Film
No Strings Attached
- Romantic comedy
- Light-hearted
A rom-com about two friends who try to separate sex from emotion through a casual arrangement. Glossy, warm, and played with genuine chemistry, it's made for people who believe feelings might sneak up on you anyway. Best watched when you're in the mood for something that doesn't ask much of you.
Should you watch it?
Watch it if you like light romantic comedies built on sharp banter between two old friends, where the funny lines come from real awkwardness about sex and feelings rather than slapstick.
Skip it if you want a fresh take on the friends-to-lovers premise, since its rom-com beats are familiar and the middle stretches on longer than the jokes can comfortably carry.
What it asks of you: It runs about 107 minutes at an easy, conversational pace, staying mostly light and chatty, asking you to follow a couple of characters' small hesitations rather than any complicated plot.
Not sure? Find tonight's pick in a minute.
If you liked this
Friends with Benefits2011
The same premise, same year, same glossy execution—but with better dialogue and a sharper edge about what people actually want versus what they say they want. Mila Kunis and Justin Timberlake have real spark.
But It's still fundamentally a rom-com about inevitably falling in love, which means it follows the beats you expect.

When Harry Met Sally...1989
The ancestor of every 'can-men-and-women-just-be-friends' movie. Meg Ryan and Billy Crystal talk, laugh, and actually feel like people who've known each other forever. The script is sharp and the chemistry is effortless.
But Slower and more talky than modern romcoms. Some will find it dated; others will find that's the point.

Forgetting Sarah Marshall2008
A romantic comedy that trusts you to laugh at real humiliation and heartbreak without punishing anyone for it. Jason Segel is genuinely funny and touching, and the film has actual wit.
But The setup involves infidelity and public embarrassment, which some find hard to move past, even in a comedy.

Not sure tonight? Get a pick in a minute, starting from No Strings Attached
The wildcard
Something you would not have found on your own.
Sleeping Beauty1959
Both are about intimacy without commitment, but this asks whether that's even possible when power is unequal. It's the shadow version of the rom-com premise.
Conceptually the opposite of No Strings Attached—a film about consent, agency, and desire from the male gaze. Its frank exploration of sex and power in a relationship feels both of its era and weirdly contemporary.
But It's a hard watch. Deeply unsettling and explicit in ways that make a 1973 Australian film shocking even now. Not entertainment in the traditional sense.

More like this (8)
Crazy, Stupid, Love.2011
Manages to be both frothy and sincere without feeling dishonest. Ryan Gosling, Steve Carell, and Emma Stone are all in their element, and the film actually earns its emotional moments.
But Tries to balance multiple storylines, which means some scenes feel rushed or rely on coincidence.

What If2013
A thoughtful take on the friends-to-lovers premise with Daniel Radcliffe and Zoe Kazan having genuinely likeable chemistry. It asks whether you can actually just be friends with someone you want.
But Quieter and less polished than you might expect. Some find it too sincere for its own good.

10 Things I Hate About You1999
A teen rom-com with actual intelligence, bite, and performances that make you care. Heath Ledger and Julia Stiles feel like real people who've thought about relationships.
But It's a 90s high-school rom-com, which carries all the tropes that come with that era. Dated references abound.

About a Boy2002
A romantic comedy about a man learning what connection actually means, with Hugh Grant doing understated vulnerability and real character growth. It's warm without being saccharine.
But The central romance is slower to arrive than you might expect, and the film cares more about character than plot momentum.

The Ugly Truth2009
Katherine Heigl and Gerard Butler have the kind of electric bickering chemistry that makes contrived setups feel worth it. It's shameless fun if you're in the mood.
But It's loud, broad, and relies entirely on you accepting its ridiculous premise and unlikely coincidences.

Ghosts of Girlfriends Past2009
Matthew McConaughey in a Christmas Carol structure with actual charm and a supporting cast that elevates material that could have been disposable.
But The premise is borrowed wholesale from Dickens, and the film knows it. If you need originality, this will frustrate you.

Annie Hall1977
Both are fundamentally about whether you can separate sex from emotion. Annie Hall asks the question seriously; No Strings Attached assumes you can't. This proves you shouldn't try.
A romantic comedy that actually deconstructs the form rather than serve it. Woody Allen's neurotic, self-aware, genuinely funny about relationships as the place where we fail each other over and over.
But It's slow, talky, and more interested in philosophy than plot. Also: Woody Allen, which carries complications.

Mulholland Drive2001
The surface is romantic—two women falling into each other—but the film is really about the lies we tell ourselves about love. It's what happens when you push the 'no strings' fantasy to its actual conclusion.
A narrative that feels like a fever dream about desire, identity, and whether we can ever know another person. Naomi Watts and Laura Harring have an intimacy that's electric and devastating.
But It's a three-hour mindbender by David Lynch that shifts genre halfway through and refuses to explain itself. If you need clarity, don't start this.

People
Cast
Natalie PortmanEmma Kurtzman
Ashton KutcherAdam Franklin
Kevin KlineAlvin Franklin
Cary ElwesDr. Stephen Metzner
Greta GerwigPatrice
Lake BellLucy
Olivia ThirlbyKatie Kurtzman
LudacrisWallace
Jake JohnsonEli
Mindy KalingShira
Talia BalsamSandra Kurtzman
Ophelia LovibondVanessa
Directing
- Ivan ReitmanDirector
- John WildermuthFirst Assistant Director
- Jane GoldsmithScript Supervisor
- Christina FongSecond Assistant Director
- Conrad E. PalmisanoSecond Unit Director
Writing
- Elizabeth MeriwetherScreenplay
- Elizabeth MeriwetherStory
- Michael SamonekStory
Production
- Barbara HarrisADR Voice Casting
- John WildermuthAssociate Producer
- Joanna ColbertCasting
- Rich MentoCasting
- Christine ColvinCasting Assistant
- Tess MinskyCasting Assistant
- Lisa BruceCo-Executive Producer
- Ali BellCo-Producer
- Annette SavitchCo-Producer
- Elizabeth MeriwetherCo-Producer
- Gary BarberExecutive Producer
- Jonathan GlickmanExecutive Producer
- Natalie PortmanExecutive Producer
- Roger BirnbaumExecutive Producer
- Tom PollockExecutive Producer
- Gregory AlpertLocation Manager
- Jennifer Scudder TrentPost Production Coordinator
- Ivan ReitmanProducer
- Jeffrey CliffordProducer
- Joe MedjuckProducer
- Donna Glasser-HancockProduction Accountant
- Susan DukowProduction Coordinator
- Cristen Carr StrubbeUnit Production Manager
Recommended by
Failure to Launch, The Pinochet Case, Friends with Benefits, Marry Me, Love & Other Drugs, That Awkward Moment, What's Your Number?