Film

John Carter

John Carter is Disney's hugely expensive, earnestly old-fashioned swing at Edgar Rice Burroughs' pulp Mars saga — a weary Civil War veteran flung onto a planet of warring tribes, flying ships, and towering green warlords. It plays like a golden-age adventure serial blown up to modern blockbuster scale: sincere, sweeping, and completely unembarrassed by its own romance. Best for anyone who wants swashbuckling wonder played straight, without irony.

TMDb rating6.4

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Star Wars1977

Lucas openly borrowed from the same Burroughs pulp that inspired Carter — this is that same scrappy wonder and rescue-the-princess energy, but the version that actually landed and changed everything.

But It's the most famous film ever made — zero novelty if you've already seen it a dozen times.

Star Wars poster

Dune2021

Swap Mars for Arrakis and the bones are the same: a stranger thrown into an alien desert culture, prophecy, political intrigue, and a love story woven through the sand — done with obsessive visual restraint.

But It's slow and brooding, allergic to the pulpy fun that makes Carter enjoyable; expect atmosphere over swashbuckling.

Dune poster

Flash Gordon1980

Pure disco-glam pulp adventure with rocket ships, tyrant emperors, and a hero who's basically a walking jaw — everything John Carter wanted to be if it had let itself be sillier.

But The camp is deliberate and total; if you wanted a straight face, this absolutely isn't it.

Flash Gordon poster

The wildcard

Something you would not have found on your own.

Forbidden Planet1956

Decades before Carter, this film laid down the same template: a stranded human party on an alien world, an ancient vanished civilization, forbidden technology, and a father guarding a beautiful, otherworldly daughter.

Gorgeous matte-painted alien vistas, a genuinely eerie invisible monster, and Robby the Robot — this is 1950s pulp sci-fi at its most confident, and it quietly wrote the rulebook Carter is still playing by.

But The pacing and dialogue are pure Eisenhower-era theatrical, stiff and formal by modern standards.

Forbidden Planet poster
More like this (8)

Stargate1994no page yet

A soldier steps through a portal into a lost desert civilization ruled by an ancient tyrant posing as a god — nearly the same setup as Carter's arrival on Barsoom.

But Lower budget, dated effects, and a plot that leans archaeology-thriller rather than epic romance.

Thor2011

Another displaced warrior, stripped of power on a strange world, learning humility before he earns the right to fight for people who aren't his own — Branagh gives the myth real Shakespearean weight.

But The Earth-set comedy subplot pulls focus from the cosmic scale that made Carter's Barsoom feel vast.

Thor poster

Conan the Barbarian1982

Brawny, brooding pulp fantasy with a hero built from muscle and myth, wandering a savage world of warring tribes and cruel kings — the register Carter reaches for in its battle scenes.

But Grimmer and more violent, with none of Carter's romantic optimism or humor.

Conan the Barbarian poster

Jupiter Ascending2015no page yet

The Wachowskis' other maligned, visually berserk space opera — royal intrigue, alien bureaucracies, and a chosen-one plot delivered with total, glorious sincerity.

But The plot is a genuine mess and the reviews were even harsher than Carter's — go in for spectacle, not coherence.

Prince of Persia: The Sands of Time2010no page yet

Swashbuckling desert adventure with a reluctant hero, palace politics, and a love interest who can outfight him — same matinee spirit, same studio-blockbuster ambition.

But It's a video game adaptation first, epic romance second; expect parkour over pathos.

Warcraft2016no page yet

Another expensive, savaged-on-release fantasy adaptation with real visual imagination and a genuine attempt to give both warring sides in its conflict some sympathy.

But Clunky dialogue and an overstuffed plot make it a rockier ride than Carter, even at its best.

Warriors of the Wind1984

Same myth, redrawn: a lone hero caught between two warring, ecologically fragile civilizations, brokering peace through empathy rather than conquest, with a princess who is the actual protagonist rather than the prize.

Miyazaki's early masterpiece turns planetary war epic into something tender and painterly, with a heroine of real moral weight and a dying world rendered achingly beautiful.

But It's animated and subtitled or dubbed, and moves at a contemplative pace far from Carter's action-hero swagger.

Warriors of the Wind poster

The Fall2006no page yet

Strip away the studio budget and Carter's basic myth — an injured man escapes into a fantastical world to become the hero he can't be in life — becomes this film's entire structure, told as a bedside story to a sick child.

A hand-crafted fantasy epic shot practically across real locations in twenty countries, with images so strange and lovely they don't need CGI to feel like another planet.

But It's slow, dreamlike, and emotionally raw in ways that have nothing to do with blockbuster spectacle — expect art film, not adventure romp.

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