Film
Dare
A low-key romantic drama about a sheltered college student who accepts a dare to break free, drawing her into the orbit of a charismatic troublemaker. Emmy Rossum carries a film that's genuinely interested in the texture of female friendship, uncertainty, and the messy way attraction scrambles good intentions. Intimate and oddly tender where you'd expect drama.
If you liked this
The Spectacular Now2013
A similarly tender portrait of young romance with real chemistry and genuine emotional stakes. Miles Teller and Shailene Woodley bring warmth to a story that respects its characters' inner lives and doesn't rush toward easy answers.
But More conventionally plotted and polished than Dare, which means less of the raw uncertainty that makes smaller films feel lived-in.

Adventureland2009
Ryan Reynolds in a rare understated role, Kristen Stewart before she became a meme, and a script that finds real comedy and genuine heartbreak in the liminal space between childhood and adulthood at a failing amusement park.
But Slower and more melancholic than you might expect from the premise. Long stretches of not much happening, which is exactly the point.

Nights in Rodanthe2008
Diane Lane and Richard Gere in a quiet, handsomely shot romance about two people finding each other during a pause in their lives. It trusts silence and glances the way Dare does, refusing to overexplain feeling.
But Emotionally restrained to the point of seeming distant. Not everyone finds that restraint moving rather than frustrating.

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The wildcard
Something you would not have found on your own.
Manchester by the Sea2016
Both are intimate studies of people afraid of feeling fully, told through small moments and glances rather than grand gestures. Both trust their audience to understand that paralysis is a choice people make to survive.
Casey Affleck as a withdrawn janitor forced back to his hometown to raise his nephew. It's a film about how people survive trauma by numbing themselves—and how that numbness can be a form of love. Shot with devastating simplicity, asking nothing but attention.
But Genuinely depressing. The protagonist doesn't grow or change in reassuring ways. There's no redemptive arc, just a man learning to carry weight. Some find that honest; others find it bleak and withholding.

More like this (8)
Blue Valentine2010
Ryan Gosling and Michelle Williams in Derek Cianfrance's unflinching portrait of love and its unraveling. Shot with real intimacy, unafraid of awkwardness and failure. Devastating in the best way.
But Some people find it bleak and punishing rather than honest. The handheld camera work bothers some viewers. It sits with pain for a long time.

Take Me Home Tonight2011
Topher Grace and Anna Faris in a breezy '80s-set film about a guy with nothing to lose trying to impress the girl who got away. Light-hearted but not stupid, with genuine affection for its characters' vulnerability.
But The tone wobbles between indie sincerity and broad comedy. The '80s nostalgia can feel forced, and the stakes never feel entirely real.

Starter for 102006
James McAvoy as a working-class student at Cambridge suddenly caught between his old girlfriend and a glamorous new girl. A film about class and attraction that's smart enough to know both sides have a point.
But British wit and academic setting won't land for everyone. The central love triangle can feel contrived if you're not invested in the characters' interior lives.

The Miseducation of Cameron Post2018
Chloe Grace Moretz and a pitch-perfect ensemble in a story about friendship and identity at conversion therapy. Funny and furious without being preachy, with real tenderness woven through the anger.
But Deals with trauma and religious coercion. The tone teeters between dark comedy and genuine pain, which won't work for everyone.

Rabbit Hole2010
Nicole Kidman and Aaron Eckhart navigate grief and marriage after an unthinkable tragedy. Carefully acted, honest about how people fail each other even when trying desperately not to, with unexpected moments of grace.
But Watching people process unbearable loss isn't entertainment. The pace is glacial and the emotional payoff is ambiguous rather than cathartic.

Margot at the Wedding2007
Nicole Kidman and Jack Black in Noah Baumbach's acidic comedy about jealousy and resentment among bohemian friends. Awkward and darkly funny, with genuine intelligence about why people hurt each other.
But Baumbach's characters are deliberately unlikeable and self-absorbed. The handheld camera is deliberately ugly. It's designed to make you uncomfortable.

Daria1997
Both center the quiet, observant girl and her best friend's jealousy without making either one the villain. Both understand that friendship can survive attraction—just barely, and not without cost.
A serialized cartoon about a deadpan teenager and her best friend navigating high school's social minefield with wit and real loyalty. It's comedy, but it's also a genuinely perceptive portrait of female friendship—how it survives doubt, attraction, and the complicated way we use irony to protect each other.
But Animated, so some dismiss it outright. Slow-paced. Daria's detachment reads as off-putting to people who want warmth. The fashion and culture references date it.

L'Avventura1960
Both use the setup of a woman leaving her safe life for excitement, then follow the emotional wreckage with real curiosity. Both understand that the adventure matters less than what it reveals about the people left behind.
Michelangelo Antonioni's masterpiece about a woman who vanishes during a boat trip, leaving behind her lover and best friend to search for her—or do they? A meditation on aimlessness, desire, and the way people use drama to feel alive. Shot with hypnotic restraint.
But Glacially paced. Nothing happens in any conventional sense. The characters are wealthy and self-absorbed. It's not a mystery you can solve. Demands patience that most viewers won't grant.

People
Cast
Emmy RossumAlexa Walker
Zach GilfordJohnny Drake
Ashley SpringerBen Berger
Ana GasteyerRuth Berger
Rooney MaraCourtney
Sandra BernhardDr. Serena Mohr
Alan CummingGrant Matson
Cady HuffmanDr. Kolton- Brianne BerksonGabby
Chris RiggiJosh
Brea BeeMel Drake
Lucy McMichaelMs. Davis
Directing
- Adam SalkyDirector
- Yann SobezynskiFirst Assistant Director
- Lesley-Anne MorrisonScript Supervisor
- Jolian BlevinsSecond Assistant Director
- Cedric VaraSecond Second Assistant Director
- Nicole AgostinoSecond Second Assistant Director
Writing
- David BrindWriter
Production
- Adam SpielbergAssociate Producer
- Marco HenryAssociate Producer
- Annette KaplafkaCasting
- Kerry BardenCasting
- Paul SchneeCasting
- Allison EstrinCasting Associate
- David BrindCo-Producer
- Marco HenryLine Producer
- Mike LemonLocation Casting
- Edward J. Eberwine IIILocation Manager
- Pamela RyanPost Production Coordinator
- Jason OransProducer
- Mary Jane SkalskiProducer
- Maura AndersonProduction Coordinator
- Craig BankeyPublicist
- Mamta TrivediUnit Production Manager