Film

The Devil Wears Prada 2

A belated sequel that drags Andy and Miranda back into a magazine industry now fighting for survival against social media and streaming money. Same brittle wit, same power games, but the stakes have shifted from personal ambition to institutional collapse. It's glossy, nostalgic, occasionally cutting — comfort food for anyone who quoted the original for a decade.

TMDb rating7.0

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Ugly Betty2006

The warmest cousin to Andy's story: an outsider assistant navigating a cutthroat fashion magazine with heart, humour and a genuinely lovable ensemble around her.

But Broader and sillier than Prada, with telenovela plotting that some find charming and others exhausting.

Ugly Betty poster

Younger2015

Publishing instead of fashion, but the same engine — ageism, ambition, a mentor who's terrifying and magnetic — played as sharp, breezy comedy.

But Leans harder into romantic-comedy plotting than workplace satire; the industry stuff is background, not focus.

Younger poster

The Bold Type2017

Three young women clawing their way up inside a glossy media empire, with a boss figure who's demanding but never a cartoon villain.

But More earnest and issue-driven than Prada's satire; it wants you to feel good more than it wants to sting.

The Bold Type poster

The wildcard

Something you would not have found on your own.

All About Eve1950

Same core structure: an older woman of formidable power, a younger one learning to wield it, and the question of who's using whom. Prada is this story with the venom filed down and a happy ending bolted on.

A celebrated, ageing star watches a younger woman quietly angle to replace her — the Miranda-and-Andy dynamic distilled into something far darker and more devastating, decades before Prada existed.

But Black-and-white, theatrical, and dialogue-dense — this asks for patience Prada never does.

All About Eve poster
More like this (7)

Working Girl1988

The office-ambition template Prada borrowed from — a smart underling outmanoeuvring a glamorous, ruthless superior, with genuine class-anxiety bite underneath the gloss.

But Very of its era; the '80s finance-world styling and gender politics haven't all aged gracefully.

Working Girl poster

Set It Up2018

Two overworked assistants scheming against their monstrous bosses — lighter than Prada, but it nails the specific indignity of serving someone powerful.

But It's a rom-com first; the workplace satire is charming garnish, not the main course.

Set It Up poster

Morning Glory2010no page yet

A young producer trying to save a failing morning show by wrangling an imperious, past-her-prime anchor — same generational tug-of-war, TV-news flavoured.

But Softer and more forgiving than Prada; nobody here is ever really allowed to be cruel.

Emily in Paris2020

If you just want the fashion-world eye candy and workplace culture-clash without much bite, this delivers gloss, glamour, and ambition by the truckload.

But Almost no satire, almost no stakes — it's Prada with the teeth pulled and the tourism dialled up.

Emily in Paris poster

Nine to Five1980

The granddaddy of workplace-tyranny comedy — three women plotting against a monstrous boss, with an anger under the jokes that still lands.

But Broad slapstick and dated production values; it's a period piece, not a slick modern satire.

Nine to Five poster

The September Issue2009

This is the source material walking around in real life. Watching the genuine article make brutal decisions in real time reframes everything Streep is doing as impersonation, not invention.

A documentary following the real Vogue, and the real Anna Wintour, assembling an issue — the actual woman Miranda Priestly was built from, unscripted and unnervingly calm.

But No plot, no jokes, no catharsis — just process, ego and editorial politics playing out in real meetings and real silences.

The September Issue poster

The Assistant2020

Same premise — young woman, demanding boss, thankless errands — pushed into a completely different register. It asks what Andy's story looks like if nobody involved is charming and nothing gets resolved.

A quiet, queasy day-in-the-life of a junior employee absorbing the small cruelties of a powerful, unseen boss — everything Prada plays for laughs, stripped of the wit and left to fester.

But Deliberately airless and unglamorous, with no makeover montage, no triumph, and almost no relief.

The Assistant poster

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