Television series

Emily in Paris

Emily in Paris is glossy escapism: an American marketing exec is transplanted to a French agency, bewildered by office politics and perfect strangers, and dressed head to toe in outfits no one could actually afford. It's a candy-colored fantasy of Paris as postcard — breezy, unapologetically frothy, low on realism and high on croissants, love triangles, and beautiful rooms. Comfort television, plain and simple.

TVMaze rating6.9

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Sex and the City1998

The blueprint for glamorous city-as-fourth-character romance — impossible outfits, messy love lives, and a heroine who narrates her own disasters with total confidence. This is where Emily's chaos gets its DNA from.

But Its politics and jokes have aged badly in places, and six seasons of Manhattan excess is a real commitment.

Sex and the City poster

The Devil Wears Prada2006

Same fashion-industry fantasy, tighter and meaner: a wide-eyed newcomer thrown into a world of impossible bosses and beautiful clothes, minus Emily's rose-tinted optimism. Streep is terrifyingly good.

But It's a two-hour film, not a binge — you'll want more of this world when it ends and there isn't any.

The Devil Wears Prada poster

Younger2015

A woman fakes her way into a glossy New York publishing job and juggles workplace drama with a tangled love life — same breezy rhythm, same refusal to take itself too seriously.

But The premise, a forty-year-old passing as twenty-six, asks for more suspension of disbelief than Emily in Paris ever does.

Younger poster

The wildcard

Something you would not have found on your own.

Dix pour cent2015no page yet

Same city, same glossy professional chaos and workplace love triangles — but made by French people about their own industry, which makes Emily's rosy tourist-eye view look very different by comparison.

The real French industry comedy Emily's Paris is cosplaying — a whip-smart, funny, occasionally savage series about a Parisian talent agency in crisis, packed with actual French stars playing exaggerated versions of themselves.

But It's in French with subtitles and genuinely fluent in industry gossip you may not recognise — less fantasy, more knowing satire.

More like this (8)

The Marvelous Mrs. Maisel2017

Gorgeous costumes, a headstrong heroine reinventing herself against the odds, and a city filmed like a love letter. More craft and wit than Emily, same sugar rush of style.

But The stand-up comedy plotline and 1950s setting are a different flavour — less workplace romance, more one-woman reinvention story.

The Marvelous Mrs. Maisel poster

Gossip Girl2007

Glossy, scheming, gorgeously dressed people falling in and out of love against a backdrop of unearned wealth. If you watch Emily for the outfits and drama, this delivers both, harder.

But The cast is a decade younger and the plots are soapier — expect Upper East Side melodrama, not Parisian charm.

Gossip Girl poster

Jane the Virgin2014

A big-hearted, visually playful romantic comedy that never stops layering in love triangles and narrated asides. The warmth and forward momentum will feel instantly familiar.

But It leans into telenovela absurdity — amnesia, secret twins — a much bigger swing than Emily's grounded-ish plots.

Jane the Virgin poster

Suits2011

Slick offices, sharp suits, will-they-won't-they tension, and a workplace that runs on charisma more than realism. The comfort-watch pleasures are the same even though the industry isn't fashion.

But It's a legal drama at heart, with courtroom stakes and none of the croissants — a bigger tonal shift than it first appears.

Suits poster

Crazy Ex-Girlfriend2015

A woman upends her life for a fresh start and a complicated love story, told with big musical numbers and a real willingness to be silly. Same reinvention energy, different key.

But It's a musical comedy with genuine emotional depth underneath — sharper and stranger than anything Emily in Paris attempts.

Crazy Ex-Girlfriend poster

To All the Boys I've Loved Before2018

Pure, warm, low-stakes romantic comfort food — a likeable lead, fake dating, a love triangle, and a sun-drenched aesthetic that asks nothing of you but a good mood.

But It's a teen romance, not a workplace comedy, so the industry satire Emily has is missing entirely.

To All the Boys I've Loved Before poster

Funny Face1957

The exact same premise, decades earlier: an American ingénue transformed by the Parisian fashion machine, shot like a postcard nobody could resist mailing home.

Audrey Hepburn plays an American bookseller swept into Parisian haute couture, filmed in gorgeous Technicolor with songs and dancing — the same wide-eyed love letter to Paris, six decades before Emily ever set foot on the Métro.

But It's a 1950s studio musical — expect stylised dance numbers and old-Hollywood pacing, not a modern rom-com rhythm.

Funny Face poster

Lost in Translation2003

Swap Paris for Tokyo and croissants for jet lag: the same fish-out-of-water romance and cultural bewilderment, played at a hush instead of a shout — what the fantasy looks like once the sparkle drains out.

An American abroad, unmoored and quietly searching for connection in a beautiful foreign city — the same premise stripped of gloss and certainty, replaced with melancholy and real ambivalence about being a stranger somewhere.

But It's slow, wistful and largely plotless by design — the opposite of Emily's momentum, which may frustrate anyone wanting resolution.

Lost in Translation poster

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