Film
Marry Me
Other titles called Marry Me: the 2014 series (NBC).
- Romantic comedy
- Light-hearted
A romantic comedy where a famous pop star impulsively marries a stranger after catching her fiancé cheating. It's a charming, music-filled romp that leans into the absurdity of the premise while actually caring about whether these two very different people could genuinely connect. Solidly enjoyable comfort viewing.
Should you watch it?
Watch it if you enjoy a glossy, sunny love story where the pleasure lies in mismatched chemistry and big pop-concert set pieces, and you don't mind predictability if the leads are clearly having fun.
Skip it if its romance runs on well-worn rom-com beats, so if you need surprise or a sharp edge, you may spot every turn coming a mile off.
What it asks of you: Under two hours at a bright, breezy clip, it asks you to accept an improbable premise and let the glossy musical numbers carry you.
Not sure? Find tonight's pick in a minute.
If you liked this
Notting Hill1999
The gold standard for fish-out-of-water celebrity romance. Julia Roberts brings warmth and genuine vulnerability to a famous actress falling for an ordinary bookseller, and the supporting cast is impeccable. Genuinely funny and sweet.
But The pacing feels dated, and some of the romantic politics haven't aged as gracefully as we'd like. Also fairly long for what is essentially a straightforward love story.

Maid in Manhattan2002
Jennifer Lopez at her most charismatic, playing a hotel maid who poses as a guest to catch the eye of a visiting dignitary. It's unashamed escapism with real charm, and Lopez carries the whole film with genuine warmth and comedic timing.
But The class politics are muddled and convenient, and the plot hits every obvious beat of the rom-com formula without much surprise. Ralph Fiennes feels somewhat wasted in the leading man role.

Set It Up2018
Two executive assistants decide to set up their demanding single bosses with each other. It's witty, fast-paced, and full of that rare quality: characters you actively want to spend time with. The chemistry between leads is genuinely electric.
But It's almost aggressively predictable, and if you've seen more than three rom-coms in your life, you'll see every turn coming. The workplace dynamic is also somewhat glossy and unrealistic.

Not sure tonight? Get a pick in a minute, starting from Marry Me
The wildcard
Something you would not have found on your own.
Hedwig and the Angry Inch2001
Both use the convention of an unexpected marriage to explore what happens when two people from radically different worlds actually have to build something together, but Hedwig asks the questions Marry Me only pretends to consider.
A punk rock musical about a transgender woman and her former lover, told with brutal honesty and genuine power. It's romantic, furious, funny, and devastatingly sad. The songs are unforgettable. A love story that actually earns its stakes.
But It's not comfort viewing. The emotional terrain is raw and sometimes painful, and the genre is actively hostile to mainstream sensibility. Some might find the tonal whiplash between comedy and real suffering jarring.

More like this (8)
Enchanted2007
An animated fairytale princess gets transported to modern New York City. It's got charm, genuine magic, and Amy Adams doing something wonderfully earnest. Patrick Dempsey is perfectly cast as the grounded romantic interest.
But The tonal shift between the animated opening and live-action bulk is jarring. For adults without nostalgia, the saccharine elements might feel like too much.

Crazy, Stupid, Love.2011
A marriage falls apart and rebuilds itself across an ensemble of interconnected stories. It manages to be genuinely funny, touching, and a little bit profound about what love actually requires. Great supporting cast.
But The structure means no single story gets the depth it deserves, and the tonal shifts between comedy and serious emotion can feel uneven. Some plot threads resolve too neatly.

The Proposal2009
Sandra Bullock's ice-queen boss forces her young assistant to fake an engagement to avoid deportation. Bullock's comedic timing is sharp, and there's real warmth beneath the high-concept premise. Ryan Reynolds is charming and funny.
But It traffics in some uncomfortable power dynamics that the film doesn't quite acknowledge. The resolution relies on a lot of convenient coincidence, and the pacing sags in the middle.

No Strings Attached2011
Two friends decide to have casual sex without feelings getting involved. It's funny, has genuine chemistry between leads, and actually respects the intelligence of its characters. Ashton Kutcher is better here than he's any right to be.
But The premise is more interesting than the execution, and it ultimately retreats into fairly conventional romantic beats. The jokes sometimes rely on tired stereotypes about men and women.

Fools Rush In1997
Matthew Perry and Salma Hayek play strangers who have a drunken Vegas wedding and attempt to make it work. It's charming and gently funny, with real affection for its characters. The cultural contrast is handled with more respect than you'd expect.
But It's dated in ways that sometimes feel uncomfortable, and the pacing is sluggish. The supporting characters are largely one-note.

Two Weeks Notice2002
Sandra Bullock's earnest environmental lawyer quits her job working for a billionaire developer and discovers he can't live without her. Bullock and Hugh Grant have nice chemistry, and the New York setting is genuinely appealing.
But The class commentary is surface-level at best, and the film is almost entirely predictable. Hugh Grant coasts on charm rather than actually acting.

In a Relationship2018
Marry Me asks if strangers can fall in love; this asks if people already in love should stay together. Both are fundamentally about the real work beneath the romantic premise that rom-coms usually skip.
A naturalistic comedy about a couple in their late twenties trying to figure out if they should stay together. It's shot like a documentary, feels lived-in, and captures the specific texture of modern relationships with surprising tenderness. No big plot twists, just real life.
But There's almost no plot. If you're looking for a story that builds to something dramatic, this will feel like watching someone else's relationship footage. The handheld aesthetic won't work for everyone.

Begin Again2014
Both centre on music and the way creativity can build intimacy, but Begin Again treats the love story as secondary to the real work of recovery and self-discovery, asking harder questions about whether romance is actually the point.
A washed-up record producer and a singer-songwriter collaborate on an album after she's dumped by her rock-star boyfriend. It's about making art together, healing from heartbreak, and finding your voice. The music is genuinely great, and the romance emerges slowly from real connection.
But The film is quite long and deliberately paced, with several scenes that feel like they're testing your patience. The ending is bittersweet in a way that some find unsatisfying. Mark Ruffalo's performance is understated to the point of diffidence.

People
Cast
Jennifer LopezKat Valdez
Owen WilsonCharlie Gilbert
MalumaBastian
John BradleyColin
Sarah SilvermanParker Debbs
Chloe ColemanLou Gilbert
Michelle ButeauMelissa
Khalil MiddletonKofi
Kat CunningTyra
Taliyah WhitakerEsther
Diego LucanoJose
Brady NoonGeorge
Directing
- Kat CoiroDirector
- Christopher SurgentFirst Assistant Director
- Mary KellyScript Supervisor
- Takahide KawakamiSecond Assistant Director
- Cary LeeSecond Second Assistant Director
Writing
- Bobby CrosbyGraphic Novel
- Harper DillScreenplay
- John RogersScreenplay
- Tami SagherScreenplay
Production
- Meryl FedermanAssistant Accountant
- Dean Michael MannAssistant Location Manager
- Kate BeallAssistant Location Manager
- Ulyssa SalettAssistant Production Coordinator
- Brandon CreedAssociate Producer
- Courtney BaxterAssociate Producer
- Josh LevineAssociate Producer
- Kevin BeislerAssociate Producer
- Julie TuckerCasting
- Leslie WooCasting
- Kim KrakauerCasting Associate
- Christopher SurgentCo-Producer
- Jenn CourtCo-Producer
- Adam McCarthyExecutive In Charge Of Production
- Alex BrownExecutive Producer
- J.B. RobertsExecutive Producer
- Pamela ThurExecutive Producer
- Willie MercerExecutive Producer
- Grant WilfleyExtras Casting
- Robert SpenceFirst Assistant Accountant
- Kay CarambiaLocation Assistant
- Shane TurcoLocation Assistant
- Paul KramerLocation Manager
- Melody ChengPayroll Accountant
- Benny MedinaProducer
- Elaine Goldsmith-ThomasProducer
- Jennifer LopezProducer
- John RogersProducer
- Nick BommerProduction Accountant
- Tori SmithProduction Assistant
- Lindsey LefkowProduction Office Coordinator
- Erika LuceroProduction Secretary
- Kelsi RussellProduction Supervisor
- Guy EfratUnit Production Manager
- Pamela ThurUnit Production Manager