Film
Miss and the Doctors
A French comedy-drama where two doctor brothers both develop crushes on their young patient's mother, a bartender. It's a light, character-driven film about attraction, rivalry and the gap between medical professionalism and messy human feeling. Warm and wryly funny rather than hilarious, best for viewers who like relationship tangles with genuine emotional undertow.
Should you watch it?
Watch it if you enjoy quiet, dry French comedies where awkward romantic longing plays out in small gestures, and a little melancholy sits comfortably beside the laughs.
Skip it if you want brisk plotting or a clear comic payoff; this one drifts at its own pace, and its humour is deadpan enough that some viewers will find it flat.
What it asks of you: About an hour and forty minutes of unhurried, observational scenes with few big moments, so it rewards patience and close attention to faces and silences.
Not sure? Find tonight's pick in a minute.
If you liked this
Amélie2001
A whimsical French film about unexpected connections and romantic mishaps in Paris. It shares the same gentle humour, visual warmth, and belief that life's small moments matter deeply.
But The whimsy can feel saccharine if you're not in the mood for it. Some find it too deliberately precious.

The Discreet Charm of the Bourgeoisie1972
Buñuel's masterpiece about desire, class and social performance. Like this film, it finds comedy and melancholy in how people navigate attraction and propriety, with a fractured narrative that rewards attention.
But It's deliberately surreal and philosophical. If you want plot momentum, you'll find it frustratingly elliptical.

Heartbeats2010
A French-Canadian film about two best friends both falling for the same person. Elegantly melancholic, it captures that specific pain of romantic competition without losing its dark humour.
But More austere and introspective than funny. The ending offers no easy comfort.

Not sure tonight? Get a pick in a minute, starting from Miss and the Doctors
The wildcard
Something you would not have found on your own.
The Lovers on the Bridge1991
Both explore attraction as a force that unmakes professional composure and forces people to confront what they actually want beneath social roles.
Leos Carax's visually stunning romance between two damaged people in Paris. Like *Miss and the Doctors*, it's interested in how desire destabilises people, but here it's operatic and epic rather than wry. A very different register for the same emotional truth.
But Painfully romantic in a way that can feel overwrought. The melodrama will exhaust you if you prefer restraint. Nearly three hours long.

More like this (7)
The Dinner Game1998
Francis Veber's farce about two men whose professional facade crumbles over an evening. Brilliantly plotted comedy-drama that mines character and situation for both laughs and genuine pathos.
But Depends entirely on whether you find the central humiliation premise amusing. It can feel mean-spirited if it doesn't land for you.

Mademoiselle Julie2011
Another study in obsession and class friction between professionals and working-class women. Blends restraint with uncomfortable sexual tension, much like this film's territory.
But Slower paced and more psychologically murky. Less accessible than something overtly comedic.

Zazie dans le Métro1960
A classic French film about desire and disorder in everyday life, shot with visual playfulness and anarchic energy. Captures a similar spirit of adult foolishness observed with affection.
But Its rapid-fire style and dated references can feel chaotic rather than charming to modern viewers.

Late Spring1949
Ozu's meditation on attachment, desire and the bonds between people. Quieter than this film but similarly interested in how we mask feeling and negotiate closeness.
But Glacially paced and meditative. Zero plot propulsion. Requires patience and surrender.

The Taste of Things2023
A recent French film about two men and unspoken desire, shot with sensual attention to detail and genuine warmth. Finds comedy in professional men confronting their own humanity.
But Slow-burn and understated. Nothing is explained or dramatised; you live inside the mood.

Masculin Féminin1966
Godard's portrait of attraction between young people, fragmented and playful. The same interest in desire as social performance, though aimed at younger characters.
But Fractured narrative and dated politics. More experimental than this film, which may feel needlessly obscure.

In the Mood for Love2000
Both films understand that attraction between adults is often about what's not said, and that propriety and professional identity are just walls we build against feeling.
Wong Kar-wai's Hong Kong masterpiece about two neighbours discovering mutual attraction. Visual poetry about longing and restraint. Completely different film, but the same quiet conviction that desire is cinema's real subject.
But Deliberately paced like a dream. Almost nothing happens plot-wise. Visually gorgeous but remote—you watch from outside.

People
Cast
Louise BourgoinJudith Durance
Cédric KahnBoris Pizarnik
Laurent StockerDimitri Pizarnik
Paula DenisAlice
Serge BozonCharles
Gilles Gaston-DreyfusM. Perez- Camille CayolAnnabelle
Benjamin EsdraffoLe père de Rémi- Espérance Pham Thai LanLa mère de Kay/La vendeuse
- Paul BozonRémi
- Alexander WuKay
Directing
- Julie GouetAssistant Director
- Axelle RopertDirector
Writing
- Axelle RopertWriter
Production
- Stéphane BatutCasting
- David ThionProducer
- Philippe MartinProducer
- Antoine ThéronProduction Manager