Film

Bloodshot

Name: Bloodshot
Genre: Action, Science Fiction, Adventure
Released: 2020
Cast: Vin Diesel, Eiza González, Sam Heughan, Toby Kebbell, Talulah Riley

Bloodshot is a kinetic sci-fi action film about a resurrected soldier weaponized with nanotechnology. It's sleek, loud, and propulsive—lots of slow-motion carnage and digital trickery. Made for people who want their revenge narrative served with visceral thrills and don't need much breathing room between set pieces.

TMDb rating

3.3

Should you watch it?

Watch it if you enjoy lean, loud comic-book action where a single-minded brute barrels through set pieces and the whole thing stays brisk at under two hours.

Skip it if you want a grounded thriller or a story that lingers on grief and identity; this one trades those for sleek, nanotech-fuelled spectacle and a fairly predictable plot.

What it asks of you: Around a hundred and ten minutes, with a steady rhythm of fights and chases, asking you to switch off your scepticism about the science and just go with it.

Not sure? Find tonight's pick in a minute.

If you liked this

John Wick2014

A man returns to violence after tragedy in his past. Like Bloodshot, it's propulsive genre filmmaking built on a simple revenge premise, but with better choreography and a clearer mythic pulse.

But Much slower pacing, especially early on. If you came for relentless action, the setup will feel like a delay.

Furious 72015

Same lead, same commitment to absurd spectacle and practical destruction. It understands that plot is scaffolding for set pieces, and leans in completely without apology.

But Family melodrama between the action. Some find the tonal shifts between grief and one-liners exhausting.

Elysium2013

Biotech-enhanced soldier, sci-fi action, memory corruption, conspiracy twist. Same DNA as Bloodshot but with a larger thematic reach and Matt Damon's weariness as counterweight to the spectacle.

But Uneven pacing. The script tries to balance action with class commentary, and not all of it lands.

Not sure tonight? Get a pick in a minute, starting from Bloodshot

The wildcard

Something you would not have found on your own.

Upgrade2018

Both explore a weaponized body separated from the mind that controls it—but Upgrade makes that separation philosophical and terrifying rather than just the mechanism for action.

Paralyzed man implanted with AI that grants superhuman strength. Same setup as Bloodshot but inverted: the hero is conscious and horrified by what his body does. Lean, clever, genuinely eerie.

But Low-key and cerebral. If you want Vin Diesel's blank-slate physicality and constant motion, this quiet, inward film will feel like the opposite.

The Bourne Identity2002

Amnesiac operative discovers he's been used as a weapon. The template for every film like Bloodshot—rooted in confusion and the hunt for self, driven by kinetic action.

But The shaky-cam style is hard to follow in action sequences. Shot in 2002's visual grammar, which some now find dated.

xXx2002

Vin Diesel as a tattooed action hero in a high-tech spy thriller. Exactly what it promises: muscle, one-liners, and elaborate destruction. Pure fun with zero irony.

But The script is thin and the tone wildly inconsistent. It commits to nothing but the explosions.

RoboCop1987

Dead cop resurrected as a weaponized cyborg. The spiritual ancestor of Bloodshot—same premise, same questions about identity and autonomy, but with satirical bite and practical effects that age beautifully.

But Deliberately paced by 1980s standards. The violence is cartoonish, which some find dated rather than stylish.

Total Recall1990

Reality-bending action thriller where the hero doesn't know what's real. Arnold Schwarzenegger chasing the truth while everything explodes. Bloodshot's DNA, executed with more wit.

But The plot collapses under scrutiny. You have to surrender to the ride or you'll spend the whole film picking holes.

Wrath of Man2021

Vin Diesel's stony competence deployed in a revenge thriller with real craft behind it. Guy Ritchie brings style and surprise to familiar material—armored cars, mystery, methodical destruction.

But Deliberately convoluted narrative structure. Some find the puzzle-box storytelling more frustrating than rewarding.

Turbo Kid2015

Indie post-apocalyptic action film with a hero who's augmented, traumatized, and out for revenge. Colorful, weird, and genuinely weird in ways Bloodshot aspires to but doesn't reach.

But Low budget shows. The action is scrappy and the tone lurches between comedy and violence in ways that won't work for everyone.

The One2001

Both pit the hero against a darker version of himself; both are built on a single killer concept stretched to feature length; both prioritize visual spectacle over narrative coherence.

Jet Li as a cop hunting an alternate-universe version of himself. Multiverse action sci-fi that swaps Bloodshot's neon-soaked grit for high-concept weirdness and genuine martial arts grace.

But Genuinely bizarre film from early-2000s CGI era. The logic is nonsensical and the sincerity makes it stranger, not better.

Assault on Precinct 131976

Both are revenge films that trust the premise and the physicality of their lead completely. Where Bloodshot asks 'what if we make it digital?', Carpenter shows what it looks like when you strip everything down to essential violence.

John Carpenter's lean siege thriller. A man avenges his murdered family through a night of escalating violence. Mechanical, relentless, and composed with perfect economy—pure craft.

But No spectacle, no sci-fi, no CGI. Black-and-white morality, real locations, and a 110-minute runtime that feels even shorter because nothing is wasted.