Film

John Wick

A grieving man kills his way through the New York underworld because someone stole his car and killed his dog, and the film treats this as entirely reasonable. It's less a plot than a physics experiment in stylish violence — gorgeous nightclub lighting, a criminal underworld with its own gold-coin economy, and Keanu Reeves moving like a man who has done this before. Pure, elegant, propulsive genre filmmaking.

TMDb rating7.5

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The Raid2012

Indonesian silat fighters clear a fifteen-storey slum tower floor by floor, and the choreography is so brutal and inventive it basically rewrote what action cinema could look like. This is where Wick's fight team learned half its tricks.

But Almost no plot, no charm, just relentless escalating combat — exhausting rather than fun for some.

The Raid poster

Kill Bill: Vol. 12003

Tarantino's operatic revenge saga gives you the same stylised, near-mythic violence and colour-coded set pieces, but with more blood-soaked absurdity and a woman who wants her wedding back.

But The comic-book gore and genre-mashing tone are a lot more cartoonish and self-aware than Wick's straight-faced world.

Kill Bill: Vol. 1 poster

Léon: The Professional1994

A quiet, meticulous hitman with a code, a milk habit, and an unexpected soft spot — this is the emotional blueprint for the lonely assassin genre, played with real tenderness by Jean Reno.

But Slower and more character-driven; the central relationship with a young girl unsettles some viewers even today.

Léon: The Professional poster

The wildcard

Something you would not have found on your own.

Le Samouraï1967

This is where the whole genre started: the solitary hitman with a private code of honour, ritualised movement, and a world of criminal etiquette. Wick's entire aesthetic DNA traces back here.

Alain Delon plays a Parisian contract killer with a trenchcoat, a caged bird, and an almost religious devotion to ritual and code — cool, silent, precise, and the direct ancestor of every stylish assassin who came after him.

But Glacially slow by modern standards, in French, with barely any dialogue — the opposite of Wick's kinetic energy.

Le Samouraï poster
More like this (8)

Atomic Blonde2017

Charlize Theron in a Cold War Berlin fights with the same bone-crunching, single-take intensity, all soaked in neon and synth-pop — stylish carnage with a spy thriller's twisty plot underneath.

But The espionage double-crosses pile up fast and can overshadow the action if you're just here to watch things get broken.

Atomic Blonde poster

Nobody2021

Bob Odenkirk as a mild suburban dad who turns out to be a retired killer of extraordinary skill — funnier and scrappier than Wick, but running the exact same engine of quiet man, terrible mistake, total reckoning.

But It knows its own formula and leans into the joke of it, which some will find a bit too knowing.

Nobody poster

Man on Fire2004

Denzel Washington as a burned-out bodyguard turned one-man wrecking crew after tragedy strikes — grimmer, sweatier, more emotionally brutal than Wick, but the same slow-burn-to-inferno structure.

But Tony Scott's frantic, jump-cut visual style is an acquired taste and the subject matter is genuinely upsetting.

Man on Fire poster

The Equalizer2014

Denzel again, this time as a hardware store clerk with a very particular set of skills, methodically dismantling a Russian trafficking ring — patient build, then sudden, surgical violence.

But Takes its time getting going, and some of the villain characterisation is fairly thin.

The Equalizer poster

Taken2008

Liam Neeson's ex-CIA dad tears through Europe to get his daughter back in the film that basically proved audiences would show up for exactly this kind of lean, mean revenge machine.

But Simpler and pulpier than Wick, with a xenophobic streak in its villain-casting that hasn't aged brilliantly.

Taken poster

Extraction2020

Chris Hemsworth as a black-market mercenary hired to rescue a kidnapped kid, built around a jaw-dropping extended single-take sequence that's pure adrenaline showmanship.

But The story is fairly generic and exists mostly as scaffolding for the stunt work, which not everyone minds.

Extraction poster

Banshee2013

Same practical, brutal stunt philosophy and pulp-revenge engine as Wick, just given room to breathe — and misbehave — across dozens of hours instead of ninety minutes.

An ex-con impersonating a small-town sheriff gets into some of the most bruising, bone-real fight scenes ever filmed for television, stretched across four seasons of pulpy small-town crime.

But It's a full TV commitment, the plotting is soapy and over-the-top, and the violence is even meaner and dirtier than Wick's.

Banshee poster

The Night Comes For Us2018

Shares stunt lineage with the John Wick films and the exact same premise — one man, an army of killers, someone innocent to protect — cranked to a far trashier, gorier extreme.

An Indonesian ex-Triad enforcer protects a young girl from his former crime family in a film so viscerally, gleefully violent it makes Wick look restrained — silat combat at its most punishing.

But The gore is extreme and constant, closer to a horror film in places, with almost no downtime between brawls.

The Night Comes For Us poster

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