Television series

Monty Python's Flying Circus

Five Oxbridge writers and one American animator blew up the rules of TV comedy: no punchlines, no closure, sketches that dissolve mid-scene into cartoons or simply stop. Dead parrots, silly walks, the Spanish Inquisition arriving unannounced. It's gleeful, cerebral, occasionally baffling nonsense — for anyone who likes their silliness with a philosophy degree hidden inside it.

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Fawlty Towers1975

Cleese proving he could sustain one lunatic premise for a full thirty minutes instead of three — a hotel farce that escalates Basil's rage with almost mathematical precision.

But Only twelve episodes exist across two series. It's over almost as soon as you fall for it.

Fawlty Towers poster

The Young Ones1982

The punk-fuelled successor: four students in a filthy flat, rubber puppets, fourth walls broken with actual violence. Python's anarchy with amps turned up.

But Loud, aggressive, and dated in its politics — exhausting rather than delightful for some viewers.

The Young Ones poster

A Bit of Fry and Laurie1987

The gentlest heirs — sketches built almost entirely from wordplay, with Fry's diction turned into a comic weapon all its own.

But More cerebral, less physical silliness. Some sketches read as posh in-jokes if you're not already charmed.

A Bit of Fry and Laurie poster

The wildcard

Something you would not have found on your own.

Duck Soup1933

The Pythons themselves cited the Marx Brothers as the blueprint for comedy with no respect for authority or structure — this is the wilder, earlier draft of that same anti-establishment absurdism.

The Marx Brothers dismantling government and war with pure verbal and physical anarchy, decades before Python existed, and still dizzyingly fast today.

But Black-and-white vaudeville pacing and rhythms feel genuinely foreign to modern viewers used to slower setups.

Duck Soup poster
More like this (8)

The Mighty Boosh2004

A surreal double act with musical numbers and monster costumes, running on genuine dream logic rather than satire or structure.

But Deliberately, aggressively weird — a style that can feel try-hard if it doesn't immediately click.

The Mighty Boosh poster

Not the Nine O'Clock News1979

A direct descendant that took Python's sketch format and pointed it squarely at politics and the news of the day.

But Topical references have aged badly; you'll need context to know what half the jokes are actually about.

Not the Nine O'Clock News poster

The Kids in the Hall1988

Canadian sketch troupe doing cross-dressing chaos and absurdist non sequiturs with the same anarchic disregard for logic.

But Uneven episode to episode — brilliant one sketch, oddly flat the next.

The Kids in the Hall poster

Saturday Night Live1975

The sketch show as institution — live energy, recurring characters, and a cultural footprint that never really shrank.

But Fifty seasons of hit-or-miss quality. Finding the good stuff means wading through a lot of filler.

Saturday Night Live poster

Big Train1998no page yet

A darkly surreal sketch show that takes twisted little premises and pushes them to their most deadpan, logical extreme.

But Short-lived and harder to find, with a colder, meaner streak than Python's warmer silliness.

The Goodies1970

Python's contemporaries, playing giant kittens and absurd premises entirely straight-faced, slapstick cranked to its most ridiculous.

But Production values are dated and many episodes are rarely rerun or hard to track down.

The Goodies poster

Brazil1985

Same director, same visual absurdism and contempt for tyranny-by-paperwork — just aimed at your nerves instead of your laugh reflex, showing what happens when the joke stops being funny.

Terry Gilliam takes the same nightmare-bureaucracy jokes from Python and turns them into a genuinely terrifying dystopian satire, all paperwork and dread.

But It's a two-hour film with real stakes and a creeping sense of horror, not a giggle-a-minute romp.

Brazil poster

Jackass2000

Both shows treat the body and social decorum as things to be gleefully destroyed on camera — Jackass just swaps clever absurdism for raw American shock comedy.

Total disregard for taste, safety, and structure, with stunts staged with the same deadpan commitment Python brought to silly walks.

But Crude, physically painful, and completely without Python's wit or wordplay — this is comedy with all the cleverness surgically removed.

Jackass poster

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