Television series

Newman and Baddiel in Pieces

  • Comedy
  • Light-hearted
  • Dip in and out

A sketch comedy show from early-90s BBC Two featuring David Baddiel and Rob Newman at their sharpest. Fast, clever, and anarchic—it tears through cultural references, absurdist setups, and character work with real wit. Perfect if you want comedy that trusts you to keep up.

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The Fast Show1994

Ensemble sketch brilliance with recurring characters that somehow get funnier each time. Rapid-fire pacing, surreal logic, and jokes that land in multiple directions at once.

But Scattered format means some sketches don't land. Occasionally feels more interested in catchphrases than actual punchlines.

The Fast Show poster

Brass Eye1997

Chris Morris and team at their most fearless—satire that's precise, cruel, and genuinely shocking. Every sketch is a tightly wound attack on something real and deserving.

But Aggressively mean-spirited. Some material hasn't aged well; offensiveness is sometimes the whole joke, which wears thin fast.

Brass Eye poster

The League of Gentlemen1999

Four comedians creating a grotesque, deeply committed world of damaged characters. Character comedy at maximum commitment, with real horror lurking beneath the laugh track.

But Genuinely unsettling in places. Relies on shock and discomfort as much as actual jokes—not everyone finds that funny.

The League of Gentlemen poster

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That Mitchell and Webb Look2006

Direct spiritual successor to this era of sketch. Same DNA, same class of comedian, same willingness to mock culture and reference, but sharper and slightly colder.

David Mitchell and Robert Webb doing sketch comedy a decade later—faster, meaner, more focused. If you liked the anarchic energy and cultural references of early-90s sketch, this is what it evolved into.

But Feels post-internet in its structure—jokes land faster but sometimes without earning them. Not as many genuine characters; more intellectual jokes doing the work.

That Mitchell and Webb Look poster
More like this (6)

Knowing Me, Knowing You with Alan Partridge1994

Steve Coogan's finest sketch-show work before I'm Alan Partridge. One character, infinite ways to humiliate him. Squirm comedy that's perfectly written and performed.

But The joke—Alan is an idiot—doesn't move much. If you don't find cringe comedy funny, forty-five minutes of it won't change your mind.

Knowing Me, Knowing You with Alan Partridge poster

Have I Got News for You1990

Topical comedy with two team captains sparring over the week's news. Sharp, fast, irreverent, and full of genuine affection between the panellists. Comedy for people who read newspapers.

But Heavily dependent on knowing what's happened that week. Also uneven—sometimes panellists clearly haven't prepared.

Have I Got News for You poster

Monty Python's Flying Circus1969

The DNA for everything else on this list. Sketch comedy that's anarchic, clever, and willing to let jokes fail spectacularly. Watch if only to understand where all modern comedy is descended from.

But Pacing is glacial by today's standards. Some sketches overstay dramatically. Not every bit lands, and Monty Python seems to know it and doesn't care.

Monty Python's Flying Circus poster

The Day Today1994

Armando Iannucci's news satire is a masterclass in satirical precision. Every joke targets something actual and specific. Smarter than it has any right to be, and genuinely funny about how news works.

But Very much of its moment—you need to know what it's satirizing to get it. Some sketches are driven more by irritation than actual comedy.

The Day Today poster

A Bit of Fry and Laurie1987

Stephen Fry and Hugh Laurie's sketch partnership is impeccably performed, with strong writing and willingness to commit fully to ridiculous setups. Period variety show that genuinely varies.

But Sketch show unevenness applies here too. Some ideas stretch past their joke. Occasionally feels more interested in showing off how clever it is than making you laugh.

A Bit of Fry and Laurie poster

French and Saunders1987

A female sketch partnership that holds its own completely. Strong character work, celebrity parodies that are affectionate and sharp, and a real sense of ease between the two leads.

But Celebrity parody format limits scope—only as funny as the thing being parodied. Some sketches feel padded; not every idea needs six minutes.

French and Saunders poster

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