Film
Wrinkles
A Spanish animated film about two men in a nursing home—one a charmer playing angles, one losing his memory—who become unlikely allies against a system designed to forget people like them. It's funny, tender, and unsentimental about aging, loss, and friendship. For anyone who loves character-driven stories that treat their subjects with dignity and humour.
If you liked this
Spirited Away2001
A masterpiece of hand-drawn animation that treats its elderly characters with the same narrative weight and visual care as its young hero. Proof that animation can be profound without sacrificing beauty or wonder.
But If you want plot-driven momentum, the middle section meanders. If you need everything explained, you'll feel adrift—some mystery is intentional.

The Farewell2019
About aging parents, family duty, and the gap between what we say and what we feel. Funny and heartbreaking in equal measure, with real insight into how we comfort each other in the face of decline.
But The pacing is deliberately slow and internal. If you're looking for plot resolution or emotional catharsis, you may feel the film withholds both.

Coco2017
Animation that takes memory, identity, and the fear of being forgotten with complete seriousness. Gorgeously made and devastating about what we leave behind and why it matters.
But The second act gets heavy with exposition about the afterlife's rules. Some find the tonal shift from adventure to elegy jarring.

Not sure tonight? Get a pick in a minute, starting from Wrinkles
The wildcard
Something you would not have found on your own.
The Long, Long Trailer1954
Both find the con artist's humor—the grifter's intelligence, the refusal to go quietly—as a form of defiance against systems that want to reduce you to a category.
A screwball comedy about an elderly married couple traveling in a trailer. Seems frivolous—Lucille Ball at her zaniest—but it's genuinely about partnership, compromise, and staying sharp and funny in the face of loss. Comedy as survival.
But It's broad 1950s slapstick. If you find that register exhausting or dated, the film's warmth won't compensate for the relentless mugging and pratfalls.

More like this (5)
The Straight Story1999
David Lynch's only G-rated film: an elderly man rides a lawnmower across Iowa to visit his estranged brother. Quiet, patient, and full of grace. A meditation on stubbornness, time, and what it means to try.
But Nothing happens. Literally nothing. If you need incident or conflict, this will test your patience severely.

Ikiru1952
Kurosawa's masterpiece about a dying bureaucrat discovering what his life meant. Unbearably moving and structurally brilliant. Watches like a conversation about mortality, regret, and the possibility of redemption.
But It's slow, black-and-white, subtitled, and relentless about human loneliness. The emotional weight doesn't let up. Not an easy watch.

A Room with a View1986
The Merchant-Ivory adaptation nails the bittersweet comedy of people choosing safety over passion. Perfectly acted, gorgeous to look at, and funny about the English inability to name what they feel.
But If you find Edwardian restraint claustrophobic or period dramas precious, this won't change your mind. Very much a film about nice people being polite.

Boyhood2014
Richard Linklater filmed the same actor over twelve years. It's not a gimmick—it's a genuine meditation on time, growth, and the mundane moments that make up a life. Hypnotic and deeply humane.
But Three hours of unstructured, largely conversation-based narrative. If you need plot momentum or dramatic peaks, this flat-lines deliberately.

Tokyo Story1953
Ozu's masterpiece: an elderly couple visits Tokyo to see their son. Formally perfect, achingly human, and so quiet you can hear yourself thinking. About time, change, and tenderness between people who can't quite express it.
But No music, minimal camera movement, long static shots. If you need visual dynamism or conventional structure, it will feel like watching paint dry.

People
Cast
Tacho GonzálezEmilio (voice)- Álvaro GuevaraMiguel (voice)
Mabel RiveraAntonia (voice)
Raul DansXoán (voice)- Montse DavilaDaughter-in-law / Friend 1 (voice)
- Chelo DiazEmi / Emilio as a child (voice)
Isabel VallejoMaite / Assisted Woman 1 / Director / Friend 2 (voice)
Carolina VázquezXoán as a child / Squatter / School Children (voice)- Xermana CarballidoDolores (voice)
- Paco BarreiroRamón 'The Deejay' (voice)
- Ana MaciñeirasSol / Old Woman (voice)
- Charo PenaRosario / Assisted Woman 2 / School Children (voice)
Directing
- Ignacio FerrerasDirector
Writing
- Paco RocaGraphic Novel
- Angel de la CruzScreenplay
- Ignacio FerrerasWriter
- Rosanna CecchiniWriter
Production
- Angel de la CruzExecutive Producer
- Dani MartínezExecutive Producer
- María ArochenaExecutive Producer
- Toni MarínExecutive Producer
- Enrique AguirrezabalaProducer
- Manuel CristóbalProducer
- Oriol IvernProducer
- Tono FolgueraProducer
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