Film
Up
Up is Pixar at its most emotionally reckless: a wordless ten-minute marriage-and-loss montage followed by a house lifted skyward on thousands of balloons. What follows is a lighter, funnier adventure story about a grieving widower, an over-eager Wilderness Explorer, and a talking dog, but that opening never lets you forget what's underneath the jokes. Good for anyone who wants animation that earns its tears honestly.
If you liked this
WALL·E2008
The same studio, the same trick of making you weep before a single word is spoken, this time pointed at loneliness and love instead of grief. Gorgeous, strange, tender science fiction disguised as a kids' film.
But The back half turns into a more conventional chase movie, and some find the shift in tone jarring after that hushed opening.

Coco2017
Another Pixar adventure built on a foundation of real mortality, this time wrapped in Día de los Muertos color and music. It's about memory and being forgotten, and it hits just as hard as Carl's staircase.
But Very music-driven — if you're not won over by the songs early, the emotional peaks land less hard.

Inside Out2015
Pixar turning an internal, unshowy kind of loss — growing up, losing a version of yourself — into a colourful, kinetic adventure. Same trick as Up: big emotions smuggled inside a fun premise.
But Younger kids can find the sadness genuinely upsetting rather than just bittersweet; it doesn't soften much.

The wildcard
Something you would not have found on your own.
Harold and Maude1971
Both are stories where an old person's appetite for life outpaces everyone younger around them — Carl's balloons and Maude's stolen cars are the same gesture.
A death-obsessed young man befriends a 79-year-old woman who treats every day like a heist. It's funnier, weirder, and more subversive than anything Pixar would dare, but it's making the same argument Up makes: that a long life closing in on you is exactly the moment to fly a plane, steal a car, or defy gravity.
But Its dark comedy about death and its very 1970s attitudes toward age and romance will unsettle some viewers expecting cosiness.

More like this (8)
How to Train Your Dragon2010
Swap the old man for a teenager and the dog for a dragon, and you've got the same warm engine: an unlikely bond between a lonely soul and a creature who shouldn't trust them.
But More straightforward boy's-adventure than Up — less interested in grief, more interested in flight and spectacle.

The Incredibles2004
Brad Bird's other great Pixar film, about a life that once felt bigger than the one you're living now. Funnier and faster than Up, but it shares that ache for lost purpose.
But Superhero action framing means it's a very different rhythm — more punchy set pieces, less quiet.

Finding Nemo2003
An anxious parent and an unlikely companion cross an ocean together — the emotional shape is nearly identical to Up, just with fins instead of balloons.
But Skews younger and gentler throughout; it never goes as dark or as strange as Up's opening does.

Paddington 22017
Impossibly warm, genuinely funny, and sneakily about kindness as a radical act. If Up made you well up, this will finish the job in the nicest possible way.
But It's gentler and lower-stakes — no real adventure-movie momentum, just pure, concentrated sweetness.

Despicable Me2010
A grumpy loner's plans get derailed by children he never wanted, and he ends up loving them more than the plan. Broader and sillier than Up, but the shape rhymes.
But Much cruder comedy, less interested in melancholy — closer to slapstick than to grief.

The Iron Giant1999
A lonely boy and an enormous, unlikely companion, animated with real tenderness under Brad Bird before he ever got to Pixar. Quietly devastating in the same key as Up.
But Traditional hand-drawn animation and a Cold War setting will feel dated to viewers used to CGI polish.

Beginners2011
The same actor, decades of life examined instead of villainy — Plummer playing an old man discovering himself rather than one clinging to a lost dream.
Christopher Plummer — the sinister explorer Charles Muntz in Up — plays a tender, funny, deeply moving elderly father coming out as gay late in life, in a quiet indie drama about family and reinvention. It's the same actor's voice, but every ounce of menace has been replaced with warmth.
But Slow, non-linear, and melancholic in a very grown-up way — nothing here for anyone wanting adventure or spectacle.

My Neighbor Totoro1988
Both pair a child processing real anxiety with a huge, odd, loyal creature — Totoro is Dug without the talking, and just as much of a gift.
Studio Ghibli's gentlest film: two young sisters, a new home, a sick mother, and a giant forest spirit who becomes their strange, silent companion. No adventure plot, no jeopardy — just wonder sitting right next to worry, exactly like Up's quieter moments with Russell.
But Almost plotless by Western animation standards — if you need momentum and stakes, this will feel like nothing is happening.

People
Cast
Ed AsnerCarl Fredricksen (voice)
Christopher PlummerCharles Muntz (voice)
Jordan NagaiRussell (voice)
Bob PetersonDug / Alpha (voice)
Delroy LindoBeta (voice)- Jerome RanftGamma (voice)
John RatzenbergerConstruction Foreman Tom (voice)
David KayeNewsreel Announcer (voice)- Elie DocterYoung Ellie (voice)
Jeremy LearyYoung Carl (voice)
Mickie McGowanPolice Officer Edith (voice)
Danny MannConstruction Worker Steve (voice)
Directing
- Bob PetersonCo-Director
- Pete DocterDirector
- Andrew CadelagoLayout
- Gregg OlssonLayout
- Josh AnonLayout
- Mahyar AbousaeediLayout
- Mark SanfordLayout
- Mark ShirraLayout
- Matthew SilasLayout
- Robert AndersonLayout
- Sukwon ParkLayout
- Sylvia Gray WongLayout
- Brian WrightScript Coordinator
- Veronica WatsonScript Coordinator
- Lorien McKennaScript Supervisor
- Ronnie del CarmenScript Supervisor
Writing
- Bob PetersonScreenplay
- Pete DocterScreenplay
- Julie LynnScript Consultant
- Bob PetersonStory
- Pete DocterStory
- Tom McCarthyStory
Production
- Daniel CombsAdministration
- Heather FengAdministration
- Jennifer M. McCormickAdministration
- Kaitlin HendrickAdministration
- Marguerite EnrightAdministration
- Michelle MorettaAdministration
- Mickayela Jade BeattyAdministration
- Tanya OskanianAdministration
- Wendy Dale TanzilloAdministration
- Denise ReamAssociate Producer
- Kevin ReherCasting
- Natalie LyonCasting
- Andrew StantonExecutive Producer
- John LasseterExecutive Producer
- Annette WangFinance
- Deana WalkerFinance
- Heather D.C. JacksonFinance
- Karen PerryFinance
- Kentaro HinokiFinance
- Kristina RuudFinance
- Marc S. GreenbergFinance
- Marc SondheimerFinance
- Mark JosephFinance
- Megan AlbertFinance
- Michelle SimonsFinance
- Nancy Garretson CaseFinance
- Rachel ErgasFinance
- Rosana NeciukFinance
- Shari VillardeFinance
- Sue WilliamsFinance
- Timothy GlassFinance
- Noah NewmanPost Production Coordinator
- Jonas RiveraProducer
- Mark NielsenProduction Manager
Recommended by
The Incredibles, Big Hero 6, Inside Out, Coco, Ikiru, WALL·E, Toy Story, About Schmidt, A Man Called Ove, Soul, The Notebook, Toy Story 5, Make Way for Tomorrow, Lilo & Stitch, Finding Nemo, Toy Story 3, Toy Story 4, Toy Story 2, Finding Dory