Film
Spider-Man: Into the Spider-Verse
Into the Spider-Verse reinvented what a superhero movie could look like: comic-book panels, print-dot textures, and a soundtrack that hits like a mixtape. It's Miles Morales' origin story, but really it's about the vertigo of becoming yourself while everyone insists you fit someone else's mold. Funny, gorgeous, and unexpectedly moving — built for teenagers and the adults who still remember being one.
If you liked this
Spider-Man: Across the Spider-Verse2023
The direct sequel doubles down on everything that made the first one thrilling — bigger multiverse, darker stakes, even more inventive animation per frame. Miles and Gwen's story gets richer, messier, and genuinely heartbreaking.
But It ends on a cliffhanger with no resolution yet, which can feel more like a very long trailer than a complete story.

The Incredibles2004
Pixar's take on a superhero family nails the same trick — mixing genuine action spectacle with real emotional stakes about identity, expectation, and what happens when you have to hide who you are.
But It's a straighter, more conventional family movie — no multiverse tricks, no visual experimentation, just well-executed classic storytelling.

Spider-Man 22004
Still the gold standard for what a Spider-Man story can be emotionally: Peter Parker crushed by responsibility, doubt, and love, with action sequences that remain genuinely thrilling two decades later.
But Sam Raimi's tone is earnest almost to the point of melodrama — no irony, no multiverse cool, just old-school comic-book sincerity.

The wildcard
Something you would not have found on your own.
The Iron Giant1999
Both are animated coming-of-age stories about a boy discovering extraordinary power and a father-figure mentor teaching him what kind of person to be with it — just decades apart in animation style and mood.
A boy befriends a giant robot with unimaginable power he doesn't understand, and has to decide who he'll become — the same coming-of-age engine as Spider-Verse, minus a single joke.
But It's quiet, melancholic, and hand-drawn in a style that will feel almost antique next to Spider-Verse's kinetic collage.

More like this (8)
Big Hero 62014
A teenage genius, grief, and a marshmallow robot combine into something surprisingly moving — Disney's underrated superhero film has real heart under its gadget-heavy spectacle.
But It's gentler and more kid-focused than Spider-Verse, without the same visual daring or emotional complexity.

Teenage Mutant Ninja Turtles: Mutant Mayhem2023
Shares Spider-Verse's scrappy, sketchbook-style animation and teenage-outsider energy — a coming-of-age story about kids who just want to be normal but keep getting pulled into chaos.
But It's broader and goofier, aimed a little younger, and doesn't carry the same emotional undertow or visual ambition.

Spider-Man: Homecoming2017
If you want another take on a teenage Peter Parker juggling school, family, and heroism, this MCU entry captures that same awkward, funny, high-school energy.
But It's tethered tightly to the wider Marvel universe, so some of its stakes and cameos depend on homework you may not want to do.

The Lego Batman Movie2017no page yet
A gag-a-minute comic-book pastiche that's just as visually inventive in its own plastic-brick way, and just as sincere underneath the jokes about loneliness and found family.
But The humor is rapid-fire and reference-heavy — if you don't know decades of Batman lore, some jokes will sail past.
X-Men: Days of Future Past2014
For multiverse and time-travel superhero stakes done in live action, this is one of the best — different timelines colliding, choices rippling across decades, mutant identity under threat.
But It's a much talkier, more somber X-Men ensemble piece, with none of Spider-Verse's visual playfulness or youthful humor.

Batman: Mask of the Phantasm1993
An animated superhero film from a different era proves the genre could always be this good — atmospheric, adult, genuinely tragic, with animation that still holds up.
But It's much slower and more noir-melancholic than Spider-Verse's kinetic energy — a mood piece, not a rollercoaster.

Everything Everywhere All at Once2022
Same structural idea as Spider-Verse — a multiverse used as a literal, visual metaphor for identity and choice — but told as an indie family dramedy instead of a superhero blockbuster.
A multiverse collision used to ask exactly the question Spider-Verse asks — who are you when infinite other versions of you exist — but filtered through family, laundromats, and live-action absurdity.
But It's much weirder, raunchier, and more chaotic tonally — genuinely strange in ways a family superhero film never risks being.

Persepolis2007
Both use animation to tell a teenager's story of becoming yourself while the world insists on a different version of you — Persepolis just trades masks and multiverses for real history and much higher stakes.
A teenager's coming-of-age animated in stark black-and-white, about growing up amid a revolution that keeps rewriting the rules of who she's allowed to be.
But There's no spectacle here — it's hand-drawn, autobiographical, and dealing with real political trauma rather than superheroics.

People
Cast
Shameik MooreMiles Morales (voice)
Jake JohnsonPeter B. Parker (voice)
Hailee SteinfeldGwen Stacy (voice)
Mahershala AliUncle Aaron (voice)
Brian Tyree HenryJefferson Davis (voice)
Lily TomlinAunt May (voice)
Luna Lauren VélezRio Morales (voice)
Zoë KravitzMary Jane (voice)
John MulaneySpider-Ham (voice)
Kimiko GlennPeni Parker (voice)
Nicolas CageSpider-Man Noir (voice)
Kathryn HahnDoc Ock (voice)
Directing
- Bob PersichettiDirector
- Peter RamseyDirector
- Rodney RothmanDirector
- Alfredo HisaLayout
- Anibis LockwardLayout
- Arem KimLayout
- Daniel LaczkowskiLayout
- John BermudesLayout
- Letia LewisLayout
- Scott ArmstrongLayout
- Kyle FukutoScript Coordinator
Writing
- Paul WatlingHead of Story
- Phil LordScreenplay
- Rodney RothmanScreenplay
- Phil LordStory
- Cody CameronStory Artist
- Denise KoyamaStory Artist
- Eva BruschiStory Artist
- Heiko von DrengenbergStory Artist
- Jane WuStory Artist
- Jihyun ParkStory Artist
- John PuglisiStory Artist
- Kasey FagerquistStory Artist
- Katie SmithStory Artist
- Mark AcklandStory Artist
- Miguel JironStory Artist
- Mike KunkelStory Artist
- Miles ThompsonStory Artist
- Paula AssadourianStory Artist
- Riccardo DuranteStory Artist
- Ryan GaffneyStory Artist
- Ryan SavasStory Artist
- Sharon BridgemanStory Artist
- Stephan FranckStory Artist
- Vi-Dieu NguyenStory Artist
- Yoriaki MochizukiStory Artist
- Alex HirschStory Coordinator
Production
- Caitlin McKennaADR Voice Casting
- Mary HidalgoCasting
- Libby Thomas DickeyCasting Associate
- Christian HejnalCo-Producer
- Theresa BentzCo-Producer
- Brian Michael BendisExecutive Producer
- Stan LeeExecutive Producer
- Will AllegraExecutive Producer
- Haley FlanikenFinance
- Jennifer Jejo SleeperFinance
- Ola MotaFinance
- Talar BoyajianFinance
- Amy PascalProducer
- Avi AradProducer
- Christina SteinbergProducer
- Christopher MillerProducer
- Phil LordProducer
- Christian Mejia-AcostaProduction Assistant
- Dale W. JonesProduction Assistant
- Dominik MaloneProduction Assistant
- Kylee A. TaylorProduction Assistant
- Sean TadlockProduction Assistant
- Zara PokrandtProduction Assistant
- Meghan MalloyProduction Consultant
- Naomi SiderProduction Coordinator
- Renee MondorProduction Coordinator
- Stephanie WilkieProduction Coordinator
- Steven EdwardsProduction Coordinator
- Joseph IzzoProduction Manager
Recommended by
Deadpool, Spider-Man: No Way Home, Everything Everywhere All at Once, Turning Red, Big Hero 6, Spider-Man: Across the Spider-Verse, The Mitchells vs. the Machines, How to Train Your Dragon, Puss in Boots: The Last Wish, The Lego Movie, Ralph Breaks the Internet, Spider-Man: Brand New Day, Arcane: League of Legends, The Super Mario Galaxy Movie, The Bad Guys, Batman: Mask of the Phantasm, Spider-Man: Homecoming, Klaus, Teenage Mutant Ninja Turtles: Mutant Mayhem, Superman