both centre young people discovering identity through romantic and platonic relationships in a contained social space. Heartstopper's commitment to emotional honesty over irony is a template for ensemble romance done with real care.
LGBTQ+ coming-of-age romance set in a UK school. Earnest, joyful, unashamed of being sincere about connection and identity. Tender without being saccharine.
But Deliberately optimistic and cute—it refuses cynicism entirely. Also very young cast and sensibility; older viewers may find it slight or overly sunny.
