Film
Coco
Pixar's exuberant trip to the Land of the Dead, where a music-mad kid stumbles into his own family history among glowing marigold bridges and skeleton relatives. It's gorgeous, funny, unexpectedly devastating, and one of the few animated films that treats grief and memory as seriously as it treats jokes. Great for kids, but bring tissues for the adults.
If you liked this
Soul2020
Another Pixar afterlife story, this time about a jazz musician who dies right before his big break. Same questions about purpose and passion, filtered through a completely different visual world.
But More abstract and philosophical, less warm family sentiment — it's about meaning of life, not ancestors.

The Book of Life2014
Also set during Día de los Muertos, also stuffed with skeletons and music and family duty versus personal dreams. Different studio, wilder art style, same holiday spirit.
But Covers similar ground to Coco so closely it can feel like the beta version rather than something new.

Up2009
Pixar's other great meditation on memory and loss, this one about an old man chasing a promise he made decades ago. Funnier and sadder in equal measure.
But Front-loads its heaviest emotional gut-punch in the first ten minutes — some kids (and adults) find that a rough start.

The wildcard
Something you would not have found on your own.
Black Orpheus1959no page yet
Same bones as Coco: a musician crossing into the realm of the dead for love, with music itself treated as the bridge between the two worlds.
A Brazilian retelling of the Orpheus myth set during Rio's Carnival — music, colour, and a journey into the world of the dead to reclaim someone loved, decades before Pixar got there.
But Slow by modern pacing standards, and its treatment of some characters shows its age uncomfortably.
More like this (7)
Encanto2021
A magical family house, generational secrets, and a kid who doesn't fit the family mould — the emotional architecture is practically a cousin of Coco's.
But Leans harder into pop musical numbers than folk tradition, and the plot is looser, more vignette than journey.

Kubo and the Two Strings2016
Stop-motion, gorgeous, and obsessed with ancestors, memory, and the stories we tell to keep the dead alive. Visually one of the most inventive family films of the decade.
But Slower and stranger than Coco, with a melancholy that doesn't always resolve into comfort.

Inside Out2015
Pixar turning abstract emotional truths into vivid, colourful adventure — same trick Coco pulls with death, just aimed at feelings instead.
But No music, no afterlife, no family mythology — the connection is tonal and thematic, not literal.

Moana2016
A musical Disney adventure about ancestry, identity, and a kid who has to leave home to understand where they come from.
But Ocean voyage instead of underworld journey — the mood is adventurous and bright rather than reflective.

Ratatouille2007
Another story about chasing a forbidden passion against family expectations, told with as much warmth and specificity as Coco brings to music.
But Set in Paris kitchens, not Mexican graveyards — no death, no ancestors, purely about talent and belonging.

Spirited Away2001
The gold standard for a kid wandering into a strange spirit world full of rules, ghosts, and grotesque wonder — Coco owes it a real debt.
But Japanese folklore rather than Mexican, and considerably weirder and more unsettling in tone.

Pan's Labyrinth2006
Take Coco's structure — child, underworld, family history unlocked through myth — and push it into horror instead of warmth; same skeleton, opposite temperature.
A child in fascist Spain slips into a brutal fairy-tale underworld tangled up with her family's grief and secrets — gorgeous, mythic, and genuinely frightening.
But This is not for kids. It's violent, bleak, and ends nothing like Coco does.

People
Cast
Anthony GonzalezMiguel Rivera (voice)
Gael García BernalHéctor (voice)
Benjamin BrattErnesto de la Cruz (voice)
Alanna UbachMamá Imelda (voice)
Renée VictorAbuelita (voice)
Jaime CamilPapá (voice)
Alfonso ArauPapá Julio (voice)
Herbert SiguenzaTío Oscar / Tío Felipe (voice)
Gabriel IglesiasClerk (voice)
Lombardo BoyarPlaza Mariachi / Gustavo (voice)
Ana Ofelia MurguíaMamá Coco (voice)
Natalia Cordova-BuckleyFrida Kahlo (voice)
Directing
- Adrian MolinaCo-Director
- Lee UnkrichDirector
- Seong-Young KimLayout
Writing
- Adrian MolinaOriginal Story
- Jason KatzOriginal Story
- Lee UnkrichOriginal Story
- Matthew AldrichOriginal Story
- Adrian MolinaScreenplay
- Matthew AldrichScreenplay
- Enrico CasarosaStory Artist
- Madeline SharafianStory Artist
- Tony MakiStory Artist
- Vladimir KoopermanStory Artist
Production
- Terri DouglasADR Voice Casting
- Mary Alice DrummAssociate Producer
- Carla HoolCasting
- Kevin ReherCasting
- Natalie LyonCasting
- John LasseterExecutive Producer
- Darla K. AndersonProducer
- Carolina ÁngelProduction Coordinator
- Dana FrankoffProduction Coordinator
- David ParkProduction Manager
Recommended by
The Sixth Sense, Inside Out, Encanto, Up, The Mitchells vs. the Machines, Song of the Sea, Buena Vista Social Club, Moana, Soul, Puss in Boots: The Last Wish, A Monster Calls, An American Tail, Brave, Terms of Endearment, Toy Story 5, Lilo & Stitch, Luca, Truly Madly Deeply, Klaus, The Book of Life, Monsters, Inc., Toy Story 3, Toy Story 4, Frozen, Fantasia 2000, Forgotten Island, Cabin in the Sky, Finding Dory