Film
The Midnight Meat Train
- Slasher
- Serial killer
- Very dark
A photographer descends into obsession tracking a serial killer aboard a midnight subway train. Ryuhei Kitamura's 2008 film is visceral, gore-heavy, and genuinely unsettling—a descent into urban nightmare that doesn't flinch. For viewers who want their horror to hurt and their mystery to unsettle, not comfort.
Should you watch it?
Watch it if you like horror that leans on a grimy, atmospheric New York and a photographer's obsessive eye, and you don't mind gore being the point rather than a side dish.
Skip it if you want the scares to build slowly with restraint; this one is blunt about its violence, and its 103 minutes lean hard into it rather than into dread.
What it asks of you: It asks for a strong stomach and a willingness to sit through graphic, close-up brutality, with a tone that stays grim and rarely comes up for air.
Not sure? Find tonight's pick in a minute.
If you liked this
Nightcrawler2014
Jake Gyllenhaal's obsessive freelance videographer chases LA crime scenes with the same feverish hunger as The Midnight Meat Train's protagonist. Lean, dark, and morally corroded—same descent into the abyss, different canvas.
But Less overtly gory than you might expect; the horror is psychological and slow-burn rather than visceral shock.

Videodrome1983
Cronenberg's mind-bending descent into snuff films and body horror. Grotesque, genuinely strange, and utterly committed to making you uncomfortable. The obsessive protagonist chasing darkness until it consumes him.
But Intentionally confusing and surreal; some viewers find it pretentious rather than provocation.

Maniac2012
Elijah Wood in a brutal first-person descent into a serial killer's psyche. Unflinching, visceral, and genuinely horrible in the best way. Stays close to its protagonist's deterioration every frame.
But Relentless and exhausting; the POV filmmaking can be genuinely nauseating rather than artfully disturbing.

Not sure tonight? Get a pick in a minute, starting from The Midnight Meat Train
The wildcard
Something you would not have found on your own.
Under the Skin2014
Both follow a hunter tracking prey through urban spaces, but flip the script: here the hunter is the mystery, and the hunt becomes incomprehensible. The obsession is one-sided, which makes it far stranger.
Jonathan Glazel's science-fiction nightmare of a predator who preys on lonely men. Uses Scarlett Johansson's alien blankness to create something genuinely alien and horrifying. Not a conventional narrative—pure visual dread and atmosphere.
But Nearly silent, hypnotic to the point of tedium for some viewers; rewards patience with unease rather than plot payoff.

More like this (8)
Henry: Portrait of a Serial Killer1986
The gold standard of serial killer realism. Michael Rooker's chilling ordinariness, the documentary flatness of the violence, the complete absence of moral judgment. Stays with you because it respects the audience's intelligence.
But Genuinely bleak and difficult; there's no catharsis, no redemption, no neat ending to process the horror.

Suspiria1977
Dario Argento's technicolor nightmare about a woman trapped in a nightmarish ballet academy. Gorgeously grotesque, operatic in its excess, and absolutely committed to visual shock over narrative sense.
But The plot is thin and sometimes nonsensical; it's pure atmosphere and style, which alienates viewers wanting coherent storytelling.

Cube1998
Six strangers wake in an inescapable maze of lethal rooms. Claustrophobic, mathematically cruel, and inventive with its violence. Low-budget but high-concept, with genuine dread and real jeopardy.
But The acting is uneven and the dialogue can feel stilted; it's held together by premise and tension rather than character.

Raw2017
A veterinary student discovers she has cannibalistic urges. Gorgeous, disturbing, and genuinely erotic in its transgression. Mixing body horror, sexuality, and coming-of-age into something unsettling and strangely beautiful.
But The graphic violence and sexual content aren't there for shock value, which some find more disturbing than intentional exploitation.

The Wailing2016
A South Korean mystery where a policeman investigates a serial killer amid occult whispers and religious ambiguity. Hypnotic, complex, and structurally brilliant. The horror emerges from not knowing what's real.
But Two and a half hours with a deliberately unresolved ending; demands active engagement rather than offering answers.

Martyrs2008
A revenge thriller that spirals into philosophical torture horror. French extremism at its most uncompromising. Asks terrible questions and refuses to look away, or let you.
But Genuinely testing rather than entertaining; the extreme violence serves the nihilistic argument, which makes it harder to digest.

Martyrs Lane2022
Both traffic in subway darkness and gore, but this inverts that entirely—the real horror is emotional and spiritual rather than splatter. Same register of brutality, completely different weapon.
A British ghost story told through a child's perspective as a mysterious girl appears in her life. Slow-burn folk horror that builds to something genuinely devastating. Quiet, intimate, and absolutely heartbreaking.
But The pacing is glacial and the jump scares are minimal; it's understated in a way that defeats viewers wanting conventional thrills.

Climax2018
A closed space where humans reveal their capacity for violence as external control tightens. Here it's chemical and psychological rather than a serial killer, but the same inevitability of descent.
Gaspar Noé's dance nightmare where a troupe of beautiful dancers slowly descends into violent chaos after spiked sangria. Visual exhilaration colliding with deterioration. Raw, visceral, and genuinely disorienting.
But The dialogue is repetitive, the narrative is deliberately thin, and the camera work itself becomes nauseating by design. Punishing rather than pleasurable.

People
Cast
Bradley CooperLeon Kaufman
Vinnie JonesMahogany
Brooke ShieldsSusan Hoff
Leslie BibbMaya
Roger BartJurgis
Ted RaimiRandle Cooper
Peter JacobsonOtto
Barbara Eve HarrisDetective Lynn Hadley- Stephanie MaceLeigh Cooper
Tony CurranDriver
Quinton 'Rampage' JacksonGuardian Angel
Nori SatoErika Sakaki
Directing
- Ryuhei KitamuraDirector
- David LeitchSecond Unit Director
- James McQuaideSecond Unit Director
Writing
- Jeff BuhlerScreenplay
- Clive BarkerShort Story
Production
- Kelly WagnerCasting
- Nancy NayorCasting
- Beth DePatieCo-Producer
- James McQuaideCo-Producer
- Anthony DiBlasiExecutive Producer
- David Scott RubinExecutive Producer
- Fisher StevensExecutive Producer
- Jason ConstantineExecutive Producer
- Joe DaleyExecutive Producer
- John PenottiExecutive Producer
- Peter BlockExecutive Producer
- Robert McMinnExecutive Producer
- Clive BarkerProducer
- Eric ReidProducer
- Gary LucchesiProducer
- Jorge SaraleguiProducer
- Tom RosenbergProducer
Recommended by
The Uncanny Counter, Creep, The Last Voyage of the Demeter, Stalker, Splinter, Garo, Spring