Film
Netrikann
Netrikann is a Tamil-language thriller about a blind woman who inadvertently witnesses a serial killer's crime. What follows is a tense psychological game where her disability becomes both vulnerability and unexpected advantage. It's a propulsive, darkly clever cat-and-mouse narrative with strong central performances, made for viewers who like their thrillers smart and their heroines complex.
Should you watch it?
Watch it if you enjoy a tense, tightly wound chase where the cat-and-mouse lives in close quarters and the suspense comes from who can see what, much like a stripped-down Wait Until Dark.
Skip it if you want a crime film that is brisk and busy; this one lingers in its rooms and its silences, and a 146-minute running time asks for patience before the pressure tightens.
What it asks of you: Settle in for nearly two and a half hours of slow-building dread, where most of the tension is built in small domestic spaces and long stretches of quiet listening.
Not sure? Find tonight's pick in a minute.
If you liked this
Andhadhun2018
A blind pianist becomes entangled with a murdered man and a scheming wife in this brilliantly plotted Indian thriller. The central character's blindness creates genuine uncertainty; you never quite know who's manipulating whom.
But It's a genre exercise that prioritizes puzzle-box plotting over character depth. Some viewers find the moral ambiguity more exhausting than engaging.

Drishyam2015
A father uses his encyclopedic knowledge of crime films to cover up a terrible accident. This Malayalam thriller builds suspense through meticulous planning and counter-planning, with a protagonist using wit as his weapon.
But The film is deliberately paced and relies on your patience with procedural detail. It can feel slow if you're looking for immediate action.

Badla2019
A lawyer and her accused client play verbal chess across a series of hotel rooms. Amitabh Bachchan and Taapsee Pannu spar with tremendous intelligence; the script keeps folding back on itself in genuinely satisfying ways.
But Essentially two people talking in rooms. If you need movement and variety, the confined setting will feel limiting.

Not sure tonight? Get a pick in a minute, starting from Netrikann
The wildcard
Something you would not have found on your own.
Hush2016
Both centre a female protagonist whose disability initially seems to be her sentence, then becomes her grammar of survival. Both are thrillers that understand how to use what you cannot see or hear.
A deaf and mute writer is stalked by a masked killer in her isolated house. Like Netrikann, it uses sensory absence as narrative force—but where that film is cerebral, this is pure visceral dread. A masterclass in suspense from 90 minutes of constraint.
But It's very violent and relentless. The killer has no motivation beyond the hunt; if you need psychological depth or backstory, you won't find it here.

More like this (8)
Mystic River2003
Three childhood friends are pulled back into their trauma when a girl is murdered in their neighbourhood. Clint Eastwood's direction finds grief and rage in quiet moments; the ensemble cast is phenomenal.
But It's heavy. This is a film about men destroyed by the past, told without relief or redemption. The bleakness will wear on you.

Spiral2021
Chris Rock anchors this Saw reboot with genuine charisma as a cop investigating a killer targeting corrupt police. It's a pulpy, energetic thriller that knows exactly what it is and commits to the violence with dark humour.
But Saw-franchise gore might repel you. The plot also requires you to accept some fairly absurd coincidences and timing.

Memories of Murder2003
Bong Joon-ho's masterpiece follows two detectives hunting a serial killer in 1980s South Korea. It's methodical, haunting, and finds tragedy in the gap between desperation and truth.
But It's deliberately slow-building and ambiguous in ways some find unsatisfying. Subtitles required; reading fatigue is real across 132 minutes.

The Witness for the Prosecution2016
Agatha Christie's courtroom mystery gets a sharp BBC remake with a twist that will make you want to immediately rewatch it. Toby Jones is superb as the lawyer; the plotting is airtight.
But It's a three-part limited series rather than a film, and the pacing is deliberately formal. If you find courtroom procedurals dry, this won't convert you.

Chicken Run2000
A woman discovers her elderly mother has been lying to her about the world for her entire life. Hedy's physical performance carries the film; there's genuine menace underneath the domestic setting.
But It's a home-invasion thriller in a limited setting. The twist doesn't land for everyone, and some find the mother cartoonishly villainous.

The Phil Silvers Show1955
A limited series following real criminal profilers who helped invent modern serial killer investigation. It's methodical procedural television that respects its audience's intelligence.
But It's slow, archive-heavy, and often just men discussing theory. If you need narrative drive and character arcs, this is academic television.

The Raid 22014
Both are films about witnesses to crime navigating criminal worlds through observation and strategy rather than brute force. Both understand that intelligence is a weapon.
An Indonesian police officer goes undercover in a crime syndicate. It's a 150-minute odyssey of corruption, betrayal, and balletic violence. The action is flawless, but it's the paranoia and the moral fog that grip you.
But It's a sequel to a film you'd need to have seen. The action is stunning but relentless—some find action films exhausting rather than exhilarating.

The Invisible Man2020
Both films weaponize perception itself. Where Netrikann asks what a blind woman can see that others cannot, Invisible Man asks what happens when you cannot be seen at all. Both are about the politics of being watched and believed.
A woman hiding from an abusive ex discovers he's found a way to become invisible, then targets her. Leigh Whannell's film is formally brilliant—camera composition becomes a character—and terrifyingly contemporary about gaslighting and disbelief.
But It's more a meditation on invisibility and control than a traditional thriller. Some find the pacing slow and the restraint frustrating.

People
Cast
NayantharaDurga / Nancy
Ajmal AmeerDr. James Dinah
ManikandanSI Manikandan
Saran ShakthiSaran
Redin KingsleyBabu- Sacchin NachiappanAditya
Supergood SubramaniPolice officer
RJ AnanthiRenuka
Pradeep K VijayanVeterinarian- Yaanai Joke KathirRobber
Directing
- Milind RauDirector
Writing
- Choi Min-seokOriginal Story
- Milind RauWriter
Production
- K S MayilvagananCo-Producer
- GubendranExecutive Producer
- Hyunwoo Thomas KimProducer
- Vignesh ShivanProducer
- Kabilan ChellaiahPublicist