Film

Ant-Man and the Wasp

A breezy, visually inventive superhero film about shrinking and enlarging, quantum realms, and the pleasures of watching Paul Rudd navigate impossible heists with charm. It's lighter than most MCU fare—more caper than consequence—with genuine affection for its ensemble. Perfect if you want spectacle without soul-searching.

TMDb rating3.4

Should you watch it?

Watch it if you like your superhero films light on their feet, where the gadgets are inventive and the banter between Paul Rudd and Evangeline Lilly keeps the stakes from feeling heavy.

Skip it if you want a tight plot with clear direction, since this one wanders through shrinking and scaling set-pieces and its villain is more presence than character.

What it asks of you: a brisk running time just under two hours, plenty of cheerful momentum and little brooding; it rewards easy, playful attention rather than close study.

Not sure? Find tonight's pick in a minute.

If you liked this

Ocean's Eleven2001

A high-octane heist where charm and wit matter as much as the scheme itself. Like Ant-Man, it trusts its ensemble and prioritizes fun without sacrificing cleverness or visual flair.

But The plot is deliberately convoluted; if you prefer straightforward narratives, you'll spend half the film catching up rather than enjoying the ride.

Ocean's Eleven poster

Spider-Man: Homecoming2017

Same MCU DNA but lighter in touch. Tom Holland brings the same infectious energy Paul Rudd does, and it values character warmth over franchise obligation. Peak Marvel fun.

But If you're tired of origin stories or the perpetual joke-every-thirty-seconds rhythm, this won't break the mold for you.

Spider-Man: Homecoming poster

Guardians of the Galaxy2014

Colour, humour, and a cast that seems genuinely delighted to be there. It's anarchic where Ant-Man is structured, but both prove the MCU doesn't have to feel like homework.

But The plot is almost negligible; it's a vibe film, and if you need narrative momentum this will feel formless.

Guardians of the Galaxy poster

Not sure tonight? Get a pick in a minute, starting from Ant-Man and the Wasp

The wildcard

Something you would not have found on your own.

Honey, I Shrunk the Kids1989

Both films build their spectacle from the wonder of scale itself—the visual jokes and emotional weight come from seeing the world at a different size, not from explosions.

The spiritual ancestor to Ant-Man's quantum realm sequences. A family adventure that understands the visual comedy of scale and perspective with genuine warmth. Surprisingly touching beneath the premise.

But It's a '90s Disney family film, so there's earnestness and softness that will feel cloying if you want edge.

Honey, I Shrunk the Kids poster
More like this (8)

The Adam Project2022

Ryan Reynolds and Mark Ruffalo in a time-travel adventure that doesn't take itself seriously. Warm family dynamics wrapped in sci-fi spectacle, with the same breezy tone Ant-Man nails.

But It swings wildly between sentimentality and jokes; tonal whiplash can feel manipulative if you're not in the mood for it.

The Adam Project poster

Kingsman: The Secret Service2015

A spy caper bursting with invention and sly wit. Like Ant-Man, it's fun-first filmmaking that respects the audience's intelligence and sense of humour.

But It's considerably more violent and crass; the sensibility is wickeder than Marvel's house style allows.

Kingsman: The Secret Service poster

Ant-Man2015

The first film that established Paul Rudd as the MCU's best comic actor. Tighter, more focused on the heist mechanics, and funnier than its sequel in places.

But It's the origin story, so there's setup fatigue; some will find it moves slower than Wasp, which assumes you already know Scott.

Ant-Man poster

Back to the Future1985

The platonic ideal of a popcorn film: character-driven, endlessly inventive, and genuinely funny. Time travel and ensemble charm done perfectly. Ant-Man owes it a creative debt.

But It's 40 years old, and if you need contemporary pacing or visual effects this will feel sluggish.

Back to the Future poster

Mission: Impossible - Fallout2018

Practical stunts, clear action sequences, and Tom Cruise's refusal to take himself seriously. A reminder that spectacle can be both visceral and playful.

But It's nearly three hours and intensely sustained; there's no breather, which can exhaust rather than energize.

Mission: Impossible - Fallout poster

The Mummy1999

Adventure and humour in perfect balance, with Brendan Fraser as a cocky everyman hero. It shares Ant-Man's willingness to let the ensemble have fun.

But The CGI has aged poorly, and the action sequences lack the coherence modern blockbusters have trained us to expect.

The Mummy poster

Russian Doll2019

Both use their high-concept premise—quantum realms, time loops—as a framework for character study and found-family warmth rather than cosmic horror. The spectacle serves the heart, not the reverse.

A miniseries that juggles time loops and parallel realities with the same playful visual inventiveness. Katja Herbers is magnetic, and the show nails the balance between humour and existential dread.

But It's brainy and digressive; if you want plot-driven forward momentum this will feel frustratingly sideways for long stretches.

Russian Doll poster

Everything Everywhere All at Once2022

Both films treat their fractured reality mechanics—multiple timelines, impossible scales—as emotional and philosophical questions, not just action set-pieces. The maze is the point, and the point is connection.

Multiverse chaos with genuine emotional stakes and a cast that commits completely. Audacious, funny, and technically daring. If you loved the Quantum Realm's fractured visuals, this expands that idea exponentially.

But It's deliberately overwhelming and deliberately weird; if you want coherence and comfort this will feel chaotic and exhausting rather than exhilarating.

Everything Everywhere All at Once poster

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Recommended by

Spider-Man: Far From Home, The Marvels