Film
Once Upon a Time in Hong Kong
A 2021 Hong Kong crime thriller set in 1973, depicting the corruption that sparked the creation of the ICAC. It's a stylish, violent portrait of a city where police and criminals were indistinguishable, with the British pulling strings behind closed doors. Gritty and ambitious, uneven in execution, for viewers drawn to historical crime drama.
Should you watch it?
Watch it if you want a crime saga built on historical institutional rot, where cops and gangsters share the same dirty ledger, and you enjoy the slow-burn machinery of corruption more than shootouts.
Skip it if you came for the gunfights, because the action arrives in bursts and the middle stretches on talk, deals and scheming that can feel slow and wordy.
What it asks of you: Roughly 106 minutes of close attention, a grimy, sober tone with little comic relief, and patience to track who owes whom.
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If you liked this
Infernal Affairs2002
A masterclass in Hong Kong crime cinema about moles and double agents within the police and triads. Sharp, tense, and perfectly constructed—it defined the template for this entire genre and influenced global cinema.
But Subtitled, and some viewers find the rapid-fire Cantonese dialogue and overlapping character arcs disorienting on first watch.

A Better Tomorrow1986
John Woo's operatic crime epic that gave Hong Kong action cinema its visual language. It's about loyalty, violence, and redemption with shootouts that feel like ballet. Hugely influential and utterly gripping.
But The melodrama and heroic posturing won't land if you're in the mood for something subtle or darkly comic.

The Killer1989
John Woo's most refined film: a hitman's code of honor collides with police corruption in a story that's both intimate and explosive. Danny Lee and Chow Yun-fat are mesmerizing. Brutal and beautiful.
But The 1989 dialogue dubbing in some versions is rough, and the pacing slows midway as emotional stakes deepen.

Not sure tonight? Get a pick in a minute, starting from Once Upon a Time in Hong Kong
The wildcard
Something you would not have found on your own.
Z1969
Both films use crime and corruption as a lens to examine how state power corrupts when not constrained—the British in 1973 Hong Kong mirrors the regime in Z, with violence as the system's answer to accountability.
Costa-Gavras's political thriller about state corruption and a regime's desperate cover-up uses the police procedural as a weapon against authoritarianism. Taut, propulsive, and morally urgent in ways that feel shockingly current.
But The 1969 French-Algerian production demands attention and engagement; it won't entertain passively, and the ideological freight is visible and intentional.

More like this (8)
The Heroic Trio1993
A bonkers, high-octane action film with three female vigilantes fighting corruption in a dystopian Hong Kong. Visually inventive, wildly entertaining, and genuinely weird in the best way.
But The plot is thin and the tone lurches between camp and urgency. It's style overwhelming substance, which some find exhausting.

Election2005
Johnnie To's ice-cold portrait of triad power struggles and the rituals that govern their world. It's hypnotic, funny, and methodical—a completely different register of Hong Kong crime cinema.
But The pace is glacial and oblique. You need patience and tolerance for long silences and symbolic behavior over plot momentum.

Chungking Express1994
Wong Kar-wai's kaleidoscopic film weaves police corruption, romantic longing, and urban decay into something dreamlike and thrilling. A sensory experience as much as a narrative—visually unlike anything else.
But Fractured narrative structure and ambiguous character motivations frustrate viewers seeking clarity or linear storytelling.

Hard Boiled1992
John Woo's final Hong Kong film before Hollywood: a cop and a triad enforcer team up against corruption in a film of almost abstract violence and loyalty. The hallway shootout is legendary for a reason.
But The plotting is secondary to action sequences, and some of the gunplay is so exaggerated it tips into absurdity.

Police Story1985
Jackie Chan's breakthrough showcases his physicality and charm while exploring police corruption and justice. The action is inventive and genuinely funny, grounded in real danger and stunts.
But The tonal whiplash between comedy and sudden violence can feel jarring, and the gender politics are dated.

Internal Affairs1990
A modern thriller about cops investigating other cops, with sharp dialogue and paranoid tension. It's a solid, well-made entry in the police corruption canon with strong ensemble work.
But It doesn't break new ground and feels like a competent exercise rather than a revelation or fully realized vision.

Temptation of a Monk1993
Both examine systems of power—secular and spiritual—in historical Hong Kong and China, exploring how individuals are corrupted or destroyed when caught between competing authorities.
Visually sumptuous and baroque, this historical drama about a Buddhist monk navigates power, faith, and compromise with painterly elegance. It's meditative where Once Upon a Time is brutal, offering a completely different way to examine corruption and human weakness.
But The pacing is deliberately slow and the spiritual registers won't resonate if you're seeking action or conventional narrative propulsion.

Night and Fog1956
Both grapple with how institutions systematize evil and how ordinary people become complicit. Once Upon a Time dramatizes structural corruption; Night and Fog documents its ultimate endpoint. They're different registers of the same moral reckoning.
Alain Resnais's 32-minute documentary about Auschwitz fuses archival footage, color cinematography, and sound design into something that transforms how you understand atrocity and institutional evil. It's the template for how to witness horror without sensationalizing it.
But It's a Holocaust documentary of extraordinary gravity—not for entertainment, and emotionally exhausting. Many viewers will find it almost unbearable to complete.

People
Cast
Louis KooHank Chan
Tony Leung Ka-faiCrippled Ho
Francis Ng Chun-yuChui Lok
Gordon Lam Ka-tungNash Pak
Keung Ho-manElon
Michelle HuYanni
Kent Cheng Jak-siPudgy
Jacky CaiSharon
Jazz Lam Tsz-sinTimmy
Mimi Kung Chi-YanPudgy's Wife

Directing
- Wong JingDirector
- Woody Hui Ngai-MingDirector
Writing
- Lui Koon-NamWriter
- Ronald Chan Kin-HungWriter
- Wong JingWriter
- Woody Hui Ngai-MingWriter
Production
- Wong Wing-ManAssistant Production Manager
- Wong JingProducer