Film
War and Peace of Mind
A Finnish documentary that pairs quiet historian testimony with spare, dreamlike recreations to ask what the Continuation War — Finland's WWII fight against the Soviet Union — did to the minds of the men who fought it and the country that sent them. It's slow, sober, and more interested in psychological aftermath than battlefield chronology. For viewers drawn to trauma and memory rather than combat spectacle.
If you liked this
Restrepo2010
The gold standard of embedded war documentary — you live inside a platoon's fear, boredom, and camaraderie in Afghanistan's Korengal Valley, with no narration softening the psychological wear it records as it happens.
But There's no hindsight or historical framing; it drops you into the moment and offers no tidy conclusions.

Waltz with Bashir2008
An animated documentary about a director hunting his own buried memories of the 1982 Lebanon War, treating trauma and deliberate forgetting as the actual subject rather than an afterthought.
But The animation is deliberately strange and dreamlike, which some viewers find distancing rather than clarifying.

The Unknown Soldier2017no page yet
Finland's own foundational war story, following ordinary conscripts through the same Continuation War — the fictional companion piece to everything the documentary describes from the inside.
But It's a fairly conventional war drama, more invested in combat and camaraderie than in interior psychological damage.
The wildcard
Something you would not have found on your own.
Let There Be Light1946
This is the same project decades earlier: a government-commissioned film about war's psychological wounds that the state itself tried to bury, proving the impulse to hide this damage is as old as the damage.
John Huston's own war documentary, shot in a US Army psychiatric hospital showing shell-shocked soldiers in group therapy — so raw the Army suppressed it for over thirty years.
But The footage is grainy, clinical, and the pacing is very much of its era — no modern polish to soften it.

More like this (8)
The Winter War1989no page yet
The war fought just before the one in the documentary, and just as brutal — a grim, unglamorous portrait of Finnish conscripts freezing and dying against overwhelming Soviet numbers.
But It's slow, bleak, and nearly three hours long, without much of the psychological framing the documentary supplies.
Come and See1985
Often called the most devastating war film ever made, following a boy through Nazi-occupied Belarus until horror seems to physically alter his face on screen.
But It's punishing rather than illuminating; some viewers leave shattered rather than informed.

The Fog of War2003
Errol Morris interviews Robert McNamara alone, letting a man who shaped a war's worst decisions reckon, imperfectly, with what he did and believed at the time.
But It's a single talking head for ninety minutes — riveting if you're drawn to moral reckoning, dull otherwise.

Land of Mine2015
German boy-soldiers forced to defuse mines on Danish beaches after WWII — a quieter, claustrophobic study of what sustained terror does to a young mind trying to survive it.
But The tension never lets up and the ending offers little relief; it's a genuinely hard watch.

Five Came Back2017no page yet
Follows five Hollywood directors, including Capra and Ford, who filmed the real fighting of WWII and came home changed — a rare look at how witnessing war reshaped the storytellers themselves.
But It's more about filmmaking history than combat psychology directly, so the trauma angle stays implicit.
The World at War1973
The definitive archival WWII series, built from firsthand testimony of soldiers and survivors decades before asking how the war left them feeling became fashionable.
But It's a huge commitment at 26 episodes, and its interviews are calmer than the documentary's staged intensity.

Grave of the Fireflies1988
Same era, same civilian-side psychological toll of total war, but delivered through a medium — animation — that lets grief and fear be rendered in ways documentary footage can't touch.
An animated feature following two Japanese siblings trying to survive the firebombing of Kobe — devastating proof that animation can carry the weight of real historical trauma better than live action often does.
But It's unbearably sad by design, told through a child's eyes, with no distance or comfort offered anywhere.

First Blood1982
The exact same subject — a veteran's mind wrecked by war and unable to find peace at home — wearing the costume of a mainstream action movie instead of a solemn documentary.
Before Rambo became a punchline, this was a lean, angry film about a Vietnam veteran's psychological damage exploding into violence when a small town refuses to leave him alone.
But It's a genre action-thriller with shootouts and a manhunt — pulpier and less contemplative than the documentary by design.

People
Cast
Nika SavolainenRecreated scenes- Verneri LiljaRecreated scenes
Eeva PutroRecreated scenes- Ville KivimäkiSelf
- Jenni KirvesSelf
- Juha MälkkiSelf
- Tuomas TeporaSelf
Directing
- Ari MatikainenDirector
Writing
- Ari MatikainenWriter
Production
- Ari MatikainenExecutive Producer
- Jukka KujalaPost Production Coordinator
- Liisa KarpoProducer
- Maria VilkkiProduction Assistant
- Sanni SalonenProduction Assistant
- Tiina PesonenProduction Assistant
- Milja HärkönenProduction Trainee
- Helena PilkeResearcher
- Jenni KirvesResearcher