Film

The Fly II

Name: The Fly II
Genre: Horror, Science Fiction
Released: 1989
Cast: Eric Stoltz, Daphne Zuniga, Lee Richardson, John Getz, Frank C. Turner

The Fly II follows Martin Brundle, the human-fly hybrid offspring from the first film, as he ages unnaturally fast while working for the corporation that employs him. It's a body-horror continuation that trades its predecessor's intimate tragedy for creature-feature spectacle and corporate conspiracy. For fans of practical effects and unapologetic sequels willing to lean into their own weirdness.

TMDb rating

2.9

If you liked this

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Cronenberg's original is the essential starting point: a tragic love story wrapped in biological nightmare, with transformation sequences that still horrify. Essential context for understanding what the sequel is doing.

But Slower and more intimate than its follow-up; if you want action and spectacle, the first film may feel like foreplay before the chaos begins.

Videodrome1983

Cronenberg at his most hallucinogenic, exploring flesh warped by technology and media. Same director's obsession with the body as corrupted instrument, even more visually unhinged.

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Alien1979

Scott's creature-horror masterclass: dread, practical effects, a monster that evolves inside human bodies. The DNA of every body-invasion film that followed, including The Fly II.

But Slower-burn than you might expect; some find the first half's setup tedious compared to the action-heavy final act.

Not sure tonight? Get a pick in a minute, starting from The Fly II

The wildcard

Something you would not have found on your own.

Street Trash1987

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Innerspace1987

Dante's gonzo sci-fi comedy about a man shrunk and injected into another man's body. Chaotic, inventive practical effects and a wild tonal jumble that somehow works.

But Relentlessly silly when you might want stakes; the comedy-horror balance lands differently for everyone.

Bad Taste1987

Jackson's debut is a gleefully grotesque low-budget masterpiece about aliens who farm humans for meat. Practical effects as art form, and a genuine cult object made on almost no money.

But The humor is aggressively stupid and the effects deliberately cheap-looking; if you need polish or restraint, this will feel like punishment.

Dead Poets Society1989

A high school horror film where the wealthy literally consume the poor. Body horror as social metaphor, creature effects that are both ridiculous and disturbingly inventive.

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Scanners1981

Cronenberg exploring trauma and power through the body again, this time psychic warfare that explodes skulls. Taut thriller with ideas about corporate control and mutant children.

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Night of the Creeps1986

Dekker's love letter to monster movies, where alien slugs inhabit human bodies, turning them into shambling zombies. Funny, gory, earnest, and wildly entertaining.

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Tremors1990

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Dead Ringers1988

Cronenberg's exploration of how bodies betray identity and how others' bodies become mirrors of ourselves; the difference is that Dead Ringers makes it poetic rather than grotesque.

Cronenberg's most controlled nightmare: Jeremy Irons plays twin gynecologists whose lives and bodies begin to merge as their shared psychosis deepens. Disturbing, elegant, and utterly hypnotic—a masterpiece that uses body horror to explore identity and symbiosis.

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Santa Sangre1989

1989 fellow traveler that asks the same question: what happens when two bodies or identities fuse? But answered through surrealist poetry rather than body-horror spectacle or corporate thriller.

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