Television series
The Kominsky Method
A wry, tender half-hour comedy from Chuck Lorre, shot single-camera rather than in his usual multi-camera style, about a fading acting teacher and his agent trading barbs about mortality, ex-wives and Hollywood's contempt for grey hair. Michael Douglas and Alan Arkin carry it with lived-in chemistry — funny the way old friends are funny to each other, familiar, a little cruel, deeply fond.
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Grace and Frankie2015
Two women blindsided by their husbands coming out together, forced into unlikely friendship — the same late-life reinvention and comic bite as Kominsky, gender-flipped and with even more seasons to binge.
But Seven seasons is a lot, and the later ones lean broader and more sitcom-ish than the sharp early run.

Hacks2021
An aging Vegas comedy legend forced to mentor a young writer she despises — the same theme of a career winding down and ego refusing to go quietly, with a much nastier bite.
But It's more acid than warm; if you liked Kominsky's fondness, this can feel colder and crueller.

Curb Your Enthusiasm2000
Larry David bumbling through the same Los Angeles of aging industry men, ex-wives and long friendships, mining discomfort for laughs instead of sentiment.
But Almost entirely comedy, with none of the sentimental undertow — no tears to go with the laughs here.

The wildcard
Something you would not have found on your own.
The Trip2011
Same engine as Kominsky — two old friends, competitive and affectionate, using jokes to dodge the fact that time is running out — but shot as a semi-improvised mockumentary instead of a scripted sitcom.
Steve Coogan and Rob Brydon eat their way across northern England, needling each other about fame, failure and mortality between courses — hilarious and quietly devastating.
But Almost no plot; it's a loosely improvised hangout movie, which some find meandering rather than charming.

More like this (8)
The Larry Sanders Show1992
The original showbiz-friendship comedy, built on the exact agent-and-client, career-anxiety dynamic Norman and Sandy share, decades before streaming made it fashionable.
But Nineties talk-show satire dates a little, and Larry is a colder, more selfish lead than Douglas's Sandy.

Cobra Kai2018
Grown men clinging to former glory, refusing to accept they're past their prime — the same comic pathos about legacy and pride, dressed up as a karate soap opera.
But Broader and sillier, aimed at nostalgia and spectacle rather than character-driven melancholy.

Transparent2014
A Los Angeles family drama-comedy about growing older, reinventing yourself and reckoning with who you've been, with the same tender-funny tonal balance.
But Heavier subject matter and a messier, more experimental structure than Kominsky's tidy half-hours.

Shrinking2023no page yet
Grief, aging and stubborn male friendship played for laughs and tears in equal measure — a spiritual sibling in tone, just with therapists instead of actors.
But Newer and less starry, and some of the humour is broader than Kominsky's dry wit.
Frasier1993
A vain, funny man in a beautiful house wrestling with pride, aging relationships and his own ego — the sitcom Kominsky's DNA partly comes from.
But The multi-camera, studio-audience format feels dated next to Kominsky's more cinematic single-camera style.

The Comeback2005
Lisa Kudrow as a former sitcom star clawing for relevance in an industry that's discarded her — the bleakest, funniest cousin to Sandy's fading-star ache.
But Excruciatingly cringe by design; a much harder, more uncomfortable watch than Kominsky's warmth.

Harry and Tonto1974no page yet
This is the blueprint Kominsky quietly follows — an old man refusing to be written off, finding comedy and grace in decline — except it did so with total sincerity nearly fifty years earlier.
Art Carney won an Oscar as an old man evicted from his New York apartment who hits the road with his cat, meeting life with stubborn, dry good humour.
But Slow and episodic, very much of its era — no punchlines, just a gentle accumulation of small moments.
Amour2012
Kominsky Method jokes its way around exactly what Amour stares at directly — the body failing, control disappearing, love outlasting usefulness — same fear, opposite register.
Michael Haneke's unflinching French drama about an elderly couple facing the wife's decline is one of the most honest films ever made about growing old together.
But There is no comfort here and almost no humour — a genuinely hard, sometimes devastating watch.

People
Cast
Writing
- Chuck LorreCreator
Production
- Niko MasonAssociate Producer
- Ross CavanaughAssociate Producer
- Marlis PujolCo-Executive Producer
- Franklyn M. GottbetterCo-Producer
- Ross CavanaughCo-Producer
- David JaverbaumConsulting Producer
- Eddie GorodetskyConsulting Producer
- Nick BakayConsulting Producer
- Warren BellConsulting Producer
- Al HigginsExecutive Producer
- Chuck LorreExecutive Producer
- Michael DouglasExecutive Producer
- Andy TennantProducer
- Marlis PujolProducer