Film

Jab We Met

A depressed businessman meets a relentlessly spirited woman on a train and they embark on a journey across India that slowly unpicks both their damage. It's funny, romantic, and deeply human—a film about how the right person at the right moment can crack you open. For anyone who believes falling in love means becoming less yourself.

TMDb rating3.6

Should you watch it?

Watch it if you love romantic comedies where the banter does the heavy lifting and a chatty, impulsive heroine pulls a gloomy man out of his shell, with a warm, big-hearted sweetness running underneath.

Skip it if you want a tight, economical romance; at over two hours with a long train-journey middle, it lingers and wanders, and the sentimental swells can feel indulgent.

What it asks of you: Settle in for a runtime of about two and a short quarter-hours, with a loose, rambling rhythm that lets scenes breathe and the mood swing between giggles and melancholy.

If you liked this

Dilwale Dulhania Le Jayenge1995

The spiritual ancestor of the modern Hindi romance: two young people defy expectation and family duty to choose each other and themselves. A film about love as liberation, shot with luminous optimism across Europe and India.

But The runtime is nearly three hours, and it moves at the stately pace of '90s Bollywood. If you need momentum, this isn't it.

Dilwale Dulhania Le Jayenge poster

Pyaar Ka Punchnama2011

A scrappy ensemble comedy about young men navigating love and desire with brutal honesty and constant laughter. It captures the mess of relationships without prettifying it or turning it tragic.

But The humour is crude and very male-centred. Some of the gender dynamics will make you wince.

Pyaar Ka Punchnama poster

Queen2014

A woman jilted at the altar travels Europe alone and discovers herself—funny, tender, and genuinely moving. It has the same faith in solitary joy and self-discovery that *Jab We Met* does.

But It's a wish-fulfilment film, and that earnestness about travel as transformation won't work for everyone.

Queen poster

Not sure tonight? Get a pick in a minute, starting from Jab We Met

The wildcard

Something you would not have found on your own.

The Graduate1967

Both are built on the idea that the right person disrupts your trajectory completely, and that disruption is the beginning of actual life. Both refuse to let their characters stay comfortable.

A young man adrift in privilege is pursued by an older woman and falls in love with her daughter—and the film is interested in how accidentally, messily real people become who they are. It's dry, intelligent, and about the exhaustion of other people's expectations.

But It's deliberately unsentimental about romance, and the famous ending offers no comfort. If you need your love stories triumphant and clean, this will disappoint.

The Graduate poster
More like this (7)

Rang De Basanti2006

A viral-era film about friendship, purpose, and what you're willing to sacrifice for something bigger than yourself. It's energetic, visually stunning, and emotionally genuine about idealism and disappointment.

But The second half pivots hard into political thriller territory, and it's longer than it needs to be.

Rang De Basanti poster

Vicky Donor2012

A romantic comedy about sperm donation that treats an unconventional subject with warmth and humour. It's light but never stupid, and it finds real emotion in an unexpected place.

But The subject matter will put off some viewers, and the satire of traditional family values isn't subtle.

Vicky Donor poster

Aagey Se Right2009

A character-driven road movie where two strangers on a cross-country drive learn to trust each other. It has the same relaxed warmth and gradual emotional reveal as *Jab We Met*, just quieter.

But It's genuinely obscure, which means uneven production values and slower pacing than you might expect.

Aagey Se Right poster

Mere Brother Ki Dulhan2011

A romantic comedy that plays with Bollywood conventions—the meet-cute is planned, the love story is sideways, and the humour comes from character rather than slapstick.

But It's overstuffed with subplots, and the emotional stakes are thin.

Mere Brother Ki Dulhan poster

Chalet

A small, sweet film about two broken people finding shelter in each other during a winter snowed-in. It's minimalist where *Jab We Met* is expansive, but shares the same belief in connection.

But You may never have heard of it because it barely got distributed. Grainy production values and a very small cast might feel claustrophobic.

Before Sunrise1995

Both films understand that the central relationship is a mirror—that you fall in love partly because the other person shows you who you could be. Both are built entirely on the electricity of two people understanding each other.

A man and woman meet on a train across Europe and spend one night walking and talking. Filmed in real time, it's a film about connection as conversation—how two people gradually lower their guards and become themselves.

But Almost nothing happens. If you need plot, spectacle, or the emotional beats of a conventional romance, you'll find this frustrating.

Before Sunrise poster

Monsoon Wedding2001

Both films are set in India and believe in the marriage of romance with family obligation—but where *Jab We Met* is about two people carving out their own story, *Monsoon Wedding* is about how impossible, necessary and ultimately beautiful it is to stay inside the family unit.

An Indian wedding brings a sprawling family together during Delhi monsoons. It's joyous, chaotic, and deeply felt—a film about family, obligation and the messy business of loving people who drive you mad.

But It's an ensemble piece, not a romance, and it's interested in cultural specificity in a way that might make some Western audiences feel outside the door. Also extremely loud.

Monsoon Wedding poster

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