Film
Poultrygeist: Night of the Chicken Dead
Poultrygeist is a trashy, proudly dumb horror-comedy from the Lloyd Kaufman school: fast-food restaurant built on cursed Native American burial ground, chicken zombies, geyser-quantities of fake blood, and a tone that finds the joke in its own awfulness. It's a party movie for people who love bad taste and genre gonzo. Expect splattery, crude, and absolutely not for the easily offended.
If you liked this
Evil Dead II1987
The template for comedy-horror excess: over-the-top gore, slapstick violence, a beleaguered hero, and a director having the time of his life. Same anarchic energy, same gleeful disregard for taste.
But It's still quite violent and the pacing can feel repetitive. Not everyone finds blood-soaked slapstick funny rather than exhausting.

Gremlins1984
Cute creatures wreck a small town with darkly comic violence and practical effects that feel gross and tactile. The tonal whiplash between cute and vicious is exactly Poultrygeist's game.
But The creature design hasn't aged as well as the film's reputation. Some find the jokes broader than clever, and the pace sags in the middle act.

Tremors1990
B-movie creature feature that knows exactly what it is: fun, unpretentious, packed with practical gore and quips. Plays its absurd premise completely straight, which is the best comedy move.
But The humor is often groan-worthy puns. If you need clever writing or character development, this isn't it—it's purely mechanics and laughs.

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The wildcard
Something you would not have found on your own.
Bad Taste1987
Both are independent splatter-comedies about creatures made from food products that infect and destroy human bodies. Same spirit of 'we have no money so we'll make it as disgusting as possible.'
Peter Jackson's literal feature debut: aliens land in New Zealand to harvest humans for meat; Jackson plays a hero fighting them with whatever's at hand. Homemade gore, go-for-broke ambition, and genuine ingenuity on a nothing budget. This is where it started.
But The production is genuinely shoddy. It's in 16mm, the dialogue is flat, Jackson is not a good actor, and the pacing drags—watching a film this rough can feel like work.

More like this (8)
Troma's War1988
Lloyd Kaufman's previous masterpiece of tastelessness: B-team special forces movie where nothing is sacred and the violence is cartoonish and hilarious. Same director, same mission to offend and entertain.
But Production values are genuinely rough even by 1980s indie standards. The satire can feel scattershot and some of the humor lands on cringe rather than comedy.

Tucker and Dale vs. Evil2010
Takes horror tropes and inverts them with charm and real humor. Proves genre parody can work without being aggressively stupid, though the chaos and gore is there throughout.
But It's more clever than anarchic, which means it's almost the opposite energy. If you want stupid fun, this is too interested in being smart about stupid fun.

Braindead1992
Peter Jackson's greatest love letter to splatter: Mommy issues, gore that's so extreme it loops back to funny, and a final act that just keeps escalating. Absurdist and surprisingly heartfelt underneath.
But It's genuinely hard to watch in places. The gore isn't comedic flourish—it's *a lot*, and some people find it bleak rather than fun.

Night of the Creeps1986
Alien slugs infest human bodies; cue decapitations, campus chaos, and retro 1950s nostalgia. Knows it's ridiculous and plays it with winking competence and real affection for horror tropes.
But The dialogue can be clunky and the pacing meanders before the creature mayhem kicks in. Slower-burn than Poultrygeist if you're hungry for immediate chaos.

What We Do in the Shadows2014
Vampire mockumentary from New Zealand that proves genre comedy can be genuinely clever and sweet-natured. Mockumentary format lets it breathe between laughs and land character moments.
But The humor is often dry and relies on observation rather than spectacle. If you want visual gags and violence, this is witty conversation instead.

Student Bodies1981
Slasher parody decades before Scream that's genuinely goofy and absurd. Early proof that you could mock horror conventions and still have anarchic fun.
But It's from 1981 and it shows. The jokes can feel dated and the execution is rough; finding a good print is itself a hunt.

Cannibal! The Musical1996
Both use broad, crude comedy to process American food culture and consumerism. Both are outsider punk-rock cinema that doesn't care if you hate it. Both have the anarchic energy of comedy made by people who know they'd never get studio money anyway.
Trey Parker's true-crime musical comedy where every song is genuinely catchy and funny. It's utterly deranged—cannibals singing show tunes—and committed to the bit in a way that makes it oddly touching.
But It's a musical and the early South Park sensibility means it swings wildly between stupid and clever without warning. If you need consistency in tone or can't stand Parker's voice, this will drive you up a wall.

A Girl Walks Home Alone at Night2014
Both use monster cinema to comment on American culture—one through splattery satire of consumption, one through the gaze of an outsider seeing predation and decay in the American night. Both are formally strange and refuse to be what you expect from their genre.
Iranian-American vampire film shot in black and white, gorgeously composed and haunting. It's a vampire movie, but also a meditation on isolation and connection. Quiet where Poultrygeist screams.
But It moves at a funeral pace. There's barely a plot and it's more mood and imagery than narrative. If you want action or laughs, this will feel like punishment.

People
Cast
Jason YachaninArbie
Kate GrahamWendy
Allyson SereboffMicki- Robin L. WatkinsGeneral Lee Roy
- Joshua OlatundeDenny
Caleb EmersonCarl Jr. / Fry-Boy ("Ow my Balls!") Stand-In- Rose GhavamiHumus / ACB Dancer
Khalid RiveraPaco Bell
Joe FleishakerJared
Lloyd KaufmanOld...er, Mature Arbie
Ron JeremyCrazy Ron- Faith SheehanThe Little Girl
Directing
- Caleb EmersonAssistant Director
- Lloyd KaufmanDirector
- Jason FoulkeScript Supervisor
- Jamie GrecoSecond Assistant Director
Writing
- Daniel BovaWriter
- Gabriel FriedmanWriter
- Lloyd KaufmanWriter
Production
- Gary MoscowitzAccountant
- Jamie GrecoCasting
- Johnny StarkeCasting
- Kiel WalkerCasting
- Matthew WulfCasting
- Rose GhavamiCasting
- Matthew WulfCasting Assistant
- Jamie GrecoCasting Director
- Rose GhavamiCasting Director
- Benjamin CordCo-Producer
- Jason FoulkeCo-Producer
- Lloyd KaufmanExecutive Producer
- Michael HerzExecutive Producer
- Patricia KaufmanExecutive Producer
- J. Michael LandisLine Producer
- Nick KoenigLine Producer
- Jake AngelliLocation Manager
- Andrew DeemerProducer
- Gabriel FriedmanProducer
- Kiel WalkerProducer
- Michael HerzProducer
- Rachel SchulmanProducer's Assistant
- Steven A. GraingerProduction Coordinator
- Alyssa HillProduction Designer
- Doug Markuson Jr.Production Designer
- Beth CharlesworthProduction Executive
- Jon MedeirosProduction Manager
- Ryan MeadProduction Manager
- Dan AbdiProduction Office Coordinator
- Larry McGinleyUnit Production Manager