Film
The Spectacular Now
A teenage romance that refuses the usual script. Sutter is charismatic and hollow; Aimee is sweet but real. What makes it special is the film's refusal to pretend either of them has the answers, or that love solves what's actually broken. It's funny and tender and occasionally devastating.
Should you watch it?
Watch it if you love quiet, character-led romances where the charm comes from awkward honesty and small moments rather than plot, and you don't mind a lead who is charming and also frustrating.
Skip it if you want a brisk story with clear stakes and a steady escalation; much of the running time is spent loitering in conversations, parties and half-finished decisions.
What it asks of you: Under ninety-six minutes, it moves at a conversational pace and stays close to its characters, so it asks for patience with silences and a willingness to sit with unresolved feelings.
Not sure? Find tonight's pick in a minute.
If you liked this
Before Sunrise1995
Two strangers walk through Vienna talking about everything that matters. No plot mechanics, just conversation and connection. It understands that the best moments between people are often the quiet ones.
But The entire film is dialogue. If you need plot momentum or action, you'll find it slower than a text conversation.

Paper Towns2015
Another Teller-Woodley vehicle about beautiful, damaged people trying to figure out who they actually are beneath the image. Same director, similar warmth, but sharper about the performance of being cool.
But It's a John Green adaptation, which means it has opinions about manic pixie dreams that not everyone shares. Some find it a bit precious.

About a Boy2002
A cynical man and a sincere boy teach each other to be human. It has the same balance of comedy and genuine heart, and understands that people are contradictions without needing to resolve them.
But It's gentler and more whimsical than you might want. The romance is secondary to the other relationships.

Not sure tonight? Get a pick in a minute, starting from The Spectacular Now
The wildcard
Something you would not have found on your own.
Lady Bird2017
Both are about the unbridgeable gap between how we appear and who we are, and the people brave enough to love us anyway.
Same DNA—a girl leaving home, the person who understands her least sometimes understands her best, the terror of becoming yourself. It has the same eye for small humiliations and enormous love. Greta Gerwig is a magician.
But It's very female in its emotional texture. The rhythm is maternal and specific. Some find it slow; others find it the entire world.

More like this (7)
Dazed and Confused1993
Loose, episodic, full of characters drifting through the last day of school. It captures that particular aimlessness of being young without judgment—everyone's just trying to figure out what comes next.
But Literally nothing happens. If you need a forward-moving narrative, this will feel like a long song with no chorus.

The Perks of Being a Wallflower2012
Another film about misfits finding connection at the margins. It's earnest about sadness and loneliness without being maudlin. The ensemble work is lovely.
But It wears its heart very much on its sleeve. Some find that sincerity exhausting. It can feel like it's asking you to love it.

(500) Days of Summer2009
A romance told backwards and out of order. It's funny about how we rewrite relationships in our heads, and unflinching about the gap between who someone is and who we need them to be.
But It's deliberately frustrating. If you want catharsis or neat closure, the film actively denies it to you.

Adventureland2009
A summer in a failing amusement park where awkward people fall in love and grow up a little. It's funny and sad in equal measure, and treats its characters with real affection.
But The pacing is deliberately slouchy. Nothing builds to a climax in the conventional sense. It's more a series of moments than a story.

Ned Rifle2015
A young idealist meets a woman who challenges everything he believes about goodness and love. It's philosophical without being pretentious, funny without punching, and genuinely moving.
But It's deliberately small and strange. The pacing is measured. It's not interested in being entertaining in the way most films are.

Eternal Sunshine of the Spotless Mind2004
Both understand that love is most alive when it's precarious and temporary. Neither tries to convince you it ends happily.
A man finds a woman in his memory and falls in love with her again, knowing it will end the same way. It's structured like a love letter written backwards. Achingly beautiful and genuinely strange.
But It's deliberately difficult to follow. The fractured timeline is the point, not a gimmick. Patience is not optional.

Boyhood2014
Both refuse to treat the teenage years as prologue. Both believe the quiet, ordinary moments are the actual story. Both suggest that growth is less dramatic than we want it to be.
Twelve years of one boy's life in glimpses. People stay and leave. Parents mess up. Relationships flicker and fade. It's watching someone become themselves in real time, without heroics or revelation.
But It's three hours. Nothing crescendos. The 'resolution' is ordinary life. Some find that deeply moving; others find it a void.

People
Cast
Miles TellerSutter Keely
Shailene WoodleyAimee Finecky
Masam HoldenRicky Mehlinger
Kaitlyn DeverKrystal Krittenbrink
Brie LarsonCassidy Roy
Kyle ChandlerTommy Keely
Jennifer Jason LeighSara Keely
Mary Elizabeth WinsteadHolly Keely
Karen StrassmanAdditional Voices (voice)
Andre RoyoMr. Aster
Bob OdenkirkDan
Nicci RoesslerTara Thompson
Directing
- James PonsoldtDirector
- Nicolas HarvardFirst Assistant Director
- Rico SavageSecond Assistant Director
- Nicolas HarvardSecond Unit Director
- Matthew MedlinSecond Unit First Assistant Director
Writing
- Tim TharpNovel
- Michael H. WeberScreenplay
- Scott NeustadterScreenplay
Production
- Katie Willard TroebsAssociate Producer
- Angela DemoCasting
- Barbara J. McCarthyCasting
- Billy RosenbergCo-Producer
- Dan CohenCo-Producer
- Marc ShmugerExecutive Producer
- Matthew MedlinExecutive Producer
- Michael H. WeberExecutive Producer
- Scott NeustadterExecutive Producer
- Andrew LaurenProducer
- Michelle KrummProducer
- Shawn LevyProducer
- Tom McNultyProducer
Recommended by
Water for Elephants, Palo Alto, Can't Hardly Wait, 13 Reasons Why, Adventureland, Endless Love, Me and Earl and the Dying Girl, Five Feet Apart, Paper Towns, Newness, You Are So Not Invited to My Bat Mitzvah, We Are Your Friends, Heartbeats, Hot Summer Nights, Locker Diaries: Camp Rock, Ginger & Rosa, A Girl Like Her, Windsor, Unkahi, The Longest Ride, Inside the Labyrinth, Moxie, Crazy/Beautiful, Bilitis, All the Bright Places, First Love, Ema, The Last Summer, The Myth of the American Sleepover, Remember Me, Affluenza, The Art of Getting By, Ruben Guthrie, Radio Rebel, Drive - The Pretenders, 96, Dare, Loukyam, Orange, The Romantics, High School Musical 3: Senior Year, Jaanu