Film
Aquaman
Aquaman is James Wan's love letter to pulp adventure serials, dressed up in glowing tridents and CGI sea monsters. It's less brooding superhero film than underwater Flash Gordon — bioluminescent cities, kraken brawls, and family betrayal, played with tongue only half in cheek. Momoa's easy charisma anchors the chaos. Go in wanting spectacle, not subtlety, and it delivers gleefully.
If you liked this
Wonder Woman2017
Same DC era, same fish-out-of-water royal discovering a hidden world and a duty — but with more heart and a genuinely moving hero's arc that Aquaman skips past.
But It's earnest where Aquaman is goofy — if you wanted more jokes and monsters, the tonal shift might disappoint.

Black Panther2018
Another hidden kingdom, another reluctant heir proving himself worthy of a throne — grounded in real culture and political stakes instead of CGI seascapes.
But Far more serious and thematically dense; the family drama carries real weight rather than being played for spectacle.

Thor: Ragnarok2017
Same gleeful excess — cosmic royalty, banished heirs, a rainbow of absurd creatures — but with Taika Waititi's anarchic comic timing turned all the way up.
But Leans even harder into comedy; if you wanted Aquaman's occasional sincerity, this rarely slows down for it.

The wildcard
Something you would not have found on your own.
20,000 Leagues Under the Sea1954
Both are stories about strange, charismatic rulers of the sea and the wonders hidden beneath the waves — this one just did it with hand-built submarines decades before CGI existed.
Disney's original underwater spectacle: Kirk Douglas and James Mason battling a giant squid in gorgeously tactile sets that still hold up, built without a single pixel.
But Slower, talkier, and more moralizing than modern blockbusters — patience for 1950s pacing required.

More like this (8)
Guardians of the Galaxy2014
Another ragtag crew bantering through a candy-colored universe on a mission bigger than themselves, mixing needle-drops with real affection between misfits.
But Space opera rather than undersea myth — the found-family warmth is different from Aquaman's solo hero arc.

John Carter2012
A criminally underrated pulp adventure about a reluctant outsider discovering he's destined to rule an alien world — Edgar Rice Burroughs by way of blockbuster spectacle.
But It bombed for a reason: pacing drags in the middle and the mythology takes patience to absorb.

Shazam!2019
DC's lighter cousin — a kid discovering impossible power, played entirely for warmth and comedy instead of grandeur, with a similar sense of gleeful wonder.
But Much smaller scale and budget; if you came for spectacle, this trades it for charm.

Pacific Rim2013
Guillermo del Toro's giant-robots-vs-giant-monsters spectacle shares Wan's love of maximalist scale and tactile creature design, just above the waterline instead of below.
But Character work is thinner; it's mostly about the scale and noise of the fights.

The Mummy1999
Pure pulpy adventure-movie pleasure — swashbuckling, wisecracks, ancient curses — with the same unembarrassed commitment to fun over realism.
But No underwater kingdoms or superheroics; the connection is tone and energy, not subject matter.

Percy Jackson & the Olympians: The Lightning Thief2010no page yet
A half-mortal kid discovers a hidden mythological bloodline and a destiny tangled in family politics — a gentler, YA-flavored cousin to Arthur's own origin story.
But Aimed younger and less polished; the effects and performances don't match Aquaman's blockbuster budget.
Ponyo2008
Same core myth — a creature caught between the human world and the sea, torn between two families and two natures — but told as a gentle, hand-drawn fairytale instead of a CGI brawl.
Miyazaki's tender, visually stunning tale of a fish-girl who wants to become human, brimming with the kind of wonder Aquaman reaches for but rarely slows down enough to feel.
But No fights, no blockbuster stakes — if you want scale and spectacle, this is deliberately, beautifully small.

Blackfish2013
Aquaman fantasizes about a benevolent human ruling over sea creatures with love and duty; this documentary is the real-world inverse — human dominion over ocean life, and the devastating cost of that arrogance.
A gripping, furious documentary about captive orcas that reframes everything glib about talking to sea creatures — it's the discomforting real answer to Aquaman's fantasy of ocean kingship.
But It's angry, sad, and true — a hard tonal 180 from anything resembling popcorn entertainment.

People
Cast
Jason MomoaArthur Curry / Aquaman
Amber HeardMera
Willem DafoeNuidis Vulko
Patrick WilsonKing Orm Marius / Ocean Master
Nicole KidmanAtlanna
Dolph LundgrenKing Nereus
Yahya Abdul-Mateen IIDavid Kane / Black Manta
Temuera MorrisonThomas Curry
Ludi LinCaptain Murk
Michael BeachJesse Kane (Manta's Father)
Randall ParkDr. Stephen Shin
Graham McTavishKing Atlan
Directing
- James WanDirector
- Albert ChoFirst Assistant Director
- Luigi SpoletiniFirst Assistant Director
- Mehdi ElkhaoudyFirst Assistant Director
- P.J. VoetenFirst Assistant Director
- Simon WarnockFirst Assistant Director
- Terry StoneFirst Assistant Director
- Carolina JiménezLayout
- Carolina HäggströmScript Supervisor
- Jody BloseScript Supervisor
- Joyce HeftelScript Supervisor
- Tracy L. MoodyScript Supervisor
- Rahul Singh AgnihotriSecond Assistant Director
Writing
- Mort WeisingerCharacters
- Paul NorrisCharacters
- David Leslie Johnson-McGoldrickScreenplay
- Will BeallScreenplay
- Geoff JohnsStory
- James WanStory
- Will BeallStory
Production
- Caitlin McKennaADR Voice Casting
- Kate WeatherlyAssistant Production Coordinator
- Anne McCarthyCasting
- Kellie RoyCasting
- Jeanette BenzieCasting Associate
- Morgan RobbinsCasting Associate
- Deborah SnyderExecutive Producer
- Geoff JohnsExecutive Producer
- Jon BergExecutive Producer
- Walter HamadaExecutive Producer
- Zack SnyderExecutive Producer
- Bud HopesExtras Casting
- Marlene MarksFirst Assistant Accountant
- Duncan JonesLocation Manager
- Hine TuaeuPayroll Accountant
- Sharon TriboletPayroll Accountant
- Peter SafranProducer
- Rob CowanProducer
- Angela KennyProduction Accountant
- Maria FioritoProduction Accountant
- Matt HughesProduction Accountant
- Bridgett BussProduction Coordinator
- Candice PreddyProduction Coordinator
- Eleonora SpadaroProduction Coordinator
- Hajar BelkasmiProduction Coordinator
- Leiki VeskimetsProduction Manager
- Vivek AroraProduction Manager
- Cathryn HammondProduction Secretary
- Murray AlfordProduction Secretary
- James CowlingTravel Coordinator
Recommended by
Avatar: Fire and Ash, Shazam!, Avatar: The Way of Water, Man of Steel, Black Panther: Wakanda Forever