Film
The Raid 2
A blood-soaked crime saga that swaps the first film's single-building siege for a sprawling gangland epic spanning years and territories. The fight choreography — kitchen brawls, car chases, a hammer, a baseball bat — is some of the most breathtakingly precise ever filmed. It's long, brutal, and unapologetically operatic. For action purists and anyone who wants to see violence as pure cinematic craft.
If you liked this
Oldboy2003
Park Chan-wook's revenge thriller matches The Raid 2's mix of stylised brutality and genuine tragedy, building to a single-corridor fight that's become as iconic as anything Uwais has done.
But The twist and tone are far darker and more psychological — less pure action, more gut-punch melodrama.

John Wick2014
Same year, same appetite for meticulously choreographed violence, but leaner and colder — gun-fu instead of silat, revenge instead of infiltration.
But More stylish minimalism than the sprawling crime-family plotting you get in The Raid 2.

Kill Bill: Vol. 12003
Tarantino's tribute to the martial arts films that fed into The Raid's DNA — same commitment to fight scenes as showpieces, same total disregard for restraint.
But Cartoonish and referential where The Raid 2 plays its violence straight.

The wildcard
Something you would not have found on your own.
The Act of Killing2012
Both are set in an Indonesia where organised crime and state power blur into each other; this documentary shows the real machinery of violence that The Raid 2 dramatises as spectacle.
A documentary in which real Indonesian death squad leaders re-enact their killings for camera, sometimes as musicals. It's the same country, the same undercurrent of gangsterism as civic institution — but true, and far more unsettling.
But This isn't entertainment in any conventional sense — it's a genuinely disturbing document of real atrocity, and it will sit with you.

More like this (8)
The Man from Nowhere2010
A Korean revenge thriller with the same undercover-man-in-too-deep structure and a final act of sustained, brilliantly staged carnage.
But Leans harder into sentimentality with its child-in-peril plot than The Raid 2 ever does.

Infernal Affairs2002
The Hong Kong classic about undercover cops and moles inside crime syndicates — the moral rot at the heart of Rama's mission has its clearest ancestor here.
But Almost no fight choreography — this is tension and paranoia, not physical spectacle.

City of God2002
A crime epic that tracks a sprawling underworld across years with the same appetite for showing how violence calcifies into a way of life.
But Documentary-style grit and no martial arts whatsoever — a completely different rhythm.

Headshot2016no page yet
Iko Uwais again, this time as an amnesiac pulled back into a criminal past, with fight scenes choreographed by the same team that built The Raid's.
But A smaller, cheaper production — the ambition and scale don't come close.
Ong-Bak2003no page yet
Tony Jaa's breakout film, the one that reignited the world's appetite for practical, bone-crunching martial arts spectacle that The Raid films later perfected.
But Rougher production values and a much simpler, more straightforward revenge plot.
Mad Max: Fury Road2015
Different vehicle, same philosophy — action as continuous, breathless spectacle with barely a pause for exposition.
But Trades hand-to-hand fight craft for vehicular carnage; the DNA is different even if the adrenaline isn't.

Seven Samurai1954
The structural DNA — a man drawn into a code of violence larger than himself, building toward a massive, meticulously staged final battle — runs directly from this film into modern action cinema, The Raid 2 included.
Kurosawa's epic essentially invented the template The Raid 2 runs on — hired men, honour codes, and sustained action climaxes built from patient character work.
But Three hours, black and white, and its violence is comparatively bloodless — a very different pace and texture.

Crank2006
Same relentless, propulsive energy and refusal to let up, but played for absurdist thrills instead of tragedy — the trashy mirror image of the same non-stop-action impulse.
Jason Statham's heart is poisoned and he has to keep his adrenaline up to survive — ninety minutes of gleeful, trashy, breathless mayhem with zero interest in dignity.
But It has none of The Raid 2's craft or discipline — this is junk food, loud and dumb on purpose.

People
Cast
Iko UwaisRama
Arifin PutraUcok
Tio PakusadewoBangun
Oka AntaraEka
Alex AbbadBejo
Cecep Arif RahmanThe Assassin
Julie EstelleAlicia "Hammer Girl"
Very Tri YulismanBaseball "Bat Man"
Ryuhei MatsudaKeiichi
Kenichi EndoHideaki Goto
Kazuki KitamuraRyuichi
Yayan RuhianPrakoso
Directing
- Dondy AdrianAssistant Director
- Ginanti RonaAssistant Director
- Mus Danang Danar DonoAssistant Director
- Victor StudiamintoAssistant Director
- Gareth EvansDirector
- Lelly AnggraeniScript Supervisor
Writing
- Gareth EvansWriter
Production
- Stanley SaklilAdditional Casting
- Steve AustenAdditional Casting
- Andi LufiandraCasting Coordinator
- Dian MurdiantoCasting Coordinator
- Galih Priska Panji AnggrainiCasting Coordinator
- Hari Pratama LubisCasting Coordinator
- Rizki MaulanaCasting Coordinator
- Ikhsan SamiajiCasting Director
- Irwan D. MussryExecutive Producer
- Nick SpicerExecutive Producer
- Rangga Maya Barack-EvansExecutive Producer
- Todd BrownExecutive Producer
- Daiwanne RalieLine Producer
- Dodi SanjayaLocation Assistant
- Edi PurwakaLocation Assistant
- Fathur RachmanLocation Assistant
- Sulistyo NugrohoLocation Assistant
- Zaenal HendriLocation Assistant
- Agus SunaryoLocation Manager
- Aram TertzakianProducer
- Ario SagantoroProducer
- Nate BolotinProducer
- Aluysius Siwi RachmadiProduction Assistant
- Hesti PurwaningsihProduction Coordinator
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Mission: Impossible - Fallout, The Raid, The Night Comes For Us