Film
Lincoln
Spielberg's Lincoln isn't a war movie or a cradle-to-grave biopic — it's a tense, talky procedural about the filthiest, most consequential weeks of passing the 13th Amendment. Day-Lewis makes the presidency look like a job of constant small persuasions and moral horse-trading. Slow-burning, wordy, and gorgeously lit; for people who find democracy's actual machinery more thrilling than any battlefield.
If you liked this
Darkest Hour2017
Gary Oldman's Churchill is the same kind of transformation trick Day-Lewis pulls off here — a leader wavering behind closed doors while history waits outside, all cigar smoke and impossible arithmetic.
But Another prosthetics-heavy, awards-season leader biopic; if you found Lincoln's hushed rooms airless, this one won't feel different.

The Post2017
Spielberg again, this time turning newsroom ethics into the same kind of tense, principled procedural — watch Streep and Hanks decide whether courage is worth the cost.
But Less claustrophobic and morally weighty than Lincoln; the stakes feel smaller even though the film insists otherwise.

All the President's Men1976
The gold standard for process-as-suspense — phone calls, paperwork, and patience turned into a nail-biter, decades before Lincoln did the same with congressional votes.
But No sweeping score or grand speeches; it's dry and procedural, and demands you lean in rather than sit back.

The wildcard
Something you would not have found on your own.
The Civil War1990
Lincoln deliberately keeps the war offscreen to focus on the vote; this is the war Lincoln is fighting to end, told at full, unhurried length.
Spielberg's film ends right where this begins its true subject — the war itself, told in still photographs, letters, and that unmistakable narration, giving Lincoln's Washington maneuvering its full, bloody context.
But Nine hours long, no reenactments, no movie stars — pure documentary patience; if you wanted drama, this is history at its most austere.

More like this (8)
Glory1989
The war Lincoln keeps offscreen, told from inside it — the first Black regiment's fight for dignity and survival, with a fury and grief the White House scenes only gesture toward.
But Combat-heavy and openly emotional where Lincoln stays cool and cerebral; tonally, they're near opposites.

Amistad1997
Spielberg's earlier, angrier run at slavery and the law — a courtroom fight over whether enslaved people count as human, with the same faith that legal language can change everything.
But Blunter and more melodramatic than Lincoln's careful restraint; some courtroom beats feel manipulative rather than earned.

Selma2014
A century later, the same fight for a piece of paper that says people are equal — the same patient, tactical grind, just fought with marches instead of votes.
But More overtly confrontational and raw; if you liked Lincoln's cool detachment, this might feel like a different film entirely.

Gangs of New York2002
Day-Lewis again, but ferocious and terrifying instead of weary and wise — the Civil War's chaos seen from the gutter, not the cabinet room.
But Loud, violent, and messy where Lincoln is quiet and controlled; Scorsese's excess is the opposite of Spielberg's discipline.

There Will Be Blood2007
If it was Day-Lewis's voice and stillness that got you, this is the performance that voice grew out of — a totally different kind of American ambition, just as mesmerising.
But Cold, savage, and unsentimental; there's no moral high ground to root for, unlike Lincoln's quiet nobility.

Gettysburg1993no page yet
For anyone who wanted to see the actual battlefield Lincoln's war was being fought over — three exhausting, meticulous hours of the war made visible instead of debated in a back room.
But Long and dialogue-heavy in its own way; it demands real patience with military strategy and period detail.
17761972
Same structural obsession — a legislature being persuaded, bribed, and worn down to pass a founding document — just staged as toe-tapping comedy instead of Spielbergian solemnity.
The exact same engine as Lincoln — arm-twisting, vote-counting, moral compromise to pass one document — except everyone's singing about it, and it's somehow both funny and true to how ugly compromise gets.
But It's a musical about the Continental Congress; if that sentence makes you wince, nothing here will change your mind.

Advise & Consent1962
Same genre of Washington horse-trading drama, made half a century earlier — proof the 'process thriller' Lincoln perfects didn't start with Spielberg.
Decades before Lincoln, this black-and-white Senate drama showed the same backroom arithmetic — favors called in, principles bent, a nomination fight that's really about the soul of the institution.
But Slower and more theatrical by today's standards, and its politics are pointedly of their moment, not ours.

People
Cast
Daniel Day-LewisAbraham Lincoln
Sally FieldMary Todd Lincoln
David StrathairnWilliam Seward
Joseph Gordon-LevittRobert Lincoln
James SpaderW.N. Bilbo
Hal HolbrookPreston Blair
Tommy Lee JonesThaddeus Stevens
John HawkesRobert Latham
Jackie Earle HaleyAlexander Stephens
Bruce McGillEdwin Stanton
Tim Blake NelsonRichard Schell
Joseph CrossJohn Hay
Directing
- Steven SpielbergDirector
- Adam SomnerFirst Assistant Director
- Ian StoneSecond Assistant Director
Writing
- Doris Kearns GoodwinBook
- Tony KushnerScreenplay
Production
- Avy KaufmanCasting
- Adam SomnerCo-Producer
- Kristie Macosko KriegerCo-Producer
- Daniel LupiExecutive Producer
- Jeff SkollExecutive Producer
- Jonathan KingExecutive Producer
- Kathleen KennedyProducer
- Steven SpielbergProducer
Recommended by
There Will Be Blood, Gangs of New York, Darkest Hour, The Post, War Horse, Selma, The Iron Lady, The King's Speech, 12 Years a Slave, Mr. Smith Goes to Washington, Amistad, The Civil War, Malcolm X, Invictus, Nixon, Glory, 1776, Harriet, All the Way, The Roosevelts: An Intimate History