Television series
Grace and Frankie
Grace and Frankie is Netflix's long-running odd-couple comedy about two women in their seventies rebuilding their lives after their husbands leave them for each other. Fonda and Tomlin's chemistry carries seven seasons of vibrator businesses, grown kids, and slow-earned friendship. It's warm, occasionally soapy, and quietly serious about aging, sex, and independence — comfort viewing with real teeth underneath the gloss.
If you liked this
The Golden Girls1985
The blueprint for every 'older women, still hilarious, still sharp' sitcom that followed — quick one-liners, real vulnerability underneath, and four leads who never let age dull their wit.
But Multi-camera, laugh-track sitcom rhythms feel dated next to Grace and Frankie's single-camera polish.

The First Wives Club1996
Three women reunite after their husbands trade them in for younger models and plot glorious, stylish revenge. Same betrayal, same rage turned into reinvention, with more shoulder pads and one killer musical number.
But Broader and glossier — less interested in nuance, more interested in a triumphant montage.

The Kominsky Method2018
Michael Douglas and Alan Arkin play aging friends navigating bodies that won't cooperate and a world that's stopped listening. Same tender, funny honesty about growing old, from the other side of the gender line.
But Chuck Lorre's sitcom instincts occasionally flatten the show's more melancholy moments.

The wildcard
Something you would not have found on your own.
Transparent2014
Robert and Sol's decades-long secret is the entire engine of Grace and Frankie's plot — Transparent tells that same story straight, from the closeted parent's side, with none of the sitcom cushioning.
A father comes out as transgender late in life, and the whole family has to renegotiate decades of assumptions. It's funny, devastating, and asks the question Grace and Frankie only glances at: what do you owe someone who's been hiding that long?
But Much heavier and more formally ambitious — prestige drama pacing, and its creator's off-screen conduct has complicated its legacy for many viewers.

More like this (8)
Book Club2018no page yet
Four lifelong friends read Fifty Shades of Grey and rediscover desire, romance and each other in their sixties and seventies — light, glossy, unapologetically about older women still wanting things.
But Thin plotting, with a lot of star power coasting on charm rather than depth.
Dead to Me2019
A prickly, grief-stricken friendship between two very different women, one dark secret at a time. Same odd-couple chemistry and slow-built trust, dialed up into pitch-black comic thriller territory.
But Considerably darker and twistier — this is about grief and crime, not gentle reinvention.

Schitt's Creek2015
A family stripped of money and status rebuilds itself in a town they'd normally never set foot in. Same warmth, same slow transformation of prickly people into a found family you actually believe in.
But It's about a whole family, not two women — less focused on aging or friendship specifically.

Hot in Cleveland2010no page yet
Three friends in their fifties discover a town that actually finds them attractive, and build a chaotic, joke-a-minute life around it. Pure sitcom comfort food starring women the industry usually sidelines.
But Broader and sillier, with none of Grace and Frankie's underlying seriousness about mortality and change.
Fried Green Tomatoes1991
A friendship between two women, decades and timelines apart, told with warmth, humour, and an unexpected steeliness underneath the Southern charm. A quieter, earlier cousin to the show's belief that female friendship can save you.
But Slower and more sentimental, rooted in a very different, 1930s Southern world.

Younger2015
A woman lies about her age to get ahead in publishing, and the show turns that lie into a sharp, funny meditation on how differently the world treats women depending on the number attached to them.
But Younger and glossier cast, aimed more at ambition and romance than at aging itself.

The Women1939
The exact same premise — a wife blindsided by her husband's affair, surrounded by other women navigating divorce and reinvention — told with an all-female cast eighty years before Grace and Frankie got there.
Pre-Code Hollywood wit at its most vicious: gossip, revenge, and a beauty-salon set piece that's never been topped. Proof that stories about women outlasting bad husbands are as old as the movies themselves.
But Black-and-white, rapid-fire 1930s dialogue, and gender politics that occasionally clang against modern ears.

Grey Gardens1976
Two women who refused to live by anyone else's script, growing old on their own strange terms — Grace and Frankie's beach house eccentricity has a real, unscripted ancestor here.
A mother and daughter, once high society, living in genteel decay in a crumbling East Hampton mansion, utterly unbothered by anyone's judgment. Strange, sad, funny, and completely mesmerizing — a documentary that feels like nothing else.
But No plot, no comfort, and a queasy question of exploitation hangs over how much the filmmakers were laughing at their subjects.

People
Cast
Writing
- Howard J. MorrisCreator
- Marta KauffmanCreator
- Alex BurnettExecutive Story Editor
- Alex KavallierouExecutive Story Editor
- Brendan McCarthyExecutive Story Editor
- Brooke WiedExecutive Story Editor
- David BudinExecutive Story Editor
- Elena CrevelloExecutive Story Editor
- Julieanne SmolinskiExecutive Story Editor
- Elena CrevelloStory Editor
Production
- Alyssa SilverAssociate Producer
- Hannah KSAssociate Producer
- Jesse SchillerAssociate Producer
- Robert BolesAssociate Producer
- Alexa JungeCo-Executive Producer
- Barry SafchikCo-Executive Producer
- Brendan McCarthyCo-Executive Producer
- David BudinCo-Executive Producer
- John HoffmanCo-Executive Producer
- Julie DurkCo-Executive Producer
- Julieanne SmolinskiCo-Executive Producer
- Michael PlattCo-Executive Producer
- Randall Keenan WinstonCo-Executive Producer
- Robbie TollinCo-Executive Producer
- Wil CalhounCo-Executive Producer
- Alex BurnettCo-Producer
- Billy FinneganCo-Producer
- Brendan McCarthyCo-Producer
- Brooke WiedCo-Producer
- David BudinCo-Producer
- Gretchen EndersCo-Producer
- Hannah KSCo-Producer
- Jennifer HoppeCo-Producer
- Jesse SchillerCo-Producer
- Joan Van HornCo-Producer
- Julie DurkCo-Producer
- Julieanne SmolinskiCo-Producer
- Nancy FichmanCo-Producer
- Steven MesnerCo-Producer
- Suzanne LauerCo-Producer
- Sarah LuckyConsulting Producer
- Alexa JungeExecutive Producer
- Barry SafchikExecutive Producer
- Bill BostExecutive Producer
- Billy FinneganExecutive Producer
- Dana GoldbergExecutive Producer
- David EllisonExecutive Producer
- Hannah KSExecutive Producer
- Howard J. MorrisExecutive Producer
- Jane FondaExecutive Producer
- John HoffmanExecutive Producer
- Julie DurkExecutive Producer
- Lily TomlinExecutive Producer
- Marcy RossExecutive Producer
- Marta KauffmanExecutive Producer
- Michael PlattExecutive Producer
- Paula WeinsteinExecutive Producer
- Robbie TollinExecutive Producer
- Tate TaylorExecutive Producer
- Billy FinneganProducer
- Brendan McCarthyProducer
- David BudinProducer
- Hannah KSProducer
- Jacquelyn ReingoldProducer
- Jeff FreilichProducer
- Jennifer HoppeProducer
- Jesse SchillerProducer
- Joan Van HornProducer
- Joanne TollProducer
- Julie DurkProducer
- Julieanne SmolinskiProducer
- Nancy FichmanProducer
- Robbie TollinProducer
- Billy FinneganSupervising Producer
- Brendan McCarthySupervising Producer
- David BudinSupervising Producer
- Julie DurkSupervising Producer
- Julieanne SmolinskiSupervising Producer
Recommended by
Sex and the City, Younger, Fleabag, The Golden Girls, Dead to Me, The Kominsky Method, Hacks, One Day at a Time, Murphy Brown, Ghosts, Orange Is the New Black, Rizzoli & Isles, Desperate Housewives, Empty Nest, Kate & Allie, The New Adventures of Old Christine, The Odd Couple, Transparent, Mom, Designing Women, Better Things, Youth, The Split