Film

Tremors

Name: Tremors
Genre: Comedy, Horror, Science Fiction
Released: 1990
Cast: Kevin Bacon, Fred Ward, Finn Carter, Michael Gross, Reba McEntire

Tremors is a monster movie that knows exactly how silly it is and leans in anyway. Kevin Bacon and Fred Ward play handymen defending a one-street desert town from blind, burrowing Graboids that turn the ground itself into a threat. It's tense, funny, and unpretentious — pure creature-feature comfort food for anyone who wants scares with a grin attached.

TMDb rating

7.0

If you liked this

Jaws1975

This is the granddaddy of 'town under siege by an unseen monster,' and it invented half the tricks Tremors plays with. Spielberg's control of dread, plus a starrier cast of oddballs, makes it essential viewing.

But It's a thriller first, comedy a distant second — if you came for jokes and quotable one-liners, this plays it straighter.

Gremlins1984

Same small-town-under-siege energy, but swap desert worms for mischievous monsters wrecking Christmas. Joe Dante's gleeful mix of cute and grotesque hits a similar comedic-horror sweet spot.

But It's more family-friendly chaos than survival thriller, so the stakes and gore feel considerably gentler throughout.

Arachnophobia1990no page yet

Released the same year, it's basically Tremors' spider cousin — a small town terrorized by an infestation, played with the same blend of dread and slapstick.

But If you're actually afraid of spiders, this will be considerably harder to enjoy as comfort viewing.

The wildcard

Something you would not have found on your own.

Them!1954

Tremors' entire DNA traces back here — giant creatures spawned by human interference, terrorizing a remote American landscape, discovered by ordinary folks who have to convince skeptical authorities before it's too late.

This is the film that invented the atomic-age giant-monster template Tremors affectionately riffs on — giant ants instead of worms, but the same slow-build dread and small-town heroism.

But It's black-and-white, 1950s pacing, and the effects — rubber ant props — will look charmingly primitive rather than scary to modern eyes.

Evil Dead II1987

For pure horror-comedy chaos, this is the gold standard — Bruce Campbell wrestling his own hand, buckets of gore played entirely for laughs.

But It's wilder and gorier than Tremors, with a surreal, almost cartoonish tone that some will find too much.

Zombieland2009

Ragtag survivors, dry banter, and a road-trip structure make this the closest modern equivalent in spirit — funny people improvising their way through a monster apocalypse.

But Zombies instead of Graboids, and a snarkier, more meta sense of humor than Tremors' earnest small-town charm.

Lake Placid1999no page yet

A giant, hungry creature terrorizing a rural community, played with tongue firmly in cheek and a script that knows it's ridiculous.

But It's broader and campier, with less genuine craft in the creature effects than Tremors managed.

The Blob1988no page yet

Small town, unstoppable monster, practical effects doing the heavy lifting — this remake is a loving nod to the same B-movie tradition Tremors comes from.

But It plays its horror straighter and gooier, with less of Tremors' constant comic relief.

Shaun of the Dead2004

For horror-comedy done with real affection and wit, this is the benchmark — ordinary people defending their turf from a threat with whatever's at hand.

But It's zombies in suburban London, not Graboids in the desert, and the humor leans more British and deadpan.

Anaconda1997no page yet

If you want pure, unashamed creature-feature trash with a great cast having far too much fun, this delivers the giant-monster silliness Tremors has in its DNA.

But It's genuinely worse-made and campier — enjoy it as a guilty pleasure, not a well-crafted film.

Attack the Block2011

Same structural DNA as Tremors — ordinary people with no training defending their own turf from an alien threat using improvised weapons and local knowledge, just swapped from a desert town to a London council estate.

Teenagers on a South London estate become unlikely monster-hunters when aliens crash-land, using fireworks, bikes, and neighborhood smarts. It's funny, kinetic, and surprisingly moving about community.

But Thick London slang, no subtitles provided, and a much younger, rougher cast of heroes than Tremors' folksy adults.

The Mist2007

Same premise almost exactly — a small American town suddenly under siege by monstrous, unexplained creatures — but Frank Darabont strips out every joke and lets the situation curdle into something genuinely bleak, showing what this story looks like without Tremors' grin.

It's the version of this story with the humor surgically removed — a supermarket full of terrified townspeople turning on each other as monsters gather outside, building to one of horror's bleakest endings.

But There is no comic relief here, and the ending is famously, deliberately devastating — go in braced.