Television series
Loot
Other titles called Loot: the 1970 film.
- Comedy
- Light-hearted
A billionaire's very public divorce sends her spiraling into the one thing money can't buy: meaning. Loot is a buoyant, character-driven comedy about a woman learning that legacy matters more than labels. Maya Rudolph anchors it with real warmth beneath the chaos. It's funny without being mean, and genuinely interested in its people.
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Schitt's Creek2015
A wealthy family loses everything and must rebuild in a small town. Like Loot, it's about discovering that worth isn't measured in net worth, built on genuine affection for its ensemble and a willingness to let characters grow.
But It takes a few episodes to find its rhythm, and early on, the fish-out-of-water premise can feel thin.

Severance2022
A puzzle-box mystery about people reclaiming agency over their own lives. Tonally different from Loot, but it shares an obsession with identity, worth, and what happens when you stop performing the role others have written for you.
But Considerably darker and more cerebral. If you want lightness, this will feel like a swerve.

Parks and Recreation2009
A government worker builds meaning through a dysfunctional team and genuine civic purpose. The ensemble chemistry rivals Loot's, and both shows understand that redemption arcs work best when the person doing the redeeming is funny and flawed.
But It's a mockumentary, and the conceit takes effort to adjust to if you're not already a fan of the format.

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The wildcard
Something you would not have found on your own.
Fleabag2016
Both shows understand that charm can be a weapon, and both are interested in what happens when a charismatic person stops using it on everyone else and starts using it on themselves.
A woman breaks the fourth wall, charms her way through chaos, and slowly reveals the ache underneath. Like Loot, it's built on a lead who is funny, selfish, and slowly learning what it costs to treat people like supporting players in your own story.
But Phoebe Waller-Bridge's constant mugging at the camera is mannered and can wear thin. The second season becomes considerably darker.

More like this (8)
The Good Place2016
Four strangers navigate moral philosophy and self-improvement through comedy. It has Loot's appetite for both jokes and genuine emotional stakes, plus an ensemble where every actor gets their moment.
But The plot's architecture is complex and the show demands attention. Sometimes the philosophy lectures feel like work.

Nurse Jackie2009
Edie Falco as a brilliant woman whose personal chaos threatens everything she's built. It's sharper and darker than Loot, but they share the same interest in a gifted woman learning to ask for help.
But Jackie spirals in ways that can feel punishing to watch. This is drama hiding in a comedy's clothes.

Shrinking2023
A therapist and his patient become friends and co-conspirators in a world that demands they be better. Bill Lawrence (who created Loot) brings warmth to stories about people doing the hard work of change.
But The early episodes shuffle tone awkwardly, trying to balance sitcom jokes with serious therapy scenes.

Emily in Paris2020
An American woman abroad must learn to navigate a world that doesn't owe her success or approval. Like Molly, Emily is rich, privileged, and forced to confront her own absurdity. Both shows lean into style and zippy dialogue.
But It's deeply, sometimes deliberately, silly. If you need sophistication, this will test your patience.

Unbreakable Kimmy Schmidt2015
An optimistic woman rebuilds her life after profound rupture, surrounded by an eccentric crew. The tone is brighter than Loot's, but both shows bet on ensemble warmth and the idea that reinvention is possible at any age.
But The comedy is absurdist and sometimes cutesy. It's not trying to be grounded, and that won't work for everyone.

Grace and Frankie2015
Two women build a life together after their husbands blow up their marriage. Less comedy than Loot, but the same investment in female friendship as radical transformation, and the same willingness to let characters be both funny and human.
But It moves at a much slower pace and the comedy is gentler. You have to settle in.

Our Flag Means Death2022
Both center on a wealthy person learning that their money insulates them from the thing they actually need: genuine relationships built on mutual respect rather than transaction.
A rich man joins a pirate crew and discovers that community and purpose matter more than status. It's anarchic and frequently ridiculous, but deeply interested in how privilege blinds you and how humility transforms you.
But The comedy is willfully weird and theatrical. It won't appeal to people who need grounded realism or conventional narrative logic.

Russian Doll2019
Both use comedy as a shield for characters who are breaking down, and both ultimately argue that the path out of crisis runs through brutal honesty and the willingness to be seen as you actually are.
A woman gets trapped in a time loop and must excavate the patterns that have trapped her long before. It's hallucinatory and formally inventive. Natasha Lyonne constructs a character who is defended by humor and destroyed by her own refusal to be honest.
But It's visually disorienting, structurally complex, and full of trauma that never fully resolves. This is prestige television that demands emotional labor.

People
Cast
Writing
- Alan YangCreator
- Matt HubbardCreator
- Aniz Adam AnsariExecutive Story Editor
- Maggie SheridanStaff Writer
- Nick LehmannStaff Writer
- Anna SalinasStory Editor
- Maggie SheridanStory Editor
- Nick LehmannStory Editor
Production
- Alden TuckAssociate Producer
- Bridget KyleCo-Executive Producer
- Emily SpiveyCo-Executive Producer
- Matt MurrayCo-Executive Producer
- Sierra Teller OrnelasCo-Executive Producer
- Vicky LuuCo-Executive Producer
- Yassir LesterCo-Executive Producer
- Alden TuckCo-Producer
- Anna SalinasCo-Producer
- April QuiohCo-Producer
- Lauren TylerCo-Producer
- Morgan SackettConsulting Producer
- Paula PellConsulting Producer
- Alan YangExecutive Producer
- Danielle Renfrew BehrensExecutive Producer
- Dave BeckyExecutive Producer
- Matt HubbardExecutive Producer
- Maya RudolphExecutive Producer
- Natasha LyonneExecutive Producer
- Kris EberProducer
- Missy MansourProducer
- Zeke NicholsonProducer
- April QuiohSupervising Producer
- Zeke NicholsonSupervising Producer