Film
365 Days
A Polish erotic thriller that became a global lockdown sensation for a reason: it commits fully to its own absurd, velvet-lined fantasy. A mafia don kidnaps a woman and gives her a year to love him, and the film spends its runtime on yachts, in wine cellars and increasingly explicit hotel suites. It's glossy, ridiculous, and knows exactly what mood you're in when you press play.
If you liked this
Fifty Shades of Grey2015
The obvious sibling: a controlling, wealthy man, a contract instead of consent, and the same trembling line between romance and control played dead straight and glossy.
But If you've already seen it, there's genuinely nothing new here — it's the same engine, just with a boardroom instead of a boat.

After2019
Same DNA aimed at a younger crowd: brooding bad boy, obsessive intensity, a heroine who insists she can handle him. Trashy in the best, most watchable way.
But It's YA-flavoured and much tamer — expect smouldering stares over actual heat.

Twilight2008
Strip away the vampires and it's the same shape: a dangerous, controlling partner, isolation dressed up as devotion, and a heroine who calls it love.
But The chastity and the CW-teen tone are a world away from 365 Days' explicitness — comparing them out loud might get you laughed at.

The wildcard
Something you would not have found on your own.
Beauty and the Beast1991
It's the same captor-to-lover fairy tale, just laundered for family audiences — proof the fantasy 365 Days sells is centuries old and everywhere, not an invention of erotic cinema.
A gorgeously animated musical about a young woman held captive by a dangerous, controlling figure who she learns to love — the exact plot of 365 Days, sung by teapots.
But It's a Disney classic built for children, so the darker implications sit quietly under the surface rather than being the point.

More like this (8)
The Boy Next Door2015no page yet
A gloriously unhinged thriller about obsession that tips from seduction into menace, with the same so-bad-it's-magnetic energy and zero shame about it.
But The acting is deliberately, hilariously bad in a way 365 Days mostly isn't trying to be.
Cruel Intentions1999
Manipulation as seduction, wealth as a weapon, and a couple who treat desire like a game with real stakes — sharper writing, same wicked pleasure.
But It's genuinely a good film with teeth, which might feel like a tonal step up if you came here for pure trash.

Basic Instinct1992
The original glossy erotic thriller: danger and desire tangled together, a magnetic, morally terrifying love interest, and a plot that barely apologises for existing.
But It's a genuine noir mystery under the heat, which asks more patience than 365 Days ever does.

Bonnie and Clyde1967
Crime and romance fused into one reckless, doomed unit — the criminal-as-lover archetype done with real craft and consequence rather than fantasy.
But It's a serious, elegiac film about violence, not an escapist indulgence — a very different emotional target.

Élite2018
A Spanish teen drama soaked in the same lush, scandalous excess — money, murder, and tangled desire among gorgeous people who make terrible decisions.
But It's an ensemble soap with subtitles and multiple plotlines, not a single-couple obsession — a bigger, messier commitment.

A Simple Favor2018
Glossy, twisty, and fully aware of its own ridiculousness, with sexual tension threaded through a mystery — great if you want style with a wink.
But It's a black comedy at heart, closer to camp than to romance, which changes the whole texture of the watch.

Nine 1/2 Weeks1986no page yet
Before Netflix and Instagram gloss, this was the template — the same power-exchange romance, filmed with the same lush self-seriousness, decades earlier.
The glossy 80s erotic drama that basically invented this whole mood: a stranger, total submission, expensive apartments, and a slow surrender to control.
But It's slower and more melancholic than 365 Days, more interested in loneliness than in fantasy fulfilment.
The Duke of Burgundy2015
Same power-exchange relationship at the centre, but treated as an actual negotiation between equals rather than a kidnapping fantasy — the register 365 Days never once considers.
A quiet, exquisitely shot arthouse film about a couple negotiating dominance and submission with real tenderness, humour, and mutual consent — the same subject, entirely reimagined.
But It's slow, deliberately uneventful, and almost entirely without the glamour or plot momentum 365 Days runs on.

People
Cast
Anna-Maria SiekluckaLaura Biel
Michele MorroneDon Massimo Torricelli
Bronisław WrocławskiMario
Otar SaralidzeDomenico
Natasza UrbańskaAnna
Grażyna SzapołowskaMama Laury
Tomasz StockingerOjciec Laury
Gianni ParisiOjciec Massimo
Mateusz ŁasowskiMartin
Agnieszka WarchulskaDyrektor banku
Przemysław SadowskiDyrektor hotelu
Directing
- Adrianna BartkowskaAssistant Director
- Barbara BiałowąsDirector
- Tomasz MandesDirector
- Marek SerdiukowSecond Unit Director
Writing
- Tomasz MandesCreative Producer
- Blanka LipińskaNovel
- Tomasz KlimalaScreenplay
Production
- Anna KobylarzAccountant
- Marek UrnańczakAccountant
- Marlena RójAccountant
- Maciej SzczygiełAdministration
- Klaudia SerewiśAssistant Production Manager
- Małgorzata SojaAssistant Production Manager
- Agata BiedrzyckaCasting
- Tomasz MandesCasting
- Anna Waśniewska-GillCo-Producer
- Robert KijakCo-Producer
- Piotr KolodziejczykPost Production Coordinator
- Ewa LewandowskaProducer
- Maciej KawulskiProducer
- Tomasz MandesProducer
- Agata KarlickaProduction Coordinator
- Justyna KluczewskaProduction Coordinator
- Iwona PolakProduction Manager