Film
Teenage Mutant Ninja Turtles
Other titles called Teenage Mutant Ninja Turtles: the 1990 film.
A goofy, kinetic action-comedy that treats its absurd premise with total sincerity. Four wise-cracking mutant turtles fight crime in New York with plenty of quips, CGI spectacle, and genuine slapstick charm. It's unpretentious fun designed to entertain kids and nostalgic adults without breaking a sweat.
If you liked this
The Lego Movie2014
Fast-paced, joke-dense family action that pokes fun at blockbuster tropes while delivering real excitement and heart. Surprisingly clever about corporate cynicism wrapped in anarchic comedy.
But If you find relentless pop-culture references exhausting, this may feel like being shouted at for two hours by an algorithm.

Guardians of the Galaxy2014
Irreverent space adventure that proves superhero films can be hilarious and thrilling simultaneously. The cast chemistry is magnetic, and it never takes itself seriously without losing narrative stakes.
But The tonal shifts between goofy humor and genuine emotion might feel manipulative if you're skeptical of MCU sentimentality.

The Nice Guys2016
Buddy-cop comedy with real comedic flair, propulsive plotting, and two leads who feel like they genuinely enjoy each other. Smart, raunchy, and propelled by momentum rather than spectacle.
But It's deliberately scruffy and messy; if you need your narratives tidy and resolved, this will feel scattered.

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The wildcard
Something you would not have found on your own.
Scott Pilgrim vs. the World2010
Both embrace absurdity as their emotional logic. Neither film pretends its world follows real-world rules, and both find humor and heart in pure visual spectacle over narrative coherence.
Edgar Wright's kaleidoscopic action-comedy that treats video-game logic as narrative law. Visually audacious, genuinely funny, with fight scenes that feel like watching someone's fever dream—kinetic and unmoored from physics the same way TMNT is.
But It's relentlessly stylized and the protagonist is kind of a jerk; if maximalist direction exhausts you, this won't land.

More like this (8)
Jungle Cruise2021
A throwback adventure that embraces its own ridiculousness: two charming leads, escalating action set-pieces, and zero pretense. It knows exactly what it is and commits fully to the bit.
But The plot is tissue-thin and it leans heavily on lead charisma; without buying into the movie's self-aware fun, it's just expensive chaos.

The Spy Who Dumped Me2018
Action-comedy that finds genuine laughs in its premise while delivering competent spy-thriller beats. The leads' friendship feels real, and the international locales give it scope beyond the jokes.
But It straddles the line between comedy and action without fully committing to either, so it may feel tonally uncertain.

Free Guy2021
A video-game-world action romp that's enthusiastic without being exhausting. Bright, colorful, packed with cameos and easter eggs, and genuinely sweet under the spectacle.
But The premise is built on IP nostalgia and product placement; if you're allergic to corporate synergy, this won't help your immune system.

Knight and Day2010
A globe-trotting action-comedy with genuine chemistry between its leads. Unhinged, occasionally surreal, and committed to keeping you off-balance with tone and plot twists.
But It's scattered and narratively incoherent; the unpredictability some find charming will frustrate anyone seeking a solid story.

Kingsman: The Secret Service2015
Stylish action-comedy that deconstructs spy-movie tropes with kinetic fight choreography and a wicked sense of humor. Matthew Vaughn finds the sweet spot between satire and genuine thrills.
But The tone veers toward mean-spirited in places, and its satire can feel smug; some jokes land on the wrong side of clever.

Big Momma's House2000
A comedy vehicle that commits utterly to its premise and moves fast enough that you can't overthink it. Martin Lawrence's commitment to the bit is genuinely funny, and the action sequences have real momentum.
But The drag comedy and plot mechanics rely on tropes that feel dated; if you find the central joke uncomfortable, nothing else will save it.

Kung Fu Hustle2004
Both films believe that earnest, over-the-top action and dumb humor aren't in conflict—they're fuel for each other. Both are joyously unashamed of their own ridiculousness.
A martial-arts action-comedy from Stephen Chow that's visually audacious and genuinely hilarious. It treats action beats with balletic precision while maintaining constant comedic energy and heart underneath the mayhem.
But The humor is broad and physical; if you prefer subtle comedy or find slapstick dated, you'll bounce off it immediately.

The Adam Project2022
Both are cynical about story but sincere about tone. Both believe spectacle and jokes matter more than plot, and both get genuine mileage from their cast's willingness to be silly.
A time-travel action-adventure that prioritizes forward momentum and character warmth over plot logic. Ryan Reynolds and Mark Ruffalo's dynamic carries what could've been weightless; the film knows what it is and commits.
But It's narrative slop—nothing coheres, and if you need your sci-fi internally consistent, the logic will infuriate you.

People
Cast
Pete PloszekLeonardo
Alan RitchsonRaphael
Jeremy HowardDonatello
Noel FisherMichelangelo
Megan FoxApril O'Neil
Will ArnettVern Fenwick
William FichtnerEric Sacks
Danny WoodburnSplinter
Johnny KnoxvilleLeonardo (voice)
Tony ShalhoubSplinter (voice)
Tohoru MasamuneShredder
Whoopi GoldbergBernadette Thompson
Directing
- Adam BernardAdditional Second Assistant Director
- Cathleen McFadyenAdditional Second Assistant Director
- Scott KocheAdditional Second Assistant Director
- Jonathan LiebesmanDirector
- Darin RivettiFirst Assistant Director
- Jeff OkabayashiFirst Assistant Director
- Katri BillardScript Supervisor
- Kris SmithScript Supervisor
- Linda HaftelScript Supervisor
- Shane B. ScottScript Supervisor
- David FischerSecond Assistant Director
- Eric GlasserSecond Assistant Director
- Maggie MurphySecond Assistant Director
- Thomas K. LeeSecond Assistant Director
- Jeremy MarksSecond Second Assistant Director
- Jon RecherSecond Second Assistant Director
- Raymond L. NegronSecond Second Assistant Director
- Tom GlickSecond Second Assistant Director
- Dan BradleySecond Unit Director
- David LeitchSecond Unit Director
- Pablo HelmanSecond Unit Director
- Chris CastaldiSecond Unit First Assistant Director
- Mark CotoneSecond Unit First Assistant Director
- Mark TrapenbergSecond Unit First Assistant Director
Writing
- Kevin EastmanCharacters
- Peter LairdCharacters
- André NemecWriter
- Evan DaughertyWriter
- Josh AppelbaumWriter
Production
- Barbara HarrisADR Voice Casting
- Justin RosiniAssistant Location Manager
- Michael WesleyAssistant Location Manager
- Brianna HoskinsAssistant Production Coordinator
- David E. BissonAssistant Production Coordinator
- Lauren ButlerAssistant Production Coordinator
- Sean MurrayAssistant Production Coordinator
- Veronique LeeAssistant Production Coordinator
- Basil GrilloAssociate Producer
- Bret RoweAssociate Producer
- Lori ScowleyAssociate Producer
- Marc PappalardoAssociate Producer
- Debra ZaneCasting
- Kathleen ChopinCasting
- Meghan HartCasting Assistant
- Shayna MarkowitzCasting Assistant
- Tannis VallelyCasting Assistant
- Rori BergmanCasting Associate
- Kirby AdamsExecutive In Charge Of Production
- Denis L. StewartExecutive Producer
- Eric J. CrownExecutive Producer
- Jason T. ReedExecutive Producer
- Napoleon Smith IIIExecutive Producer
- Maryellen AvianoExtras Casting
- Elijah CornellExtras Casting Assistant
- Jonathan HookLocation Manager
- Maria T. BierniakLocation Manager
- Stuart NicolaiLocation Manager
- Andrew FormProducer
- Brad FullerProducer
- Galen WalkerProducer
- Ian BryceProducer
- Michael BayProducer
- Scott MednickProducer
- Christie KwanProduction Coordinator
- Scott SullensProduction Coordinator
- Basil GrilloProduction Manager
- Fernando ZagalloProduction Manager
- Daren HicksProduction Supervisor
- Allegra CleggUnit Production Manager
- Basil GrilloUnit Production Manager
- Denis L. StewartUnit Production Manager
- Lyn PinezichUnit Production Manager