Film

Coco

Pixar's exuberant trip to the Land of the Dead, where a music-mad kid stumbles into his own family history among glowing marigold bridges and skeleton relatives. It's gorgeous, funny, unexpectedly devastating, and one of the few animated films that treats grief and memory as seriously as it treats jokes. Great for kids, but bring tissues for the adults.

TMDb rating8.2

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Soul2020

Another Pixar afterlife story, this time about a jazz musician who dies right before his big break. Same questions about purpose and passion, filtered through a completely different visual world.

But More abstract and philosophical, less warm family sentiment — it's about meaning of life, not ancestors.

Soul poster

The Book of Life2014

Also set during Día de los Muertos, also stuffed with skeletons and music and family duty versus personal dreams. Different studio, wilder art style, same holiday spirit.

But Covers similar ground to Coco so closely it can feel like the beta version rather than something new.

The Book of Life poster

Up2009

Pixar's other great meditation on memory and loss, this one about an old man chasing a promise he made decades ago. Funnier and sadder in equal measure.

But Front-loads its heaviest emotional gut-punch in the first ten minutes — some kids (and adults) find that a rough start.

Up poster

The wildcard

Something you would not have found on your own.

Black Orpheus1959no page yet

Same bones as Coco: a musician crossing into the realm of the dead for love, with music itself treated as the bridge between the two worlds.

A Brazilian retelling of the Orpheus myth set during Rio's Carnival — music, colour, and a journey into the world of the dead to reclaim someone loved, decades before Pixar got there.

But Slow by modern pacing standards, and its treatment of some characters shows its age uncomfortably.

More like this (7)

Encanto2021

A magical family house, generational secrets, and a kid who doesn't fit the family mould — the emotional architecture is practically a cousin of Coco's.

But Leans harder into pop musical numbers than folk tradition, and the plot is looser, more vignette than journey.

Encanto poster

Kubo and the Two Strings2016

Stop-motion, gorgeous, and obsessed with ancestors, memory, and the stories we tell to keep the dead alive. Visually one of the most inventive family films of the decade.

But Slower and stranger than Coco, with a melancholy that doesn't always resolve into comfort.

Kubo and the Two Strings poster

Inside Out2015

Pixar turning abstract emotional truths into vivid, colourful adventure — same trick Coco pulls with death, just aimed at feelings instead.

But No music, no afterlife, no family mythology — the connection is tonal and thematic, not literal.

Inside Out poster

Moana2016

A musical Disney adventure about ancestry, identity, and a kid who has to leave home to understand where they come from.

But Ocean voyage instead of underworld journey — the mood is adventurous and bright rather than reflective.

Moana poster

Ratatouille2007

Another story about chasing a forbidden passion against family expectations, told with as much warmth and specificity as Coco brings to music.

But Set in Paris kitchens, not Mexican graveyards — no death, no ancestors, purely about talent and belonging.

Ratatouille poster

Spirited Away2001

The gold standard for a kid wandering into a strange spirit world full of rules, ghosts, and grotesque wonder — Coco owes it a real debt.

But Japanese folklore rather than Mexican, and considerably weirder and more unsettling in tone.

Spirited Away poster

Pan's Labyrinth2006

Take Coco's structure — child, underworld, family history unlocked through myth — and push it into horror instead of warmth; same skeleton, opposite temperature.

A child in fascist Spain slips into a brutal fairy-tale underworld tangled up with her family's grief and secrets — gorgeous, mythic, and genuinely frightening.

But This is not for kids. It's violent, bleak, and ends nothing like Coco does.

Pan's Labyrinth poster

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