Television series

Love, Death & Robots

Love, Death & Robots is Netflix's anthology of standalone animated shorts, mixing computer-rendered spectacle with traditional and stop-motion styles across sci-fi, horror and black comedy. Episodes run six to twenty minutes, each self-contained, each a different studio's vision. It's gleefully R-rated — gore, nudity, dark jokes — built for skipping to whatever premise grabs you. Best watched in any order, for anyone who wants big ideas delivered fast and dirty.

TVMaze rating8.3

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Black Mirror2011

Charlie Brooker takes the same anxious, techno-paranoid engine and stretches it into hour-long episodes with real character stakes, swapping LDR's visual spectacle for slow-building dread and moral queasiness.

But No gore-forward spectacle or genre variety — it's all one register, cynicism about technology, episode after episode.

Black Mirror poster

The Animatrix2003no page yet

Nine animated shorts from different studios expand the Matrix universe with cyberpunk action, philosophy and wildly different art styles — the same shorts-anthology format LDR runs with, but built around one shared world.

But Some segments lean heavily on Matrix lore and mythology, so they land softer if you don't already care about that universe.

Star Wars: Visions2021no page yet

Anime studios from around the world each reinterpret Star Wars in a wildly different visual style per episode — the anthology structure and animation-showcase spirit shared directly with LDR.

But Gentler tone throughout, built for a broader audience, so it has far less of the shock and gore LDR trades in.

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Heavy Metal1981

LDR is directly descended from this film — the same format of a linked animated anthology from mixed studios, sold on adult content and spectacle, reborn on a streaming budget.

The actual ancestor — an anthology animated film built from segments by different artists, stitched together by a glowing orb, packed with sex, violence and cosmic horror decades before LDR existed.

But Some segments read as dated and leeringly juvenile now, and pacing plus animation quality swing wildly between stories.

Heavy Metal poster
More like this (7)

Cyberpunk: Edgerunners2022

Same ultraviolent, hyper-stylised adult animation energy, but poured into one continuous story instead of scattered shorts — gorgeous action, wrecked characters, and an ending that guts you.

But It's a single ten-episode arc, not an anthology, so you commit to characters instead of hopping between one-off premises.

Cyberpunk: Edgerunners poster

Primal2019no page yet

Genndy Tartakovsky's brutal, near-wordless prehistoric survival story shares LDR's appetite for visceral, beautifully rendered violence, proving craft alone can carry a story with zero dialogue.

But It's a continuing story rather than an anthology, and the wordlessness plus relentless brutality can feel punishing across a full season.

Rick and Morty2013

Unhinged sci-fi premises burned through at breakneck speed, dark comedy and body horror sitting right next to genuine pathos — the same anything-goes energy, just serialised around one family.

But Recurring characters and a sitcom shell mean less of LDR's freedom to completely reinvent tone and world every single episode.

Rick and Morty poster

The Twilight Zone1959

The anthology format's founding text — standalone stories with a moral sting in the tail, using sci-fi and horror as a delivery system for ideas about people, not just spectacle.

But Black-and-white, dialogue-heavy, and paced for 1959 television — a real adjustment if you're used to LDR's density and speed.

The Twilight Zone poster

Tales from the Loop2020no page yet

Melancholy small-town science fiction built from Simon Stålenhag's paintings, anthology-adjacent in structure, sharing LDR's fascination with strange machines and the ordinary humans living quietly beside them.

But Slow, sad, and almost entirely free of action or gore — closer to a mood piece than anything resembling a thrill ride.

Inside No. 92014

A British anthology where every episode is a fully self-contained twist story, whipping from comedy to horror episode to episode — the same anthology thrill, just miniaturised and live-action.

But Live-action and entirely dialogue-driven, with no genre spectacle or animation — the pleasure here is purely in the writing and the twist.

Inside No. 9 poster

Kwaidan1965

Same anthology-horror engine and the same idea of giving each segment its own deliberate visual world, but trading LDR's speed and spectacle for total patience.

Four Japanese ghost stories shot on hand-painted soundstages, each visually distinct, patient and eerie rather than violent — anthology horror treated as pure art object.

But Nearly three hours long and extremely slow by comparison, with no gore or shock cuts — dread here is built through stillness and colour.

Kwaidan poster

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