Film
Despicable Me 2
- Comedy
- Light-hearted
Despicable Me 2 is a family-friendly animated comedy about a reformed supervillain drawn back into the spy game. It's fast-paced, visually inventive, and stuffed with minion chaos—equal parts slapstick and heart. Perfect for audiences who want laughs without pretension, and parents seeking something genuinely enjoyable for everyone.
Should you watch it?
Watch it if you like comedy that runs on physical gags and bright, cartoonish chaos, and you enjoy a gruff, reluctant father slowly softening around small children.
Skip it if you want a sharp, tightly plotted story, since this one is a loose run of set pieces and the jokes often outrun the plot.
What it asks of you: It runs under an hour and forty minutes at a brisk clip, staying bright and noisy throughout, asking for little more than a willingness to be silly.
Not sure? Find tonight's pick in a minute.
If you liked this
The Lego Movie2014
Shares the same warmth-beneath-the-chaos DNA: a colorful, gag-packed adventure with surprising emotional depth that never talks down to kids or adults.
But Relies heavily on brand nostalgia and cameos that land differently depending on what you grew up with. Pacing can feel chaotic.

Megamind2010
Villain-turned-hero with genuine wit, stunning visual design, and a plot that cares as much about character arcs as punchlines. Brad Pitt and Jonah Hill elevate it throughout.
But The romance subplot dominates the final act in ways that feel dated. Some jokes are very 2010.

How to Train Your Dragon2010
A gorgeously animated adventure that balances raucous comedy with real stakes and earned emotion. The relationship between characters feels lived-in, not assembly-line.
But First half moves slowly compared to Despicable Me's breakneck pace. Darker moments genuinely frighten some younger viewers.

Not sure tonight? Get a pick in a minute, starting from Despicable Me 2
The wildcard
Something you would not have found on your own.
Spider-Man: Into the Spider-Verse2018
Both understand that animated comedy doesn't mean lightweight: sophisticated visual storytelling, character development that earns its payoff, and the freedom to push animation's technical capabilities beyond formula.
Reinvents what animated action can look like—visual language so distinctive it makes most cartoons look static. Comedy that trusts the audience. Emotional core that never feels manipulative.
But Deliberately challenges standard animation techniques, which some find jarring. Pacing demands active attention rather than background viewing.

More like this (8)
Shrek2001
The template for irreverent family comedy—clever enough for adults, silly enough for kids, with genuine charm holding it together. Still holds up.
But Some jokes haven't aged well. The pop-culture references are very early-2000s. Animation looks dated to modern eyes.

Monsters vs Aliens2009
High-octane sci-fi pastiche with strong voice work, creative character designs, and relentless action sequences. B-movie sensibilities played completely straight.
But Plot is threadbare and predictable. Humor depends on action-comedy timing, which falters in slower scenes.

Madagascar 3: Europe's Most Wanted2012
Deliberately silly, visually inventive, and unapologetically focused on pure fun. Circus setting gives animators blank checks for spectacle and chaos.
But Story is almost nonexistent. Relies entirely on volume and velocity—exhausting for viewers who want narrative momentum.

Wreck-It Ralph2012
Video-game-world setting unlocks creative character and environment design. Genuine heart about belonging under the arcade-cabinet surface.
But Can't decide whether it's for kids or nostalgic adults. Shifts tone awkwardly between scenes. Some references only land if you're very familiar with gaming culture.

Ratatouille2007
Pixar at peak precision: funny, visually sophisticated, emotionally intelligent, and actually about something. Sets the gold standard for what animated comedy can do.
But More contemplative and less frenetic than Despicable Me. Some viewers find it slow. Requires genuine engagement with the story.

Hop2011
Live-action and animation hybrid with practical warmth under the digital gloss. James Marsden and a CGI rabbit shouldn't work but do, through sheer charm.
But Tonal whiplash between kids' movie and adult comedy. Animation quality is inconsistent. Premise is thin and gets thinner.

Klaus2019
A movie about learning to be human again through unexpected connection and found family, told with visual invention and emotional wisdom. Same core under completely different surface.
Animated Christmas story with painterly visuals, genuine mystery, and character depth that sneaks up on you. Finds profound emotion in expected places through perfect execution.
But Deliberately quieter and more contemplative than most family animation. Sentimental in ways that read as earnest rather than cynical—not everyone goes for that.

The Secret of Kells2009
Proves that family animation can be visually daring and thematically serious while remaining purely joyful—the inverse of Despicable Me's approach, but equally committed to making animation matter.
Hand-drawn Irish mythology with art direction that feels alive—bold colors, geometric designs, animation that risks being genuinely strange. Adventure plot serves the visuals, not the reverse.
But Deliberately stylized in ways that read as 'arty' to audiences expecting standard animation. Plot is secondary to mood and world-building. Pacing is deliberate.

People
Cast
Steve CarellGru (voice)
Kristen WiigLucy (voice)
Benjamin BrattEduardo / El Macho (voice)
Miranda CosgroveMargo (voice)
Dana Gaier EllisEdith (voice)
Elsie FisherAgnes (voice)
Russell BrandDr. Nefario (voice)
Ken JeongFloyd (voice)
Steve CooganSilas (voice)
Moisés AriasAntonio (voice)
Nasim PedradJillian (voice)
Kristen SchaalShannon (voice)
Directing
- Chris RenaudDirector
- Pierre CoffinDirector
- Brett HoffmanScript Supervisor
Writing
- Christophe LourdeletStory Artist
- David LuxStory Artist
- Didier Ah-KoonStory Artist
- Eric FavelaStory Artist
- Fabrice JoubertStory Artist
- Habib LouatiStory Artist
- Ian AbandoStory Artist
- Mark O'HareStory Artist
- Matthew NealonStory Artist
- Mike KimStory Artist
- Steve MooreStory Artist
- Wilbert PlijnaarStory Artist
- Mike ReissStory Consultant
- Dave RosenbaumStory Supervisor
- Cinco PaulWriter
- Ken DaurioWriter
Production
- Carla HoolAdditional Casting
- Robert TaylorAssociate Producer
- Andrew Francis FenadyExecutive In Charge Of Production
- George Hiro HerrmannFinance
- Julie VirgileFinance
- Chris MeledandriProducer
- Janet HealyProducer
- David RosenbaumProduction Manager
- Jean-Luc FlorindaProduction Supervisor