Film
Spider-Man: Brand New Day
Brand New Day picks up Peter Parker in a world that's forgotten him, trading giddy save-the-city spectacle for something lonelier: a hero doing the job with no one left to thank him for it. Holland leans into weary resolve rather than wide-eyed wonder, and the film pulls in Hulk, Punisher and a wandering X-Man to widen the canvas without losing Peter's very human ache. Glossy, but surprisingly melancholic underneath.
If you liked this
Spider-Man: No Way Home2021
This is the film that put Peter here—strangers walking past him, friends who don't recognize his face. Watching the spell get cast makes the loneliness in Brand New Day land twice as hard.
But It's stuffed with multiverse cameos and fan-service that can overshadow Peter's actual emotional arc.

Spider-Man: Into the Spider-Verse2018
The best Spider-Man film ever made isn't live-action. Miles Morales gets the coming-of-age ache Holland's Peter is chasing here, wrapped in animation so alive it changed what superhero movies could look like.
But Different Spider-Man, different tone entirely—if you want more Holland specifically, this won't scratch that itch.

Daredevil: Born Again2025
Jon Bernthal's Punisher at his most morally exhausting, back in a series that treats vigilante justice as something to interrogate rather than celebrate. Grittier, slower, far more interested in consequence than spectacle.
But It's a slow-burn crime drama, not an action blockbuster—patience required.

The wildcard
Something you would not have found on your own.
Random Harvest1942
Both hinge on the specific grief of being forgotten by the people who used to love you, and having to rebuild a life from that erasure.
A man loses his memory, is presumed dead, and returns to find his old life rebuilt without him—the exact ache of being erased from people's lives, told as swooning 1940s melodrama instead of superhero action.
But It's black-and-white, slow, and unabashedly sentimental—closer to a three-hankie weepie than a popcorn movie.

More like this (8)
Spider-Man 22004
Raimi's sequel is still the gold standard for what happens when the mask becomes a burden instead of an escape. Peter quitting, failing, and crawling back is the emotional blueprint this new film riffs on.
But Twenty years old now, and the effects and Tobey Maguire's earnestness read very differently to modern eyes.

Logan2017
Old, tired, forgotten by the world he once saved—Logan is the bleakest version of the 'hero nobody remembers' idea, and Sadie Sink's Jean Grey connection makes it a strange, fitting companion piece.
But It's R-rated, brutal and grieving—nothing like the tone of a Spider-Man movie.

The Batman2022
A masked vigilante operating in total isolation, doubted by the very city he's trying to save. Reeves' moody, detective-driven take shows another way to tell the lonely-hero story without a laugh in sight.
But Nearly three hours of rain-soaked gloom—there's no quip in sight if you wanted the fun stuff.

Kick-Ass2010
Same premise—ordinary kid decides to be a superhero with no plan and no powers—played for gleeful, ultraviolent comedy instead of Marvel polish. A bracing reminder of how strange the idea actually is.
But The violence is cartoonishly extreme and the humor deliberately tasteless; not for the squeamish.

Shazam!2019
A teenager suddenly handling adult-sized power, foster family instead of biological one, comedy instead of dread—it's the lighter mirror image of Peter's situation, and just as fun to watch him stumble through.
But It's aimed younger and goofier—if you want the heavier stuff, this will feel slight.

Avengers: Endgame2019
Ruffalo's Hulk gets his best material here, and the film's whole thesis—legacy, sacrifice, moving on while the world changes around you—rhymes directly with what Peter's up against in Brand New Day.
But Three hours long and demands you've already sat through twenty-odd other MCU films to feel the weight.

Watchmen2019
Same DNA as a masked hero operating outside a system that's forgotten or discarded him, but pushed into prestige-TV seriousness and real political weight.
A limited series that treats masked heroism as something with real moral rot underneath, tangled up in memory, legacy and who gets to be protected. Denser, angrier, and far more interested in history than any blockbuster.
But It's a nine-episode puzzle box that assumes patience and some familiarity with the original comic—no easy entry point.

Super2010
Takes the exact fantasy—ordinary person chooses to become a hero out of grief and isolation—and drags it down to grubby, low-budget reality instead of blockbuster spectacle.
James Gunn's nasty little indie about a sad, ordinary man who decides to become a superhero with a wrench for a weapon. Same impulse as Peter Parker's, stripped of glamour and CGI and left raw.
But It's deliberately ugly, violent and uncomfortable—played for cringe rather than triumph, with none of the polish you're expecting.

People
Cast
Tom HollandPeter Parker / Spider-Man
ZendayaMJ
Mark RuffaloBruce Banner / Hulk
Jon BernthalFrank Castle / Punisher
Jacob BatalonNed Leeds
Sadie SinkJean Grey
Florence PughYelena Belova / Black Widow
Liza Colón-ZayasDetective Jean DeWolff
Tramell TillmanWilliam 'Bill' Metzger
Marisa TomeiMay Parker
Naomi WattsE.V. (voice)
Michael MandoMac Gargan / Scorpion
Directing
- Destin Daniel CrettonDirector
- Jeff OkabayashiFirst Assistant Director
- Jo BeckettScript Supervisor
- Sallie HardSecond Assistant Director
- Peng ZhangSecond Unit Director
- Frazer Fennell-BallSecond Unit First Assistant Director
- Aaron GordonThird Assistant Director
Writing
- Stan LeeCharacters
- Steve DitkoCharacters
- Stan LeeComic Book
- Steve DitkoComic Book
- Chris McKennaWriter
- Erik SommersWriter
Production
- Hannah M.G. ColeAssistant Location Manager
- Sarah Halley FinnCasting
- Hillary MaloneyCasting Assistant
- Molly DoyleCasting Associate
- Emily FongCo-Producer
- Mitchell BellCo-Producer
- David CainExecutive Producer
- Louis D'EspositoExecutive Producer
- Lillie JeffreyLocation Casting
- Reg Poerscout-EdgertonLocation Casting
- George GoodliffePayroll Accountant
- McKenzie MosleyPost Production Coordinator
- Amy PascalProducer
- Avi AradProducer
- Kevin FeigeProducer
- Rachel O'ConnorProducer
- Miguel ParienteProduction Accountant
- Danielle StannersProduction Supervisor
- David CainUnit Production Manager
- Katie BylesUnit Production Manager