Film
Batman: The Killing Joke
- Vigilante
- Crime thriller
- Very dark
A brutal, elegant animated adaptation of the landmark graphic novel. Batman and Joker collide in a story about how close sanity and madness are, told with stunning visual economy and a genuinely disturbing edge. For adult animation fans who want substance with their superhero tales.
Should you watch it?
Watch it if you want Batman stories that treat the Joker as a psychological puzzle rather than a costumed nuisance, and you don't mind a grown-up, unsettling tone in a short, tightly built animated film.
Skip it if you're after a lighter, more playful Batman, since its mood stays bleak and its cruelty is blunt, and it rests heavily on a single central idea.
What it asks of you: Roughly seventy-seven minutes, unhurried in its quieter stretches and sharp in its brief bursts, with a dark palette and scenes that reward close attention.
Not sure? Find tonight's pick in a minute.
If you liked this
Superman: The Animated Series1996
The same creative team (Dini, Timm) at their visual peak, proving animation could tell serious superhero stories with weight and beauty. Essential viewing.
But It's 52 episodes and demands patience early on, though it pays off completely by the end.

Batman: The Animated Series1992
The foundation of everything: where Kevin Conroy became the voice of Batman, where the Joker was redefined, where animation proved it could do noir. Visually and narratively flawless.
But The early episodes have some lighter, sillier material before it found its tone. And you'll want to watch all of it.

Watchmen2009
An adaptation that respects source material without being enslaved by it. Visually audacious, morally complex, and treats superheroes as adults with adult consequences.
But It's bleak, sometimes pretentious, and the ending divides people sharply. Nearly three hours, too.

Not sure tonight? Get a pick in a minute, starting from Batman: The Killing Joke
The wildcard
Something you would not have found on your own.
Cyberpunk: Edgerunners2022
Both explore what happens to people when systems fail them, when there's no safety net, no escape. Both are visually stunning depictions of moral collapse.
A 10-episode anime about desperation, poverty, and how quickly hope becomes ruin. Gorgeously animated, narratively perfect, and emotionally devastating in ways that match *The Killing Joke*'s willingness to hurt you.
But It's brutally violent and nihilistic. The ending is genuinely dark and offers no redemption. Anime pacing and style won't suit everyone.

More like this (8)
Batman: The Dark Knight Returns, Part 22013
A two-part animated epic that captures Miller's brutal reimagining of an aging Batman. Gorgeously directed, violent, and genuinely moving about aging and legacy.
But It's extremely dark and sometimes heavy-handed with its political commentary. The animation style won't appeal to everyone.

Harley Quinn2019
Shamelessly fun and violent, exploring Harley's agency outside the Joker's shadow. Irreverent, genuinely funny, and surprisingly touching about found family.
But It's loud, chaotic, and anarchic—the opposite of subtle. Some jokes land better than others.

Akira1988
A landmark animated film about power, corruption, and the thin line between control and chaos. Visually revolutionary and narratively dense; influences everything that followed.
But It's complex, sometimes bewildering on first watch, and the ending provokes more questions than answers.

Spider-Man: Into the Spider-Verse2018
Proof that animation can be as visually innovative as live-action, with humor, heart, and genuine stakes. A masterclass in how to do comic-book adaptation right.
But The visual style is deliberately chaotic—comic-book panels overlapping, constant motion. Some find it exhausting rather than exciting.

Batman v Superman: Dawn of Justice2016
Snyder's Batman is closer to *The Killing Joke* tone than any other film version: brutal, tragic, operating in moral gray. Hans Zimmer's score alone justifies it.
But It's bloated, sometimes incoherent, and plenty of people hate Affleck's Batman. The theatrical cut especially drags.

The Lego Batman Movie2017
A surprisingly smart meditation on Batman's isolation and need for family, wrapped in comedy and visual gags. Will Arnett's version is genuinely touching beneath the jokes.
But It's aggressively silly and cheerful—the tonal opposite of *The Killing Joke*. If you want dark, this will feel like betrayal.

Requiem for a Dream2000
Like *The Killing Joke*, it examines how a single obsession—a single moment—can spiral into inescapable madness. Both argue that the line between sanity and breakdown is terrifyingly thin.
An unflinching portrait of addiction and obsession across four lives. Darren Aronofsky's direction is hypnotic and horrifying. A masterpiece about how easily paradise becomes hell.
But It's relentlessly bleak, uses extreme editing that some find manipulative, and the content is genuinely distressing. Not entertainment, it's ordeal.

Come and See1985
Both use a single protagonist's perspective to show us corruption of innocence and the point of no return. Both ask: once you've seen this, can you ever be the same? Both argue the answer is no.
A Soviet war film that follows a boy's transformation into something harder as he witnesses unthinkable atrocities. Shot with documentary realism but emotional extremity. Possibly the greatest anti-war film ever made.
But It's from 1985, it's in Russian, and it's one of the most disturbing films ever shot. Not difficult in an intellectual way—difficult in a human way.

People
Cast
Kevin ConroyBatman (voice)
Mark HamillThe Joker (voice)
Tara StrongBarbara Gordon / Batgirl (voice)
Ray WiseCommissioner Gordon (voice)
John DiMaggioFrancesco (voice)
Robin Atkin DownesDetective Bullock (voice)
Brian GeorgeAlfred (voice)
JP KarliakReese (voice)
Andrew KishinoMurray (voice)
Nolan NorthMitch (voice)
Maury SterlingParis (voice)
Fred TatascioreCarny Owner (voice)
Directing
- Sam LiuDirector
Writing
- Bill FingerCharacters
- Bob KaneCharacters
- Brian AzzarelloWriter
Production
- Daphne FeiAdministration
- Liz CarrollAdministration
- Wes GleasonCasting
- Alan BurnettCo-Producer
- Benjamin MelnikerExecutive Producer
- Bruce TimmExecutive Producer
- Michael UslanExecutive Producer
- Sam RegisterExecutive Producer
- Amy McKennaLine Producer
- Kohei KenmotsuLine Producer
- Ed AdamsProduction Manager
- Matthew MahoneyProduction Manager
- Bobbie PageProduction Supervisor
Recommended by
Batman: The Dark Knight Returns, Part 1, Batman: Under the Red Hood, Batman, Batman: Gotham Knight