Television series
Gomorra: La Serie
No heroes, no glamour, no way out. Gomorra follows the Savastano clan and Naples' Camorra underworld from the inside, tracking betrayal and ambition with the patience of a novel rather than the thrill of an action series. Shot in flat, unforgiving light, it's slow, brutal, and morally exhausting television — for anyone who wants their crime drama to feel like consequence, not spectacle.
If you liked this
The Wire2002
This is the gold standard for showing how institutions — police, drugs, city hall — corrupt everyone inside them, with the same patient, unglamorous eye for consequence and rot that made Gomorra work.
But A slow start, a sprawling cast, and thick Baltimore slang all take real effort before it starts to click.

The Sopranos1999
The original gangster-as-family-man tragedy, trading shootouts for therapy sessions and dinner-table dread — it invented the domestic, psychological rot that Gomorra's family drama quietly runs on.
But Much talkier and more introspective than Gomorra, with long stretches of therapy and marriage trouble instead of turf war.

Narcos2015
Real cartel empire-building told with the same rise-and-inevitable-fall shape, tracking how a criminal organisation actually functions — the supply chains, the bribes, the paranoia — rather than how movies imagine it.
But Slicker and more thriller-paced than Gomorra, with English narration that can flatten some of its moral murk.

The wildcard
Something you would not have found on your own.
Gomorrah2008
Same Saviano book, same Naples streets, made years before the series existed — the film that proved this story could work with no sympathetic characters at all, before it grew into five seasons of television.
Cold and clinical where the series is operatic, it tells five interlocking Naples stories with no throughline except the system quietly devouring everyone caught inside it.
But Deliberately anti-narrative and emotionally withholding — if you want arcs and people to root for, this will frustrate you.

More like this (8)
City of God2002
Kids recruited into violence before they understand what it will cost them — the same pipeline Gomorra traces, compressed into two furious, unforgettable hours of Brazilian slum crime.
But More kinetic and visually dazzling than Gomorra's flat realism; it wants to thrill you a little, not just implicate you.

Breaking Bad2008
Watch an ordinary man calcify into someone he'd have despised — the same slow moral erosion Gomorra puts its characters through, here dressed up as a chemistry teacher's crisis.
But Funnier, glossier, and considerably more purely entertaining than Gomorra ever allows itself to be, which changes the whole feel.

Peaky Blinders2013
A crime family saga with the same appetite for betrayal and turf war, swapping Naples concrete for Birmingham smoke and adding a great deal more style and swagger.
But Stylised, romantic, and increasingly operatic as it goes on — nearly everything Gomorra deliberately refuses to be.

The Godfather Part II1974
The template for generational crime tragedy, tracing exactly how power gets inherited and corrupted inside a family — the Savastano problem, done first and still done best.
But Old Hollywood grandeur and pacing feel a world away from Gomorra's grubby, handheld present tense.

Animal Kingdom2016
A crime family held together by a fierce matriarch and slowly torn apart by ambition — a smaller American cousin, but the same fatalism running underneath everything.
But Sun-bleached California surf culture is a very different texture from Naples' grey concrete and constant threat.

ZeroZeroZero2020
Another Saviano adaptation, this one following cocaine from Calabria to Mexico to West Africa, with the same clinical eye for how criminal supply chains actually function.
But It splits attention across three continents and loses some of the suffocating intimacy that makes Gomorra work.

My Brilliant Friend2018
Same Naples, same poverty-and-violence undertow, adapted from another towering Italian book — except here the crime is background noise to two girls' friendship, showing the ordinary world the Camorra preys on.
A tender, devastating epic about female friendship set in the same violent, claustrophobic Naples neighbourhoods that Gomorra's men grew up terrorising, seen from the other side entirely.
But No shootouts or criminal plotting here — it's literary, interior, and moves at a completely different pace.

Salvatore Giuliano1962
Francesco Rosi's fractured, documentary-style dissection of a real Sicilian bandit's rise and death effectively invented the unsentimental Italian crime-realism that Gomorra is still, six decades later, working inside of.
A landmark of Italian crime cinema told almost entirely through flashback and inquest, refusing its real-life bandit subject any myth, romance, or tidy explanation.
But Black-and-white, elliptical, and assumes real knowledge of Sicilian history — a genuine commitment, not a casual watch.

People
Cast
Writing
- Roberto SavianoCreator
Production
- Maurizio TiniAssociate Producer
- Matteo De LaurentiisExecutive Producer
- Nils HartmannExecutive Producer
- Roberto AmorosoExecutive Producer
- Sonia RovaiExecutive Producer
- Gina GardiniProducer
- Giovanni StabiliniProducer
- Marco ChimenzProducer
- Riccardo TozziProducer
Recommended by
Peaky Blinders, My Brilliant Friend, Vincenzo, Animal Kingdom, ZeroZeroZero, Law & Order: Organized Crime, Line of Fire, Mare fuori