Television series

Our Flag Means Death

A gentle, gorgeous mess of a pirate comedy: a bored aristocrat buys himself a ship and a crew and stumbles, gloriously unprepared, into infamy. It's slapstick and swordfights on the surface, but underneath it's a tender, patient love story and a comedy about men learning to be soft with each other. Funnier than it has any right to be, and sneakily devastating.

TVMaze rating6.7

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What We Do in the Shadows2019

Same deadpan absurdity, same gift for turning a genre premise into an excuse for character comedy, and the same Taika Waititi fingerprints all over the tone.

But It's mockumentary vampires instead of pirates, and the emotional stakes stay lower and sillier throughout.

What We Do in the Shadows poster

Ted Lasso2020

Another show about an unlikely, emotionally open man leading a crew of misfits who slowly become a family, with the same trick of sneaking real feeling in through the jokes.

But Its earnestness is played straighter and less anarchic — no swordfights, and the comedy is gentler throughout.

Ted Lasso poster

Schitt's Creek2015

A privileged outsider dumped among people he doesn't understand, growing into someone better through sheer accidental proximity to love. The tonal arc from farce to tears is nearly identical.

But No adventure, no danger — it's small-town domestic comedy rather than open-water chaos.

Schitt's Creek poster

The wildcard

Something you would not have found on your own.

The Crimson Pirate1952

This is the direct ancestor: a comic pirate adventure that plays swashbuckling for laughs rather than menace, proving the mash-up isn't a new idea, just a newly tender one.

Burt Lancaster grinning through acrobatic swashbuckling in a film that treats piracy as pure slapstick spectacle — swordfights as vaudeville, decades before OFMD made the same joke.

But Old-Hollywood pacing and broad physical comedy with none of the emotional interiority — a pure genre lark.

The Crimson Pirate poster
More like this (8)

Black Sails2014no page yet

The same historical pirates, same crew politics and mutinies, played completely straight and brutal. Great companion piece if you want to see the genre without the jokes.

But It's grim, violent, and takes itself very seriously — a real tonal 180 from OFMD's warmth.

Brooklyn Nine-Nine2013

Another beautifully cast ensemble comedy where a found-family workplace slowly reveals itself to be built on real love, loyalty, and very silly bits.

But Precinct sitcom rhythms instead of serialized adventure — episodic where OFMD builds toward something.

Brooklyn Nine-Nine poster

The Good Place2016

Big swings of absurdist comedy that quietly turn into one of the most sincere depictions of love and self-improvement on TV. The tonal whiplash will feel familiar.

But Philosophy-classroom energy rather than swashbuckling — a very different kind of premise engine.

The Good Place poster

Flight of the Conchords2007

Rhys Darby again, doing his specific brand of gentle, oddball comic sincerity, in a much smaller and stranger register.

But No plot momentum to speak of — it's musical-sketch comedy, low-stakes and meandering by design.

Flight of the Conchords poster

Party Down2009

A crew of disaster-prone underdogs stuck together by circumstance, bickering their way into genuine affection. Similar ensemble chemistry, much smaller canvas.

But Catering gigs instead of the high seas — cringe comedy with none of the swashbuckling spectacle.

Party Down poster

Detectorists2014

For when you want the quietest possible version of this show's tenderness: two gentle men, a hobby, and comedy so soft it barely announces itself.

But Almost nothing happens, on purpose. If you came for adventure this will feel motionless.

Detectorists poster

The Pirates! In an Adventure with Scientists!2012no page yet

Same engine — a useless, sweet-natured captain and his devoted misfit crew — reduced to its purest, most family-friendly form, showing how flexible the premise really is.

Aardman's stop-motion comedy about a hapless, incompetent pirate captain desperate for glory, told with the same fondness for lovable losers at sea.

But It's a kids' film — cheerful, silly, and entirely without the melancholy or romance OFMD builds underneath the jokes.

Weekend2011

Strip away the pirates, the slapstick and the ensemble, and this is the emotional core OFMD is actually interested in: two men learning to let themselves be loved.

A quiet, unglamorous, deeply honest film about two men falling for each other over one short weekend — no costumes, no jokes, just the feeling OFMD is smuggling in underneath its comedy.

But It's intimate indie drama with no plot momentum or humour to soften the vulnerability on screen.

Weekend poster

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