Film
Spider-Man: Homecoming
A teenage-comedy trapped inside a superhero movie, and gloriously happy about it. Tom Holland's Peter Parker is giddy, overeager, and constantly out of his depth, juggling homework and a supervillain with equal panic. Michael Keaton's blue-collar Vulture grounds the fantasy in something recognisable. It's warm, funny, and light on its feet — for anyone who wants their spectacle served with genuine adolescent awkwardness.
If you liked this
Spider-Man: Into the Spider-Verse2018
A different, dazzling Spider-Man's coming-of-age story, told through kinetic animation and comic-book collage that somehow makes the same earnestness feel brand new again.
But Different Spider-Man entirely, and the bold, restless visual style might overwhelm if you wanted something more grounded.

Spider-Man: Far From Home2019no page yet
Peter's story continues directly from here — same teenage anxiety, same blockbuster scale — with one of the MCU's better villain reveals along the way.
But Leans harder into franchise mythology and mid-credit setup, less of a self-contained high school story than Homecoming.
Guardians of the Galaxy2014
The same Marvel needle-drops and banter, transplanted into space outlaws instead of a Queens classroom — equally funny, equally sneaky about the heart underneath.
But No coming-of-age hook here, and the ragtag family dynamic is a very different emotional register.

The wildcard
Something you would not have found on your own.
Ferris Bueller's Day Off1986
Homecoming's director has openly cited Hughes films as the model — both share the wisecracking-kid-versus-adult-world structure and suburban comic rhythm, minus any powers.
The actual blueprint — a charming kid running circles around clueless adults for one glorious day, all wit and heart, zero spandex required.
But No action, no fantasy at all; if spectacle is what drew you in, this offers none of it.

More like this (8)
Ant-Man2015
The smallest-stakes MCU entry, a heist-comedy about a hero trying to balance ordinary life with secret responsibilities, much like Peter juggling homework and heroism.
But Paul Rudd's dad-joke charm is gentler and lower-energy than Homecoming's jittery teenage momentum.

Shazam!2019
A literal kid handed superpowers, gleeful about the whole thing in exactly the way Peter is about his suit — pure wide-eyed wish fulfilment.
But Broader and sillier, with a family sitcom subplot some viewers find corny next to Homecoming's sharper humour.

Big Hero 62014
A teen genius builds tech he can't fully control and learns responsibility the hard way — the same emotional shape as Homecoming, filtered through Disney warmth.
But Younger-skewing and more sentimental, without the franchise-scale set pieces Homecoming delivers.

Spider-Man 22004
Raimi's operatic take on the same character wrestling with identity and burnout — still the gold standard every reboot gets measured against.
But Early-2000s effects and earnest melodrama feel dated beside Homecoming's snappier, meme-fluent comedy.

The Incredibles2004
Superhero family sitcom energy with terrific action, plus a teenager wrestling with wanting to fit in while hiding what she can do.
But Focus splits across a whole family, diluting the single-kid, high-school specificity Homecoming nails so well.

Kick-Ass2010
A teenager decides to become a superhero with none of Peter's luck, gadgets or mentor — same premise pushed toward gleeful, violent satire.
But Considerably more graphic and foul-mouthed, a much harder edge than Homecoming's family-friendly spirit.

Freaks and Geeks1999
Same emotional engine as Homecoming: a kid desperate to be seen as more than a kid, here stripped of any costume to hide behind.
Nails the exact ache of teenage social hierarchy, crushes and wanting to be taken seriously that quietly runs underneath all of Peter's web-slinging.
But One cancelled season, entirely grounded — no spectacle, just uncomfortably accurate realism about being fifteen.

Chronicle2012
Runs the same ordinary-teen-gets-power premise as Homecoming but without Stark's mentorship or a moral compass — the cautionary shadow version of Peter's story.
Three teenagers gain powers and the found-footage style makes their small mistakes and escalating recklessness feel disturbingly plausible and personal.
But Much darker and it ends badly, with a shaky handheld look that's a jarring switch from Homecoming's polished gloss.

People
Cast
Tom HollandPeter Parker / Spider-Man
Michael KeatonAdrian Toomes / Vulture
Robert Downey Jr.Tony Stark / Iron Man
Marisa TomeiMay Parker
Jon FavreauHappy Hogan
Gwyneth PaltrowPepper Potts
ZendayaMichelle
Donald GloverAaron Davis

Tony RevoloriFlash
Bokeem WoodbineHerman Schultz / Shocker #2
Directing
- Jon WattsDirector
- Chris BuongiornoOther
- Kerry Lyn McKissickScript Supervisor
Writing
- Jack KirbyCharacters
- Joe SimonCharacters
- Stan LeeComic Book
- Steve DitkoComic Book
- Andrea DatzmanLyricist
- Chris McKennaScreenplay
- Christopher FordScreenplay
- Erik SommersScreenplay
- John Francis DaleyScreenplay
- Jon WattsScreenplay
- Jonathan GoldsteinScreenplay
- John Francis DaleyScreenstory
- Jonathan GoldsteinScreenstory
Production
- Sarah Halley FinnCasting
- Molly DoyleCasting Assistant
- Jason B. StameyCasting Associate
- Eric Hauserman CarrollCo-Producer
- Mitchell BellCo-Producer
- Rachel O'ConnorCo-Producer
- Kyana F. DavidsonExecutive Assistant
- Simona PaparelliExecutive Assistant
- Avi AradExecutive Producer
- Jeremy LatchamExecutive Producer
- Louis D'EspositoExecutive Producer
- Matt TolmachExecutive Producer
- Patricia WhitcherExecutive Producer
- Stan LeeExecutive Producer
- Victoria AlonsoExecutive Producer
- Amy PascalProducer
- Kevin FeigeProducer
- Don J. HugProduction Supervisor
- Kyle David CrosbyProduction Supervisor
- Leeann StonebreakerUnit Production Manager
- Nadia PaineUnit Production Manager
Recommended by
Guardians of the Galaxy Vol. 2, Iron Man, Captain America: The Winter Soldier, Spider-Man: No Way Home, Spider-Man: Into the Spider-Verse, Sky High, Spider-Man: Across the Spider-Verse, Ant-Man, Shazam!