Television series

Bo' Selecta!

  • Parody
  • Light-hearted
  • Strange
  • Dip in and out

Leigh Francis's rubber-faced assault on early-2000s celebrity culture. Absurdist sketch comedy that treats famous people as raw material for surreal cruelty—Michael Jackson with a chimp, Mel B as a shrieking nightmare, Craig David having his life dismantled. It's anarchic, often tasteless, and genuinely inventive. For people who found mainstream comedy too polite.

Should you watch it?

Watch it if you enjoy broad, gleefully crude sketch comedy that treats celebrity culture as a costume party, and you don't mind the wobble of rubber masks as the joke.

Skip it if you want tight, consistently sharp jokes, since the hit rate is patchy and the crudeness can feel like it is doing the work for the writing.

What it asks of you: Half-hour episodes that jump quickly from one impression to the next, so it suits dipping in rather than settling in for long stretches.

If you liked this

The League of Gentlemen1999

Grotesque characters and surreal horror-comedy with the same gleeful disregard for comfort. Both shows treat comedy as permission to be genuinely unsettling rather than safe.

But Very dark and bleak. The laughs come from discomfort rather than warmth, and some sketches simply don't land.

The League of Gentlemen poster

Little Britain2003

Character-based sketch comedy that also mocks contemporary culture through rubber-faced caricature. Similar energy of exaggerated grotesquerie played completely straight.

But By today's standards, the comedy feels dated and some character choices haven't aged well in terms of taste.

Little Britain poster

Brass Eye1997

Charlie Brooker and Armando Iannucci satirising media and celebrity with surgical precision and actual intellectual anger. The same impulse to expose stupidity, executed with different weapons.

But Much more political and demanding—less absurdist playground, more genuine scorn. Requires you to care about targets rather than just enjoy the chaos.

Brass Eye poster

Not sure tonight? Get a pick in a minute, starting from Bo' Selecta!

The wildcard

Something you would not have found on your own.

Jackass2000

Both are comedy built on cruelty and physical excess. Where Bo' Selecta! uses masks and caricature, Jackass uses real bodies and actual danger. Same energy, different methods.

Anarchic physical comedy that treats its own subjects as material for humiliation. Same gleeful indifference to dignity and comfort, same commitment to the bit regardless of consequences. Made for people who get off on watching things go wrong.

But Relies entirely on actual pain and injury. If you want your comedy without wincing at real damage, this is genuinely hard to watch.

Jackass poster
More like this (4)

A Bit of Fry and Laurie1987

Sketch comedy with committed character work and satirical edge, though vastly more clever and linguistically playful than Bo' Selecta!'s blunt-force approach.

But The humor is cerebral rather than grotesque. If you love the *cruelty* of Bo' Selecta!, this feels too clever and restrained.

A Bit of Fry and Laurie poster

Monty Python's Flying Circus1969

The template for anarchic sketch comedy that doesn't care about targets or logic. Surrealism as comedy structure rather than trying to make obvious jokes land.

But Pacing is wildly uneven and some sketches are just noise. The influence overshadows the actual viewing experience for modern audiences.

Monty Python's Flying Circus poster

Trigger Happy TV2000

Dom Joly in prosthetics and rubber masks pranking real people in absurd situations. Character comedy that prioritizes the bit over the target's dignity.

But Relies on public embarrassment for laughs, which can feel mean-spirited. The premise wears thin after a few episodes.

Trigger Happy TV poster

The Midnight Gospel2020

Both use grotesque, exaggerated aesthetics as a way to process and mock the world. Bo' Selecta! does it as blunt-force satire; The Midnight Gospel does it as meditation. Proof that the same tools can be sharpened in opposite directions.

A densely animated series that tackles grief, death, and meaning through absurdist conversations and visual chaos. Completely different register—sincere and melancholic beneath the surrealism. Shows that extreme visual style and emotional depth aren't opposites.

But Very slow and introspective. If you came for anarchic chaos, you'll find yourself sitting with sadness and philosophy instead. The animation style disguises how genuinely contemplative it is.

The Midnight Gospel poster

People

Cast

Writing

Recommended by