Film
The Inheritance
Other titles called The Inheritance: the 2020 film.
A 1976 Italian drama about family fracture and greed set against the decline of a Roman bakery dynasty. When the aging patriarch threatens to remarry, his cunning daughter-in-law orchestrates betrayal among his sons to protect her claim to the inheritance. Gorgeously shot, morally murky, and deeply human—a portrait of how love curdles into resentment across generations.
If you liked this
The Godfather1972
A masterclass in how family loyalty and business become indistinguishable, how power corrupts from within, and how the old guard passes the torch to a new generation who may not deserve it.
But It's three hours, heavily discussed, and demands your full attention. If you want something lighter, look elsewhere.

Bicycle Thieves1948
Both are Italian neorealist stories about ordinary people in extraordinary moral circumstances. A father and son navigate desperation and dignity without sentimentality or easy answers.
But It's slower and starker than modern cinema. The emotional weight is quiet, not dramatic, which some find less immediately gripping.

The Leopard1963
Another sweeping Italian family saga about inheritance, social change, and the old order crumbling. Visconti's visual opulence and moral complexity share DNA with The Inheritance's sensibility.
But Nearly three hours of aristocratic introspection. If you need plot momentum, this moves like a glacier.

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The wildcard
Something you would not have found on your own.
The Savage Innocents1960
Quinn's luminous, tragic performance here suggests the depth he brought to Gregorio Ferramonti. Both are men watching their worlds collapse, bearing dignity amid betrayal.
Anthony Quinn in perhaps his most powerful role: an Inuit man navigating collision between his world and European colonisers. The moral reckoning, the family stakes, the performance—unforgettable.
But It's a 1960 film made by Europeans about Indigenous life. The anthropological gaze has real problems, and the technical quality is uneven by modern standards.

More like this (8)
Barry Lyndon1975
A contemporary meditation on ambition, class, and the cost of grasping at wealth and status. Shot like paintings, with a cynical eye on human nature and family scheming.
But Kubrick's deliberate pacing and ironic distance may feel cold. It's beautiful but not warm, detached but not fun.

Twin Peaks: Fire Walk with Me1992
Lynch's obsession with family toxicity and the rot beneath middle-class normalcy shares The Inheritance's fascination with how intimate relationships curdle into manipulation and danger.
But Surrealism, sexual violence, and dream logic are front and centre. If you want realism, this abandons it entirely—which is exactly the point.

All About My Mother1999
Another story of familial betrayal and redefinition, where the past reaches forward and family bonds are tested by secrets. Almodóvar's warmth sits alongside genuine moral complexity.
But Spanish melodrama with elements of camp and theatricality. The emotional register swings widely—some find it manipulative.

Contempt1963
Godard's examination of how a marriage implodes under pressure mirrors The Inheritance's unflinching look at relationships corroded by self-interest and misunderstanding.
But It's deliberately artificial and essayistic. If you expect conventional storytelling or sympathetic characters, you'll bounce off it hard.

La Promesse1996
A Dardenne brothers film about family obligation, moral compromise, and the way economic desperation warps what we owe each other. Humanist, unsentimental, and heartbreaking.
But Handheld realism and a slow, observational pace. The ending refuses catharsis, which frustrates viewers seeking resolution.

Obsession1943
An early Italian neorealist masterpiece about passion, greed, and betrayal within a working-class marriage. Raw, sensual, and morally ambiguous in ways that prefigure The Inheritance's world.
But It's from 1943 and looks it. The pacing is deliberate to the point of trial. You need patience and forgiveness for age.

The Holy Mountain1973
Where The Inheritance shows family toxicity through realism, The Holy Mountain explores it through dreamscape and symbol. Both ask: what do we inherit, and at what cost?
Jodorowsky's surreal allegory about inheritance, generational trauma, and spiritual seeking. Wildly ambitious, visually extraordinary, operating entirely in metaphor and myth rather than realism.
But It's deliberately obscure, sexually graphic, religiously provocative, and refuses all conventional narrative logic. You must surrender to it or abandon it.

Come and See1985
Both films understand that inheritance is not just property but trauma, grief, and the weight of the past. Both refuse to look away from how families destroy one another.
A Belarusian film about a boy conscripted into war, following his loss of innocence and his family's destruction. One of cinema's most devastating examinations of how violence shatters inherited worlds.
But It's harrowing beyond measure. Not depressing—it goes beyond that into something darker. Most people should prepare themselves before watching.

People
Cast
Anthony QuinnGregorio Ferramonti
Fabio TestiMario Ferramonti
Dominique SandaIrene Carelli Ferramonti
Gigi ProiettiPippo Ferramonti
Adriana AstiTeta Ferramonti Furlin
Paolo BonacelliPaolo Furlin- Rossella RusconiFlaviana Barbati
Harold BromleyAndrea Barbati- Silvia CerioSignora Minnelli
Rossana Di LorenzoMatilde- Simone SantoArmando Carelli
Corrado PaniMario Ferramonti (voce)
Directing
- Mauro BologniniDirector
- Dino SquizzatoFirst Assistant Director
- Gianfranco GiagniFirst Assistant Director
- Bianca De SantisScript Supervisor
Writing
- Gaetano Carlo ChelliNovel
- Sergio BazziniScreenplay
- Ugo PirroScreenplay
- Roberto BigazziScript Consultant
Production
- Alfredo MirabileLine Producer
- Gianni Hecht LucariProducer
- Giovanni BernardiUnit Manager