Television series
Yellowstone
Yellowstone is a sprawling modern Western about the Dutton family's fight to keep their Montana ranch intact against developers, tribal land claims, and their own worst impulses. It's soapy, violent, and gorgeous — helicopter shots of cattle drives cut with boardroom betrayals and bar-fight brutality. Watch it for the landscape, the family dysfunction, and Kevin Costner's slow-burn patriarch. Best for viewers who like their drama big, unsubtle, and pulpy.
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Sons of Anarchy2008
Another family business run on loyalty and blood, dressed in leather instead of Stetsons — the same tragic machinery of a patriarch's empire consuming his own children, with even higher body counts.
But The biker-gang violence is grimier and more relentless than Yellowstone's, and the plotting gets baggier as seasons wear on.

Succession2018
Swap cattle for media conglomerates and you get the same rotten-family-fighting-over-the-throne engine, just funnier and crueler, with dialogue sharp enough to draw blood.
But No horses, no gunfights — it's boardrooms and private jets, so the Western itch won't be scratched.

Longmire2012
A quieter modern Western set in Wyoming, following a sheriff who moves through the same world of ranchers, reservations, and land disputes Yellowstone treats as backdrop.
But Much slower and more procedural — a mystery-of-the-week show, not a saga of family collapse.

The wildcard
Something you would not have found on your own.
The Godfather1972
Same structural engine as Yellowstone — a dynasty defended through violence and loyalty, with succession as the real plot — just wearing a mob suit instead of a Stetson.
Coppola's mob epic runs on the exact same fuel as Yellowstone — a father protecting an empire, sons who each represent a different answer to what the family should become.
But It's slower and more classical than modern prestige TV, with none of the wide-open scenery or contemporary politics.

More like this (8)
Justified2010
Elmore Leonard's Kentucky lawman story has the same drawling menace and moral murk as Yellowstone, with crackling dialogue and violence that always feels earned.
But It's crime procedural more than family epic, and its hero is a badge-carrying lawman, not a landowner.

Ozark2017
A family drawn deeper into violence to protect what they've built, with the same slow moral erosion and a matriarch who might be the most dangerous person in the room.
But Set in the Ozarks' money-laundering underworld, not open range — the scenery and stakes feel very different.

Bloodline2015
A close-knit family with a hidden rot at its center, told with the same simmering dread and gorgeous location work — Florida Keys standing in for Montana's big sky.
But Slower and more introspective, with less action and more brooding silence between the betrayals.

Hell on Wheels2011no page yet
A dustier, more classical Western following the building of the transcontinental railroad, with the same clash of settlers, natives, and capital reshaping the land.
But Set in the 1860s with period trappings — none of Yellowstone's modern-day tension between old ranching life and new money.
Godless2017
A stark, beautifully shot limited series about a town run by women after the men are wiped out — same sun-bleached vistas, same reckoning with violence and land.
But Only seven episodes and self-contained, so it won't give you the sprawling multi-season family saga Yellowstone offers.

Dallas1978
The granddaddy of the oil-and-cattle family soap — scheming siblings, a domineering patriarch, and enough betrayal to make the Duttons look almost restrained.
But Very much a product of its era — big shoulder pads, soapy melodrama, and none of Yellowstone's modern grit or cinematography.

Giant1956
Yellowstone's entire premise — land as identity, oil and cattle money corrupting a family — was already being told, at epic length, nearly seventy years earlier.
A three-hour Texas epic about a cattle-ranching dynasty, oil money, and a family fracturing under its own wealth — practically Yellowstone's great-grandfather, shot in glorious Technicolor.
But It's a stately old Hollywood epic with a leisurely pace; audiences used to modern editing may find it slow going.

The West1996
Everything Yellowstone dramatizes — stolen land, broken treaties, the violence underneath the frontier myth — actually happened, and this is the sober, factual version of that same story.
Ken Burns' sweeping documentary series digs into the real history behind Yellowstone's fictional land wars — the treaties broken, the tribes displaced, the myths built to justify it all.
But It's a slow, fact-dense nonfiction series with none of the melodrama, gunfights, or twisty plotting that make Yellowstone addictive.

People
Cast
Writing
- John LinsonCreator
- Taylor SheridanCreator
Production
- Beau J. GenotAssociate Producer
- Brian SherwinAssociate Producer
- Rajeev MalhotraAssociate Producer
- Tim PedeganaAssociate Producer
- Barry BergCo-Executive Producer
- Brett ConradCo-Executive Producer
- Christina Alexandra VorosCo-Executive Producer
- John CovenyCo-Executive Producer
- Michael FriedmanCo-Executive Producer
- Michael PolaireCo-Executive Producer
- Patrick MarkeyCo-Executive Producer
- Wendy Riss GatsiounisCo-Executive Producer
- William SchmidtCo-Executive Producer
- Ben RichardsonCo-Producer
- Brian SherwinCo-Producer
- Jason AltieriCo-Producer
- Rajeev MalhotraCo-Producer
- Ian McCullochConsulting Producer
- Art LinsonExecutive Producer
- Bob YariExecutive Producer
- David C. GlasserExecutive Producer
- Harvey WeinsteinExecutive Producer
- John LinsonExecutive Producer
- Kevin CostnerExecutive Producer
- Stephen KayExecutive Producer
- Taylor SheridanExecutive Producer
- Barry BergProducer
- John VohlersProducer
- Michael PolaireProducer
- Rajeev MalhotraProducer
Recommended by
Succession, Longmire, Broken Lance, Wind River, Landman, Mayor of Kingstown, Dallas, The Big Valley, Bonanza, Dynasty, Lioness, The Rivals of Amziah King, Godless, McLintock!, Rawhide, 1883