Film
Kingsman: The Secret Service
A working-class kid gets recruited into a bespoke-suited secret service and trained to save the world with an umbrella that fires bullets. It's Bond filtered through a comic book, gleefully violent and cheerfully vulgar, stitched together with genuine wit and a surprisingly sincere coming-of-age story underneath the carnage. For anyone who wants their spy movie with more swagger and blood than restraint.
If you liked this
Kick-Ass2010
Same director, same DNA: comic-book ultraviolence played for laughs, a scrappy underdog hero, and a soundtrack that knows exactly how pleased with itself it is.
But Even more gleefully brutal, with a young teenage vigilante at the centre that some viewers find harder to laugh along with.

Mission: Impossible - Rogue Nation2015
If you want the stunts and spy-craft played completely straight rather than winked at, this is the gold standard — relentless, gorgeously staged, no irony required.
But No jokes, no camp, no church-massacre setpiece — it's a different, more earnest kind of pleasure entirely.

The Man from U.N.C.L.E.2015
Cold War spies, ridiculous tailoring, and a director (Guy Ritchie) working the same seam of stylish, cocky, slightly camp action-comedy.
But Cooler and more mannered than Kingsman — style over substance, and lighter on both violence and heart.

The wildcard
Something you would not have found on your own.
My Fair Lady1964
Strip away the bulletproof umbrellas and Kingsman is Pygmalion with guns: a scruffy outsider remade by a fastidious upper-class tutor into someone who belongs at the top table. My Fair Lady tells the exact same story, just with singing instead of shooting.
A glorious, Oscar-winning musical about a rough-edged nobody transformed by a posh, controlling mentor into someone who can pass in high society — sound familiar?
But It's a three-hour Lerner and Loewe musical with zero violence — about as far from Kingsman's register as cinema gets.

More like this (8)
Casino Royale2006
The film Kingsman is in constant conversation with — the Bond reboot that made spycraft brutal and human again before Eggsy came along to send it up.
But It's playing this completely straight; if you came for the jokes, they aren't here.

Spy2015
Melissa McCarthy turns the glamorous-spy fantasy inside out with foul-mouthed, pitch-perfect comic action that's every bit as violent as it is funny.
But Broader, more sitcom-ish comedy, and the class-mobility angle that anchors Kingsman isn't really on the table.

John Wick2014
Stripped of jokes but not of style — a masterclass in choreographed carnage for anyone who left Kingsman mostly wanting more of the fight scenes.
But Deadly serious in tone, with almost none of the winking humour that makes Kingsman feel so cheeky.

Atomic Blonde2017
Neon-lit, brutally stylish Cold War espionage with fight choreography that rivals Kingsman's church scene for sheer bravura.
But Colder and more nihilistic — the fun is in the craft, not in charm or comedy.

Layer Cake2004
Matthew Vaughn's earlier film, and you can feel Kingsman's DNA forming here — slick, cocky British crime storytelling with Daniel Craig at his most feral.
But No spy gadgets, no fantasy — this is grounded London crime, and considerably grimier.

Kick-Ass 22013no page yet
More of the same reckless comic-book energy if the first Kick-Ass worked for you, with an even more unhinged supporting cast.
But A step down in wit and craft from the original, and it knows it — diminishing returns on a good idea.
OSS 117: Cairo, Nest of Spies2006
Both films know the spy genre is a bit silly and love it anyway — but where Kingsman winks at you, OSS 117 keeps a perfectly straight face while its hero commits jaw-dropping colonial idiocy, making the parody sharper and stranger.
A French spy spoof about a gloriously arrogant, impeccably dressed secret agent who is far more ridiculous than he thinks he is — Bond parody with real teeth and a straight face.
But Subtitled, and the humour is drier and more absurdist than Kingsman's — deadpan rather than gleeful.

A Clockwork Orange1971
Both films take a rough young man and hand him over to be shaped by an institution that claims to know better — but where Kingsman treats that as a triumphant fantasy, Clockwork Orange asks what it actually costs to be remade in someone else's image.
Kubrick's savage, stylish story of a young delinquent processed and reprogrammed by institutions above him — gorgeous to look at, deeply troubling underneath.
But This is dead serious social satire, not a romp — its violence is meant to disturb, not thrill, and it stays with you uncomfortably.

People
Cast
Taron EgertonGary 'Eggsy' Unwin
Colin FirthHarry Hart / Galahad
Samuel L. JacksonValentine
Mark StrongMerlin
Sophie CooksonRoxy
Sofia BoutellaGazelle
Michael CaineArthur
Edward HolcroftCharlie
Hanna AlströmPrincess Tilde
Samantha WomackMichelle Unwin
Mark HamillProfessor Arnold
Jonno DaviesLee
Directing
- Matthew VaughnDirector
- Lucy WardScript Supervisor
Writing
- Dave GibbonsCharacters
- Mark MillarCharacters
- Jane GoldmanWriter
- Matthew VaughnWriter
Production
- Reg Poerscout-EdgertonCasting
- Jane GoldmanCo-Producer
- Claudia SchifferExecutive Producer
- Dave GibbonsExecutive Producer
- Mark MillarExecutive Producer
- Pierre LagrangeExecutive Producer
- Stephen MarksExecutive Producer
- Adam BohlingProducer
- David ReidProducer
- Matthew VaughnProducer
Recommended by
Mission: Impossible - Ghost Protocol, Iron Man, The Incredibles, Skyfall, Deadpool, Casino Royale, Kick-Ass, Lock, Stock and Two Smoking Barrels, X-Men: First Class, Scott Pilgrim vs. the World, Spy×Family, The Avengers, The Man from U.N.C.L.E., Hot Fuzz, Spy, Sherlock Holmes: A Game of Shadows, OSS 117: Cairo, Nest of Spies, Mission: Impossible - Rogue Nation, Central Intelligence, The Gentlemen, Mayday, Deadpool & Wolverine, Deadpool 2, Paris Has Fallen, Casino Royale, Get Smart, The Ipcress File, Assassination Classroom, OSS 117: Lost in Rio