Film
Poms
- Buddy comedy
- Light-hearted
A film about a group of seniors who form a cheerleading squad in their retirement community. It's a feel-good ensemble comedy with genuine warmth—not saccharine, genuinely interested in its characters as people with desires and disappointments. For anyone who loves seeing older women given space to be funny, fierce, and complicated, not just decorative.
Should you watch it?
Watch it if you like gentle comedies about stubborn people finding unlikely friendship late in life, with Diane Keaton and Jacki Weaver doing the heavy lifting in a retirement community.
Skip it if you need your comedy sharp and fast, since this one is warm, unhurried and happy to let its jokes sit quietly in the corners.
What it asks of you: Ninety-one minutes, with a gentle rhythm that lingers on small domestic moments between set pieces, so it rewards patience more than attention.
Not sure? Find tonight's pick in a minute.
If you liked this
Book Club2018
Four women in their sixties become unlikely friends through a provocative book club. Smart, genuinely funny, with a cast (Diane Keaton, Jane Fonda, Candace Bergen) that crackles with chemistry and allows its characters real texture.
But The plot meanders into rom-com territory that doesn't always stick the landing. Some jokes lean heavily on assumptions about older women and desire that haven't aged perfectly.

Calendar Girls2003
British Women's Institute members create a charity calendar to raise money—a true story, genuinely moving underneath the comedy. Finds the balance between humor and real courage that Poms reaches for.
But It's slower-paced and quieter than you might expect. The emotional stakes are heavier, which some viewers might find shifts the tone.

Grace and Frankie2015
A show that understands retirement communities as places where life actually gets messier and more surprising. Funny without condescension, willing to let its characters fail and grow. Seven seasons of genuine insight.
But Runs long enough that some seasons dilute what made the early ones sharp. If you're not invested in the characters, the slower episodes will feel indulgent.

Not sure tonight? Get a pick in a minute, starting from Poms
The wildcard
Something you would not have found on your own.
The Golden Girls1985
Both are about older women refusing to fade into the background, both find comedy in real friendship rather than in the fact of aging itself, both understand that this stage of life is still *life* and not a coda.
Not quite the same as Poms, but the ancestor it's reaching toward: four women in retirement, forming family out of friendship, funny and heartbreaking in equal measure. The writing is sharper than you'll remember, and the show refuses to sentimentalize its characters.
But Eight seasons is a lot. Quality dips in the later years. Also: it's forty years old, which means some cultural references have crusted over.

More like this (8)
The Best Exotic Marigold Hotel2012
Seniors navigate reinvention and new relationships at an Indian resort. Ensemble comedy with real poignancy; treats its characters as people discovering who they are, not who they used to be.
But Verges on inspirational-poster territory at moments. The India-as-backdrop framing can feel simplistic and tourist-y.

Thelma & Louise1991
An elderly woman discovers she can move objects with her mind and uses the power to take control of her life. Absurdist and genuinely funny, with a wild performance from June Squibb as someone done compromising.
But The magical-realism premise is played completely straight, which might feel tonally odd if you're expecting kitchen-sink realism. Quirky sensibility isn't for everyone.

The Leisure Seeker2018
Husband and wife, both in their seventies, skip town in an RV. Road movie with sharp dialogue and a real sense of two people who've built a life together, decay and all.
But Slow and melancholic. Helen Mirren and Donald Sutherland are wonderful but the film doesn't move quickly or resolve neatly.

Mamma Mia!2008
Pure joy. A wedding on a Greek island, ABBA music, and a cast having visible fun. Unafraid to be silly and celebratory; Meryl Streep and Christine Baranski have terrific chemistry.
But It's a musical, and not subtle about it. If you dislike seeing middle-aged women in bikinis without irony, this will drive you up the wall.

Blackbird2019
An elderly woman gathers family at her house to say goodbye. Intimate, surprising, with genuine darkness underneath the love. Anna Winour gives a masterclass in restraint.
But Grief isn't the occasion for levity here. It's genuinely sad, and if you're looking for something lighter, it will feel punishing.

Cocoon1985
Seniors discover a pool with miraculous properties and must decide whether to stay as they are or chase a chance at youth. Earnest sci-fi that cares about its characters' interior lives.
But Dated special effects and a tone that can feel unintentionally corny. Some of the dialogue lands more on nostalgia than on believable human interaction.

Bad Grandmas2017
Both subvert the idea that there's a 'respectable' way for older women to behave, though Bad Grandmas swings toward anarchic transgression where Poms seeks community and acceptance.
Four grandmothers go on a spring break trip and commit crimes. Genuinely raunchy, genuinely funny, zero interest in making aging women palatable. Rhea Perlman (who's in Poms) steals every scene.
But Deliberately crude in ways that some viewers will find tiresome. It's not clever, it's just dirty, which is the point but also limits the appeal.

Kin2018
Both honor older women as *people* in charge of their own agency, not sidekicks or chorus members to younger characters' stories. Both believe their characters' desires and needs matter.
A science-fiction film about a working-class family where the grandmother is crucial to the plot—resourceful, dangerous, and given the same weight as anyone else. Shot in naturalistic, almost documentary style; takes its characters seriously.
But Grounded sci-fi with long, quiet passages. The plot doesn't resolve tidily. If you want spectacle or propulsive narrative, you won't find it.

People
Cast
Diane KeatonMartha
Jacki WeaverSheryl
Celia WestonVicki
Alisha BoeChloe
Rhea PerlmanAlice
Phyllis SomervilleHelen
Pam GrierOlive
Patricia FrenchPhyllis
Ginny MacCollEvelyn
Carol SuttonRuby
Bruce McGillChief Carl
Directing
- Zara HayesDirector
- Chelsea BrulandSecond Unit Director
Writing
- Shane AtkinsonScreenplay
- Shane AtkinsonStory
- Zara HayesStory
Production
- Marisol RoncaliCasting
- Mary VernieuCasting
- Cathleen IhaszCo-Executive Producer
- Nicole IhaszCo-Executive Producer
- Laurel ThomsonCo-Producer
- Adam FogelsonExecutive Producer
- Diane KeatonExecutive Producer
- Marc SchabergExecutive Producer
- Nick MeyerExecutive Producer
- Robert SimondsExecutive Producer
- Will GreenfieldExecutive Producer
- Ade ShannonProducer
- Alex SaksProducer
- Andy EvansProducer
- Celyn JonesProducer
- Kelly McCormickProducer
- Rose GanguzzaProducer
- Sean MarleyProducer
- Aleksander KrutainisProduction Assistant