Film
Mortal Kombat
Other titles called Mortal Kombat: the 1995 film.
A video game adaptation that embraces tournament fighting and otherworldly spectacle without apologizing for either. Sonya Blade, Liu Kang, and Kung Lao train a reluctant new fighter to face an interdimensional invasion. It's loud, colorful, and built entirely around elaborate fight sequences. Pure genre fun for anyone who wants to see the game come alive.
Should you watch it?
Watch it if you enjoy video-game adaptations that commit fully to their own silliness, with brutal, gleefully over-the-top fight choreography and a loyal feel for the source material's gore and kitsch.
Skip it if you want slow character work or a grounded plot; the story is thin and rushed, mostly serving as a scaffold for one fight after another, and the dialogue often lands with a clunk.
What it asks of you: Around 110 minutes of nonstop action with little breathing room, so you need to be ready to switch off the critical brain and let the spectacle carry you.
Not sure? Find tonight's pick in a minute.
If you liked this
Black Panther2018
Martial arts-heavy action, a hero discovering his place in a hidden world, and a visual style that makes every frame pop. It takes the spectacle seriously while keeping real stakes underneath.
But The middle section slows to exposition. Some found the villain underdeveloped, and the runtime is longer than you'd expect.

Aquaman2018
Another game-world come to life: underwater kingdoms, impossible creatures, wild tech, and fights that prioritize visual invention over realism. It commits to the absurdity and dares you to have fun.
But Sincere to a fault—some will find it overwrought. The plot follows a familiar hero's-journey formula without much surprise.

John Wick2014
Fight choreography that's pure clarity and precision. Every movement means something. The world-building is minimal but complete, and it respects the audience's intelligence.
But Sparse on emotion and dialogue. If you need character development or a detailed story, this pares them down to almost nothing.

Not sure tonight? Get a pick in a minute, starting from Mortal Kombat
The wildcard
Something you would not have found on your own.
Undone2019
Both stake everything on a hero discovering an identity they didn't know they had, learning to trust mentors they're not sure they can, and fighting something larger than themselves. Where Mortal Kombat is external spectacle, Undone is internal architecture—same shape, inverted.
Rotoscope animation creates something that moves like live-action but feels dreamlike. A young woman discovers strange abilities after a car accident and has to trust her own mind. Gorgeous, strange, emotionally complex—it finds the real person underneath the superpowers.
But Animated but not for kids; the animation style is polarizing and the pacing is slow. Some will find the rotoscope effect disorienting rather than beautiful.

More like this (6)
The Raid 22014
Indonesian martial arts film with fight sequences so inventive they feel like dance. The world inside a prison and then a city is dirty, lived-in, and the action serves the story.
But Violent in ways that linger. Subtitled, and the plot is deliberately simple, so everything rests on the choreography working for you.

Doctor Strange2016
Sorcerers battling across dimensions with visuals that feel genuinely novel. Magic fights like hand-to-hand combat. It's colorful, weird, and the hero is arrogant and flawed.
But Sets up a much larger universe you have to care about to follow along. Some found it repetitive once the visual trick wore off.

Wonder Woman2017
Hero discovering her power and purpose, a team learning to trust each other, and action sequences that feel earned. Gal Gadot's earnestness sells the spectacle.
But The final act relies on CGI spectacle that some found less effective than the grounded battles earlier. Tone shifts noticeably in the third act.

Kingsman: The Secret Service2015
Stylized action that's almost ballet, spy-craft fun, and a film that knows its own tone so completely it can do comedy and brutality in the same scene.
But Deliberately silly and arch. Some sequences are gratuitously crude, and if you dislike knowing winks at the audience, this won't work.

Bloodshot2020
Another video game–adjacent action film with a wounded soldier discovering his powers. Surprisingly fun about its own absurdity and committed to the spectacle.
But Low stakes feel throughout. The plot is forgettable and the character work is minimal compared to what the action's asking you to invest in.

Pacific Rim2013
Both treat world-ending threats with genuine earnestness rather than irony. Both build a team from specialists learning to work together. Both understand that the right amount of spectacle isn't too much—it's exactly the right amount to make you feel something real.
Giant robots versus giant monsters in a film that understands spectacle as intimacy. Every frame is designed for a massive screen. The action is coherent, the stakes are clear, and it loves what it's doing.
But Plot is secondary and deliberately thin. If you need character arcs or dramatic tension beyond 'will they win the fight,' you'll find it frustrating.

People
Cast
Lewis TanCole Young
Jessica McNameeSonya Blade
Josh LawsonKano
Ludi LinLiu Kang
Max HuangKung Lao
Tadanobu AsanoLord Raiden
Chin HanShang Tsung
Hiroyuki SanadaHanzo Hasashi / Scorpion
Joe TaslimBi-Han / Sub-Zero
Sisi StringerMileena
Daniel NelsonKabal
Directing
- Simon McQuoidDirector
- Chris WebbFirst Assistant Director
- P.J. VoetenFirst Assistant Director
- Oksana SokolScript Supervisor
- Taera ShroffScript Supervisor
- Danielle BlakeSecond Assistant Director
Writing
- David CallahamScreenplay
- Greg RussoScreenplay
- Greg RussoStory
- Oren UzielStory
Production
- Brodie ToweelAssistant Accountant
- Feliz StelznerAssistant Accountant
- Pria JeevanthanAssistant Accountant
- Shaun DavisAssistant Accountant
- William TraegerAssistant Accountant
- Eriko MiyagawaCasting
- Rich DeliaCasting
- Kimberly AguilarCasting Assistant
- Angela HeesomCasting Director
- Louise Heesom SmithCasting Director
- Dave NeustadterExecutive Producer
- Jeremy SteinExecutive Producer
- Lawrence KasanoffExecutive Producer
- Michael ClearExecutive Producer
- Richard BrenerExecutive Producer
- Sean RobinsExecutive Producer
- Victoria PalmeriExecutive Producer
- Timothy O'MalleyFirst Assistant Accountant
- James BramleyPayroll Accountant
- Karen SharpPayroll Accountant
- E. Bennett WalshProducer
- James WanProducer
- Simon McQuoidProducer
- Todd GarnerProducer
- Nazmeen DhanseyProduction Accountant
- Jake LeskeProduction Assistant
- John Boy JelcicProduction Assistant
- Kym KornaatProduction Assistant
- Molisha LennonProduction Assistant
- Slavi GaittProduction Assistant
- Stephanie JaclynProduction Assistant
- Carly MapleProduction Coordinator
- Sarah FoaleProduction Secretary
- Sylvana GreganSecond Assistant Accountant
- Rebecca GainesTravel Coordinator
- Ria KellyTravel Coordinator
- Anna SteelUnit Production Manager
- E. Bennett WalshUnit Production Manager