Film
The Naked Prey
A punishing, almost wordless survival thriller from 1965. Cornel Wilde plays a safari guide stripped naked and given a head start to outrun warriors across the African bush after an insult sparks brutal retribution. It's colonial-era pulp with genuinely raw, physical filmmaking — pure cinema of breath, terrain, and pursuit. Effective, uncomfortable, not for the squeamish or those wanting nuance.
If you liked this
Apocalypto2006
Same primal premise turbo-charged: a man stripped of everything, chased through unforgiving jungle by warriors who want him dead, told almost entirely without English dialogue.
But Gibson's excesses show — the violence is more baroque and lingered-on, and the politics have drawn even more scrutiny than Wilde's original.

Deliverance1972
Four men's canoe trip curdles into a fight for survival against the land and its locals, with the same sense that nature doesn't care whether you make it home.
But Slower to ignite than Naked Prey, and it carries a notorious, deeply unpleasant sequence some viewers can't get past.

The Revenant2015
DiCaprio drags himself across brutal frontier terrain in a film obsessed with physical endurance and the indifference of landscape, shot with the same commitment to punishing spectacle.
But Twice as long and far more painterly, trading Naked Prey's lean urgency for slow, awards-season grandeur.

The wildcard
Something you would not have found on your own.
The Most Dangerous Game1932
This is where the entire 'give a man a head start and hunt him' template started — Naked Prey just moved the hunter from a decadent aristocrat to a wronged tribe, flipping who holds the power.
The blueprint for every hunted-man story since — a shipwrecked adventurer becomes the quarry of an aristocrat who hunts humans for sport on his private island, told in a lean hour.
But Pulpy, dated melodrama by today's standards, with none of Naked Prey's visceral documentary texture.

More like this (8)
The Grey2011
Plane crash survivors fight wolves and Alaskan wilderness, with the same bleak arithmetic of who lives and who doesn't.
But More philosophical brooding than Naked Prey allows itself, and the ending frustrates anyone wanting a clean resolution.

Predator1987
Strip away the sci-fi and you have the same bones: a man alone in dense jungle, hunted by something that outclasses him, surviving on wit and terrain.
But It's an '80s action movie through and through — muscles, one-liners, none of Naked Prey's moral discomfort.

First Blood1982
Rambo becomes prey in Pacific Northwest forests, hunted by a small-town sheriff's men, using the terrain itself as his only weapon.
But More wounded-underdog action thriller than meditation on survival — angrier, talkier, less austere.

Walkabout1971
Two stranded children survive the Australian outback guided by an Aboriginal boy, made just years after Naked Prey with the same unflinching eye on landscape and culture clash.
But Dreamlike and slow where Naked Prey is relentless — patience required, and the ending is ambiguous, not triumphant.

Cast Away2000
Tom Hanks strips down, literally and emotionally, to survive alone, and the film's best stretches are near-silent studies of a body working out how to stay alive.
But Gentler and more sentimental by far, with a back half about reintegration that Naked Prey never bothers with.

127 Hours2010
A single man's ordeal against his own trapped body, told in real physical terms with the same commitment to making you feel every second of endurance.
But Claustrophobic rather than a chase across open land, and the true story's fame means the outcome is no mystery.

Nanook of the North1922
Naked Prey belongs to a filmmaking tradition that traces back to this — outsiders filming 'primitive' survival as proof of human endurance, a legacy Naked Prey inherits and complicates rather than escapes.
A landmark silent film following an Inuit family's daily survival against Arctic cold, staged and partly fictionalized, but astonishing in its wordless commitment to showing bodies working against indifferent environment.
But No chase, no villain, no plot tension — just survival as spectacle, and its ethnographic staging is now controversial.

Ten Canoes2006no page yet
It's the mirror image of Naked Prey's gaze: where Wilde's film makes tribal warriors the silent, menacing engine of a white man's ordeal, this one hands the camera, the voice, and the humour entirely to the people that film turned into predators.
An Australian Aboriginal cast tells a story-within-a-story set before colonization, narrated with warmth and wit entirely from an Indigenous perspective — the hunt and the land are the subject, not the scenery.
But Leisurely and structurally playful, with none of Naked Prey's adrenaline — closer to a fireside story than a thriller.
People
Cast
Cornel WildeThe Man
Gert Van den BerghMan #2
Ken GampuLeader of the warriors
Patrick MynhardtSafari overseer
Bella RandlesLittle girl- Morrison GampuTribe Leader
- Sandy NkomoWarrior
- Eric McanyanaWarrior
- John MarcusWarrior
- Richard MashiyaWarrior
- Franklyn MdhluliWarrior
- Fusi ZazayokweWarrior
Directing
- Bert BattAssistant Director
- Muirne van WykContinuity
- Cornel WildeDirector
Writing
- Clint JohnstonScreenplay
- Don PetersScreenplay
Production
- Sven PerssonCo-Producer
- Cornel WildeProducer
- John D. MerrimanProduction Manager
- Basil KeysProduction Supervisor
- Dawie van HeerdenUnit Manager
Recommended by
The Most Dangerous Game, Apocalypto, First Blood, Deliverance, The Edge, Southern Comfort