Film
Cruel Intentions
A gleaming, wicked teen remix of Dangerous Liaisons, where Manhattan prep-school heirs turn seduction into a cruel wager while a soundtrack full of era-defining pop turns manipulation into spectacle. Gellar and Phillippe make cruelty look glamorous; Witherspoon supplies the one person who might actually survive it. It's melodrama with fangs — gorgeous, trashy, and sadder underneath than it lets on.
If you liked this
Dangerous Liaisons1988
The story Cruel Intentions transplants to a Manhattan prep school, played here in full 18th-century wigs and venom — Glenn Close and John Malkovich turn seduction into blood sport.
But It's slower and mannered, and the corsets-and-candlelight approach can feel stagey next to the teen-pop gloss you came from.

Election1999
Reese Witherspoon again, this time as the schemer rather than the target — a viciously funny high-school power struggle where ambition curdles into obsession.
But It's satire, not melodrama — if you want more seduction and less student-council politics, this is a sideways move.

Wild Things1998
The same late-90s appetite for horny, over-plotted teen noir, pushed further into pulp — accusations, double-crosses, and a twist ending that keeps rewriting itself.
But It's trashier and less interested in psychology than Cruel Intentions — shock and style outrank character here.

The wildcard
Something you would not have found on your own.
Dangerous Love Affairs1959no page yet
It's the direct ancestor: same source material, same cruel wager at its center, decades before it got a school uniform and a needle drop.
The novel Cruel Intentions ransacks, filmed forty years earlier in postwar Paris — Gérard Philipe and Jeanne Moreau play the same wager-and-seduction game with a colder, more adult menace.
But It's subtitled, slower, and shot in black-and-white moral chill rather than teen-movie gloss — no soundtrack cues to tell you how to feel.
More like this (8)
Gossip Girl2007
The same Upper East Side ecosystem of money, reputation, and boredom weaponized into cruelty, stretched across seasons instead of a single summer.
But The soapy longevity dilutes the concentrated nastiness — six seasons of scheming is a very different commitment than 97 minutes.

Mean Girls2004
Teenage social warfare distilled into comedy rather than tragedy — cliques, betrayal, and reputation-as-currency, just with more one-liners than casualties.
But It's aimed younger and lighter — if you want the erotic charge and real stakes, this trades them for laughs.

The Rules of Attraction2002no page yet
Bret Easton Ellis's campus of bored, wealthy nihilists chasing sex and oblivion instead of grades — same moral vacancy, rawer and more cynical.
But It's deliberately alienating and structurally fractured — less a seduction plot than a portrait of numbness.
American Beauty1999
Same year, same suburban rot beneath polished surfaces — desire, control, and self-destruction dressed up as respectability.
But It's about adults unraveling, not teenagers scheming — the register is sadder and slower than Cruel Intentions' sugar rush.

Pretty Little Liars2010
Manipulation, secrets, and status among privileged teens stretched into a mystery-soap — if you liked watching people lie beautifully to each other, this never stops.
But It leans mystery-thriller over seduction, and the sheer length asks for real patience.

The Talented Mr. Ripley1999
Same year, same appetite for charming liars who treat people as puzzles to be solved and discarded — just swapped from a prep-school bet to a con man's slow unraveling.
But It's a much quieter, sadder film — less flirtation, more dread.

The Handmaiden2016
Same engine as Cruel Intentions — someone seducing someone as a move in someone else's game — relocated to a heist plot and turned up to operatic extremes.
A Korean con-artist thriller where seduction is a long, elaborate scheme and every character is playing someone else — gorgeous, twisted, and genuinely shocking.
But It's a two-and-a-half-hour puzzle box with graphic content and major structural swerves — nothing about it is quick or disposable.

Kaguya-sama: Love Is War?2019
Take Cruel Intentions' central idea — romance as a game you plot to win — and strip out the cruelty; same obsessive scheming, but the currency is pride, not power.
Two rival student council presidents wage a genius-level war to make the other confess love first — all strategy, ego, and absurd overthinking, played for huge laughs.
But It's a rom-com anime, not a drama — if you want danger, heartbreak, or real stakes, this is the opposite mood entirely.

People
Cast
Sarah Michelle GellarKathryn Merteuil
Ryan PhillippeSébastian Valmont
Reese WitherspoonAnnette Hargrove
Selma BlairCecile Caldwell
Louise FletcherHelen Rosemond
Joshua JacksonBlaine Tuttle
Eric MabiusGreg McConnell
Sean Patrick ThomasRonald Clifford
Swoosie KurtzDr. Greenbaum
Christine BaranskiBunny Caldwell
Alaina Reed HallNurse
Deborah OffnerMrs. Michalak
Directing
- Roger KumbleDirector
- Michael A. AllowitzFirst Assistant Director
- Sam HillFirst Assistant Director
- Karon MayScript Supervisor
- Alicia ValdezSecond Assistant Director
- Amanda SlaterSecond Assistant Director
- Annie TanSecond Assistant Director
- Aida RodgersSecond Second Assistant Director
- Melissa Cummins LorenzSecond Second Assistant Director
Writing
- Choderlos de LaclosNovel
- Roger KumbleScreenplay
Production
- Elizabeth A. BergmanAssistant Accountant
- Christopher LeeAssistant Location Manager
- Gerard AverillAssistant Location Manager
- Suk Yi MarAssistant Location Manager
- Herb AnkromAssistant Production Coordinator
- Jacqueline MartinezAssistant Production Coordinator
- Anne McCarthyCasting
- Mary VernieuCasting
- Alan Joseph OrtanezCasting Assistant
- Rachael ErwinCasting Assistant
- Carrie CampbellCasting Associate
- Freddy LuisCasting Associate
- Bruce MellonCo-Executive Producer
- Christopher BallCo-Executive Producer
- William TyrerCo-Executive Producer
- Heather LiebermanCo-Producer
- Michael FottrellExecutive Producer
- Karen E. EtcoffExtras Casting
- Suzanne AnayaExtras Casting
- Jacqueline ButrynLocation Manager
- Nancy RothLocation Manager
- Paul KruhmLocation Manager
- Oliver DeckerLocation Production Assistant
- Elizabeth A. BergmanPost Production Accountant
- Whitney J. WillardPost Production Accountant
- Neal H. MoritzProducer
- Gwen EvermanProduction Accountant
- Adam FrancisProduction Assistant
- Alan DayProduction Assistant
- Brian BaysProduction Assistant
- Erik HagestadProduction Assistant
- James GallagherProduction Assistant
- Kelsey J. GeislerProduction Assistant
- Kevin VasconcellosProduction Assistant
- Matthew DocterProduction Assistant
- Timothy R. PriceProduction Assistant
- Catherine S. McCombProduction Coordinator
- Lonnie KandelProduction Coordinator
- Diana SchmidtProduction Manager
- Ron MartinUnit Manager
- Sara E. WhiteUnit Production Manager
Recommended by
10 Things I Hate About You, You, Élite, Gossip Girl, Dangerous Liaisons, Pretty Little Liars, Heathers, The Scandal, 365 Days, You+Me - Against the World, After, Wild Things, Saltburn, Fifty Shades of Grey, Extracurricular, Thoroughbreds